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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Wiener Philharmoniker r»
» Dedicated Music Room Bui»
» Artificial Phases Random»
» Open cell foam in horns »
» Is horn a natural shape?
» Vitavox S2 coupling
» Fostex tweeters, Lowther»
» If you were to start fro»
» PCM63 DAC with Transform»
» Small spaces
» A lucidly implemented di»
» Marantz MA-9S2 Monoblock»
» Playing music for visito»
» What drives good sound?
» Horn length/expansion/gr»
» 3 way Tractrix Horn Buil»
» Horn for smartphone
» Bruckner, me and the Sev»
» The Absolute Sound of Au»
» Moerch DP6 and DP8 “anis»
» Making of a Steinway.
» Lavry D9a26 Power Supply
» Null-set dipole butterfl»
» The Studio AU projects.
» What to do in England?
» Japanese Super High Mate»
» Melquiades For Dummies™ »
» The Mozart’s Dorabella a»
» Universal VTA adjustment.
» Playback and chamber mus»
» How to listen High-End A»
» Playback and Perception »
» Hideous American operas.
» Copland/BSO/Copland
» Rachmaninoff, PC 3; Kond»
» Push pull compound compr»
» Upcoming Bruckner 4
» Two-stages, hybrid, smal»
Bookmarked are red
Jim Moskowitz's Unknown »
Japanese Translator
Tuners Stereo Surgeons
Opera Collector Guide
Tubecad publication
FM Radio Query
GedLee loudspeakers
Rachmaninoff Society
Great Plains Audio
Subito-Cantabile
Alexander Karpov’s “Next»
Martha Argerich Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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SME M2 - 12" Tonearm wi»
Lamm L2 Reference pream»
Lamm ML-2 Single-Ended »
Lamm Industries M1.1 Mo»
Musatex-TP Bidat 20-Bi»
REL Precedent 646C tuner
Pacific Microsonics Mod»
Micro-Seiki air-suspend»
Hillock TV-2 tube tester
Vitavox S2/S3 diaphragms
Altec 515B bass drivers
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