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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The tales of two phonost»
» Turntable Design
» Constructing LF modules »
» Battling stupid Horn Cri»
» Deep-cryogenically treat»
» Why the tubes shall be t»
» George Orwell and loudsp»
» Shostakovich’s 100th bir»
» Radiation patterns match»
» My new “New” listening r»
» Mystery of bass horn cal»
» About beauty and uglines»
» What drives good sound?
» New York Times family ki»
» Horns and digital crosso»
» Playing bad recordings u»
» Chasing utopian better p»
» Shock-absorbing tube soc»
» Entereing the "Desi»
» Need A audio connector &»
» New speaker system
» A perfect "High-End»
» Emmerich Kalman (1882-19»
» All Active! A DSET and m»
» It looks like Brits will»
» Introduction to “Melquia»
» Discovered a great chora»
» Benjamin Britten’s Violi»
» A Frankenstein Macondo -»
» Chinese upperbass horn.
» How audio started….
» The Hannes Kastner’ Tocc»
» The Norman Lebrecht’s ar»
» About the Playbacks’ Thi»
» Fire and Music
» An idea of “Rain Wake-Up»
» The Audio of 21 century:»
» Tractrix Bass horn vs Sp»
Bookmarked are red
Haenssler Classic
Dr. Bruce Edgar Interview
The Tape Project
The Bruckner Discography
The National Valve Museum
Composers Forum
Sibelius Academy music l»
Thomas Dunker's Site
Tuners Stereo Surgeons
Ron Penndor's Recollecti»
Classic Records UK
DIY SET
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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de Groot, Jan Rokus (6 May»
Micro-Seiki air-suspend»
Sansui TU-X1 Tuner
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Conscience of audio rev»
Micro-Seiki MAX-282 To»
Vitavox S2/S3 diaphragms
Altec 515B bass drivers
Electro-Voice T350 twee»
“Tree Blind Mice” colle»
Lamm Industries M1.1 Mo»
Pacific Microsonics Mod»
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