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» The silence after coda
» Paul McGowan. tubes in p»
» Some horn writing by Tho»
» Listening Pipe Organ Mus»
» How to train respect aud»
» A fresh take on 9th by t»
» ... and some Bruckner bu»
» Lab JC
» And a Bruckner 8 the day»
» Input choke for Low Curr»
» An Afternoon with Gary K»
» 3.5m Tractrix Horn Proje»
» Chord QBD76 - the new dac
» Turntable Design
» Andrew's new 4-way horn »
» Another "Top five t»
» The 'nature' of said rea»
» Thomas Mayer’s Triamp
» Another horn manufacturer
» Interesting non horn spe»
» A ridicules speaker cable
» Pikovaya Dama / Queen of»
» Need A audio connector &»
» Munich High End 2011
» Crossover or non-crossov»
» We don’t necessarily kno»
» Macondo vs Dannoy = Esse»
» Ways to use audio method»
» How to sell high-end aud»
» Maria by Callas
» A subwoofer of death, no»
» Loudspeakers and headpho»
» “Hearing Modernity” at H»
» Wilsons, EMM, Ozawa, Sa»
» Internet and electricity
» Another problem in my ne»
» Sick CEC TL0
» Audio Quality Matters in»
Bookmarked are red
Boston Philharmonic Orch»
Duke Classical
Pjay's Speaker building »
Classic Artc Showcase
Wing Records
Aria Database
Subito-Cantabile
DaVinciAudio Labs
Haenssler Classic
Perer Gulmann's Classica»
Daniels Audio
WGBH's “Keeping Score”
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APR 11 Benjamin Zander, con»
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