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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» 6C33C loading in Super M»
» Impossibility of commerc»
» "Something is rotte»
» Altec Model 19 in Boston.
» Pacific Microsonics Mode»
» Eventually I’ve seen a l»
» About “strangeness” of A»
» Why I hate computer play»
» Macondo Horns: biography.
» San Francisco in Februar»
» How many Bits needed for»
» Music reviews are writte»
» The audiophile’s stupid »
» Dvorak/"Dumky"»
» Another horn manufacturer
» How Piazzolla should sou»
» Custom made woofers.
» Experience Music Horn In»
» NASA Reverberant Acousti»
» A cutoff horn loudspeake»
» Subjective evaluation of»
» A CD player of today… 20»
» Some Orchestra on Demand»
» TU-X1 setup
» About Audio and Cooking »
» Wet/Dry ™ configuration »
» Celibidache / bruckner
» Super Melquiades Amplifi»
» Semi-Interesting film fr»
» Dunlavy SC++ loudspeaker»
» Le C'leach horn rear cha»
» Loit Eagle Player – the »
» Wilson Audio Setup Proce»
» New speaker system
» Suggestion on my introdu»
» Turntable Design
» What is wrong there and »
» It’s mad, mad, mad... e»
Bookmarked are red
Glenn Gould Audio Archiv»
Tchaikovsky's Compositio»
Rradiomuseum
Russian Music in 20th Ce»
ClassicalNet
Unofficial Vitavox Site
Dr. Olson Tribute Site
Lenard's Opals monitor
ElecroVoice’s Vintage Pr»
The Soul of Sound
JE Labs
Sibelius Academy music l»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro Seiki RX-5000
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Lamm L2 Reference pream»
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Sansui TU-X1 Tuner
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