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» Bruckner 8, WDR and Manf»
» Arsenic bacteria & G»
» What constitutes a great»
» Michelin horns
» Audio and Music: four le»
» Prom 22 - if only all or»
» Lamm’s new phonostage.
» Help: Building a Melquia»
» FM Acoustics: The most i»
» Two-stages, hybrid, smal»
» Nanse Gum and his Euro-A»
» Problems with horns: twe»
» Bach, Brandenburg Concer»
» Great Cello Concertos
» Rod Poole 1962-2007
» The “Melquiades” Sound -»
» Horn high-sensitively ar»
» If I were a High-End Aud»
» A horn workshop
» Reflections pattern in C»
» Integrated sound field o»
» Making LPs; What Goes In»
» Looking for the most vin»
» FMFool – a truly useful »
» Roger Waters' Ça Ir»
» Satisfying result: the R»
» The Hannes Kastner’ Tocc»
» Weber’s "Andante e »
» Coral x-viii
» The “Dead Points of Live»
» Shostakovich‘s "Suite on»
» Greek Anima Loudspeakers
» LF Amplifier in biamping.
» A new amplifier from Aud»
» About Moronism in Audio
» If you’re multiamping th»
» Recapping RX5000
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Input Choke & Resonant C»
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CEC TL-0 MK2 transport
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REL Precedent 646C tuner
Kenwood L-02T FM Tuner
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