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» “Why horns”, years later.
» Say “no” to the light to»
» Expectations in the conc»
» Idea of a 3way horn syst»
» Any recommendations?... »
» Samuel Feinberg's Well-T»
» The decentralization and»
» Orion Phono Preamplifier
» Idler Drive - Rumbling I»
» Yamamura's 6 ways
» Why Hight-End Audio, as »
» Problems with horns: mid»
» A Moscow setup with Horn»
» The New York Philharmoni»
» Exceptional loudspeakers»
» Crane Radio CCE2
» Dinsdale Horn Design Art»
» Dvorak/"Dumky"»
» The industry-embraced au»
» Thinking about Bruckner »
» Worcester Music 2009-201»
» It is about timbres, stu»
» Bach, Brandenburg Concer»
» 2011 Brucknerathon
» Macondo Alternation. Ext»
» SET and speakers: disreg»
» The low-power SET and de»
» "Something is rotte»
» A great article from Pet»
» Audio and the “Alzheimer»
» Bill Gaw: over 50 years »
» A horrible re-performanc»
» Available Blenders and S»
» Chicago Lyric Opera on W»
» Mozart: "Cosi Fun T»
» Romance, Food & Mahl»
» A contemporary great CD »
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Loudspeaker Designer's G»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki Arm Board
ESS AMT-1A Heil Air Mot»
Sansui TU-X1 Tuner
Micro Seiki RX-5000
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Fane Studio 8 dual conc»
Micro-Seiki MAX-282 To»
LF Transformer for 6C33C
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