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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Levels of High End Audio»
» Why I hate HornResp.
» It is about timbres, stu»
» BW Broadcast RBRX Encore»
» A right midbass solution»
» TAS article: start of th»
» Loudspeakers and headpho»
» TU-X1 setup
» To Rip or not to Rip.
» An air compressor and TT.
» Garg wants more horns.
» Rightsizing from extreme»
» In interesting new compa»
» An interesting comment, »
» Martin-Logan, Myles Asto»
» Micro Seiki SZ-1T
» Dedicated Music Room Bui»
» CEC TL0 3.0 trasport
» Copland/BSO/Copland
» Bad, bad, bad 1812 Overt»
» RX-5000 Thread tension.
» Paradoxes of my Racism.
» 6E6P-DR in triode mode
» Micro Seiki RX-5000 Reco»
» Tonality versus Frequenc»
» Pacific Microsonics Mode»
» Boulez' LF-Injected Vers»
» Elgar conducts Elgar.
» Those little headphones…
» A very slow monolog abou»
» LPs & CDs Storage.
» The DSET perspective exa»
» Classical Music for the »
» What is wrong with Dipol»
» About Omnivorenes of Pla»
» A tribune to Transient E»
» Transition : Driver to t»
» Wasted Time and "be»
Bookmarked are red
Ron Penndor's Recollecti»
DaVinciAudio Labs
Classical Recordings New»
Austria's Musical Exiles
Delta Entertainment
Musical Musings
Subito-Cantabile
Audio Spot Kamani
ClassicalNet
Lenard's Opals monitor
Seen and Heard
Clemens Krauss Archive
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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