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» The 6E5P tube data.
» Goodbye to EMI?
» Charles Schlueter’s inte»
» My reading for a “smalle»
» TX-103s...
» An angry engineer...
» Listening rooms and comp»
» Deep-cryogenically treat»
» The Full (fuller) Range »
» The optimum Sampling Rat»
» The tapped horns: cons, »
» More or less pleasure: w»
» The Kato-san's Goto »
» Professional sound syste»
» The commercial music ser»
» Capturing live internet »
» Altec cabinet: 815a
» Alfred Schnittke’s Gogol»
» Tube outputted CDP's and»
» Who inherit Mocondo or a»
» Transition : Driver to t»
» Winter storm & Casals
» Ale horns on ebay possib»
» Reading an official audi»
» Many Mani's options: My »
» The nature of "soun»
» The “Dead Points of Live»
» Tannoy Red or Gold monit»
» Speakers: a hi-fi disast»
» Myth: High-efficiency L»
» BAAS posting of two raw »
» Transparent horns
» Martin-Logan, Myles Asto»
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WHRB Radio Station
IMSLP Music Library
StateWork Broadcast Reco»
AudioTools
Russian Music in 20th Ce»
The Well Tempered Comput»
Louis Speichler's Records
Turner Audio
Museatex
Daniels Audio
Classical Recordings New»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
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