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Random Site's Threads
» The “Implied Sound” in A»
» Tonearm Alignment Method
» What about 220V 50Hz?
» Convergent Legend Preamp»
» Open cell foam in horns »
» The beauty of Cannibalis»
» The real goals of sound »
» About beauty and uglines»
» Brahms, "Liebeslied»
» Better solution for bein»
» A quote from a Japanese »
» High-End Audio Topologie»
» Compression Drivers -in »
» Melquiades: too early fo»
» George Orwell and loudsp»
» Object-oriented audio re»
» The Estonian idiocy: Est»
» Paradoxes of my Racism.
» Bass drivers inquiry
» Null-set dipole butterfl»
» Upper-Sound of Upper-Imp»
» Compression driver phase»
» Micro Seiki MAX 282 Ques»
» Altec cabinet: 815a
» Horn high-sensitively ar»
» 5-ways from Speedysteve7
» Always check power-line »
» The “Right of Spring” – »
» Rod Poole 1962-2007
» Maria Callas’s Glory Day»
» Make Your Own Horns
» October surprise. NY, NY»
» A “pocket version” of Br»
» Try something unusual an»
» Phase plug for midbass
» Align your FM tuners!
» The Herbert von Karajan’»
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Classical events in Boston
APR 11 Benjamin Zander, con»
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Composer's Anniversaries
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Schuller, Gunther (22 Nove»
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Wallace, Frank (22 Novembe»
My Audio Leftovers
Electro-Voice T350 twee»
SME M2 - 12" Tonearm wi»
Lamm L2 Reference pream»
Altec 515B bass drivers
CEC TL-0 MK2 transport
Micro-Seiki air-suspend»
Tribute Output Amorphou»
“Tree Blind Mice” colle»
Micro Seiki RX-5000
REL Precedent 646C tuner
Kenwood L-02T FM Tuner
More Leftovers »»