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» Configuration from Italy»
» The Active High Frequenc»
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» Conclusions on my Home a»
» Matching audio to music:»
» Walter conducting Vienna»
» A great conductor - but »
» Why the tubes shall be t»
» Lutoslawski Concerto for»
» An interesting TT link: »
» Fantasies about 10Y
» Micro Seiki SX777 Air Re»
» 2011 Brucknerathon
» Do the Filament Transfor»
» Lamm introduced LL1 Sign»
» The corrupted listening »
» I built this device
» Abbado + Lucerne Festiva»
» Attention Sound Engineer»
» Happy birthday Johann Se»
» A great OPT resource page
» Russian Orthodox liturgy»
» Weber’s "Andante e »
» The dynamic range of our»
» SCAM! Horn - Academy Phi»
» The path of simplificati»
» A CD off tune? The Big C»
» "Something is rotte»
» Le C'leach horn rear cha»
» MET Broadcast, season 20»
» Claude Perrier and his t»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Composer's Anniversaries
Bach, Wilhelm Friedemann (»
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Ropartz, Guy (15 June 1864»
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Godron, Hugo (22 November »
Rodrigo, Joaquín (22 »
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Amirov, Fikret (22 Novembe»
Borup-Jorgensen, Axel (22 »
Schuller, Gunther (22 Nove»
Zender, Hans (22 November »
Wallace, Frank (22 Novembe»
My Audio Leftovers
SME M2 - 12" Tonearm wi»
Conscience of audio rev»
Electro-Voice T350 twee»
Fane Studio 8 dual conc»
Lamm L2 Reference pream»
Vitavox 330Hz Horn for »
Micro-Seiki air-suspend»
Pacific Microsonics Mod»
Altec 808A compression »
Vitavox AK151 15" bass »
Vitavox S2 Compression »
More Leftovers »»