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» Interview with Daniel We»
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» Gould's Piano
» About Wilson Audio Louds»
» Denon 103: myths and the»
» Rebel++ first blood, Amp»
» Foundation Standarts for»
» The bizarre magnetized 6»
» When the stars aligned.
» The “sounds” that I am l»
» Magico: Robert Harley’s »
» Online Music Store in Eu»
» Conductor Herbert Kegel
» Analog Transfer: the fir»
» “A” sound from “B” syste»
» Better DAW by a “second”»
» Stands for Super Melquia»
» Ultimate MF compression »
» The exaggerated boots un»
» RIAA pole two = 501,12 Hz
» The “theories” about the»
» A tale of two DACs
» Allnic Verito MC Phono C»
» Mid Bass horns help with»
» ESS Connoisseur: a sensi»
» Prices in High-End Audio.
» DVD for pop, SACD for cl»
» The period DHT tubes and»
» Cats and hifi
» Some Orchestra on Demand»
» Compression drivers and »
» Paradoxes of my Racism.
» The “Right of Spring” – »
» Tweeters: the most misus»
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The Cartridge Database
33+45=78
Furtwängler's conserts
RAAL ribbons
JE Labs
Tchaikovsky's Compositio»
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Marston Records
Tubecad publication
Dazy Web Labaratory
Plasma Tweeters Site
The Soul of Sound
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Kenwood L-02T FM Tuner
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Musatex’s Bidat Model "»
ESS AMT-1A Heil Air Mot»
Rohde & Schwarz EU-6201»
Fane Studio 8 dual conc»
Mid-range tantrix round»
Sansui TU-X1 Tuner
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REL Precedent 646C tuner
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