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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» "SOTA Technology&qu»
» The leather-suspended dr»
» Wagner and loudness.
» The silence after coda
» Building On "Accide»
» Education vs Magic
» JBL2440 on a round 300Hz»
» Trash your “full-rage”, »
» When the stars aligned.
» Midbass Horns and Real E»
» Lamm ML2.1 "No long»
» I wonder when Chinese be»
» Semi-Interesting film fr»
» The ULF cannel for my ne»
» Hässler sonata: Gra»
» Hans Vonk Legacy
» Lamm ML2.0 & Lamhorn»
» The Tenor amplifier and »
» Starting from scratch - »
» Two-stages, hybrid, smal»
» Digital Voicing
» William Kapell legacy an»
» All Active! A DSET and m»
» DSET and Cables.
» The Opera Room
» Oliver Sacks' "Musi»
» The Real Total Horn
» Klipsch Jubilee horn
» Digi Redux; Drive 1 tran»
» Schubert's Dancing Cats
» Altec Model 19 in Boston.
» If you've never heard th»
» A Simple Question (or 3)»
» The path of simplificati»
» How audio started….
» Der Ring Des Nibelungen »
» Macondo – Super Melquiad»
» Mitigating Undesired Hig»
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ElecroVoice’s Vintage Pr»
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Silent Running Audio
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Electronics encyclopedia
Spinning Dog Records
The Opera Critic
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NPR's SymphonyCast
Altec divers/horns
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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Schat, Peter (5 June 1935-»
Greven, Gert-Jan (3 Februa»
Vitavox 330Hz Horn for »
Kenwood L-02T FM Tuner
Altec 515B bass drivers
Pacific Microsonics Mod»
Lamm L2 Reference pream»
Stage Acompany SA8535 d»
Micro-Seiki air-suspend»
Electro-Voice T350 twee»
Koetsu Onyx Platinum Ca»
Lamm ML-2 Single-Ended »
Musatex-TP Bidat 20-Bi»
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