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» Music & Arts' Stokow»
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» The irony of playback ph»
» Le C'leach horn rear cha»
» Audio and Politic: a sol»
» Brahms PC #1, Philharmon»
» Benjamin Britten’s Violi»
» Some conical horns anti-»
» A request to all posters»
» “Get Better Sound” by Ji»
» The path of simplificati»
» Question on speakers
» What is wrong there and »
» Beethoven's Triple Conce»
» High-End Audio as going »
» 60hz, GPA-515-8ghp horn.»
» Martin-Logan, Myles Asto»
» October surprise. NY, NY»
» Problems with horns: mid»
» If I were a High-End Aud»
» A Simple Question (or 3)»
» Who the hell is this int»
» Pop-music as a side-disc»
» Ultimate Turntable?
» Romy...thoughts on Lamm »
» Subjective evaluation of»
» My new “New” listening r»
» Performers
» Metal domes
» Listening rooms and comp»
» Large Polystyrene Caps
» Another (outdoorsy) swea»
» The DSET perspective exa»
» Superbly interesting eff»
» Yarlung Records at 24 bi»
» Anybody building or usin»
» Melequiades PSU
» About Single Driver Spea»
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Elliott Sound Products
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Japanese's HiFiDo
Audio Perfectionist
Olson Acoustical Book
The National Valve Museum
Technical books online
GedLee loudspeakers
Classic Records UK
Toccata Classics
Classical Music Streams
WGBH alumni
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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is bach better on harp?»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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ethel smyth, a composer lo»
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‘the lost pianos of siberi»
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Sansui TU-X1 Tuner
Fane Studio 8 dual conc»
ESS AMT-1A Heil Air Mot»
Vitavox S2 Compression »
Purist Audio Design Pro»
Altec 515B bass drivers
Kenwood L-02T FM Tuner
Mid-range tantrix round»
Electro-Voice T350 twee»
Micro Seiki RX-5000
Vitavox AK151 15" bass »
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