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» Russian cello festival
» Achingly Beautiful Arias
» “Melquiades” amplifier: »
» We don’t necessarily kno»
» Our Fuzzy Pussies, Audio»
» What about 220V 50Hz?
» High-End Audio, how to »
» Aries Cerat Contendo - t»
» A quest for a better SET.
» Neumann Dummy Head.
» Nice pair of S2s on eBay»
» The decentralization and»
» Ah, Michelangeli...
» A very slow monolog abou»
» Downloadable DSD.
» Yamaha ns1000m speaker p»
» Digital Equalization
» Wasted Time and "be»
» THe Audio Critic Magazine
» Tokyo (Akihabra) Audio a»
» Janine Jansen Violin
» Some conical horns anti-»
» Audio Cost
» How to build the best au»
» Choosing Someone to Refu»
» My playback’s sound vs. »
» About the (secret) rules»
» A big subwoofer vs. an a»
» Bid Midbass Asian Horns
» How audio started….
» Remembering Sound…
» Remedies the Beauty
» Surprising: the most int»
» Re-set Martha Argerich!
» Many Mani's options: My »
» Contributing factors in »
» The Melquiades' "Re»
» The New Year Concerts wi»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Lamm Industries M1.1 Mo»
Sansui TU-X1 Tuner
Electro-Voice T350 twee»
CEC TL-0 MK2 transport
Micro-Seiki air-suspend»
Vitavox AK151 15" bass »
Vitavox S2/S3 diaphragms
Micro-Seiki Arm Board
Korvet “Egg” Tonearm
Kenwood L-02T FM Tuner
ESS AMT-1A Heil Air Mot»
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