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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Brahms PC #1, Philharmon»
» High-End Audio vs. High-»
» How do you position your»
» A complex Audio Question
» My trip to the Stereophi»
» Analog Transfer: the fir»
» A great production of th»
» Big mama 1.5" horns»
» Expressive Technologies »
» Bach, Brandenburg Concer»
» Two channels (tweeter an»
» Lampizator horn
» Ultimate Turntable
» Audio cabinet of curiosi»
» The Dvorák’s Tone P»
» Interested in reading mo»
» Dannoy and oxytocin...
» Interesting non horn spe»
» Vitavox S2 driver made i»
» The WHRB’s Rimsky-Korsak»
» Modifying TAD 2404
» Power Supplym for driver»
» Best streaming service 2»
» Tritium Turntables
» The UnipheyeMusic and St»
» Digital crossovers self-»
» Romy The Cat's new Liste»
» The “Implied Sound” in A»
» Klipsch Jubilee
» My first audio show. Hmm»
» The beauty of Cannibalis»
» Bruckner, Wind and the w»
» Elgar conducts Elgar.
» The Sound assessment rec»
» Mravinsky/Leningrad from»
» Moerch DP6 and DP8 “anis»
» Revisiting DSP
» Where high-end audio sta»
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Classical Collections
Jim Moskowitz's Unknown »
WGBH alumni
American Broadcasting
Classical Music Streams
Jogis Röhrenbude's Site
Dr. Bruce Edgar Interview
Alexander Karpov’s “Next»
Hi-Fi Speakers Design
WHRB Radio Station
Heart's Ease
Technical books online
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
Sansui TU-X1 Tuner
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Purist Audio Design Pro»
Fane Studio 8 dual conc»
Electro-Voice T350 twee»
Musatex’s Bidat Model "»
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