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Audio Demoronizator AD-1
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» Rachmaninoff PC 2: Conce»
» How to evaluate playback»
» Tube outputted CDP's and»
» Japanese Super High Mate»
» Magico: biological minde»
» About EAR 834P Modificat»
» Yet another Gould box se»
» High End speakers Evolut»
» Looking for different So»
» What constitutes a great»
» Signal variation, noise,»
» New Lynx A/D and D/A pro»
» Arranging my records col»
» Deep-cryogenically treat»
» The commercial music ser»
» A CD off tune? The Big C»
» How to get a LOT of SET »
» Think Denk and op.106
» Oistrakh(s) on Monitor M»
» Boxed in horns
» A random neutralness
» CDs organisation methodo»
» EnABL: Just a note to aw»
» High-End Audio Bass: wha»
» The pianist Yuja Wang … »
» R22
» Some Horns propaganda
» Not just another leather»
» Mahler VI - Barbirolli w»
» Yamamura's 6 ways
» Fake Vitavox S2 diaphrag»
» A new beast from JBL: Ev»
» Audio equipment recommen»
» Recording/Playback softw»
» Those experiences. Early»
» His Master Voice’s Shade»
» Say “no” to the light to»
» Designing and building a»
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Plasma Tweeters Site
Museatex
Michelangeli Site
WGBH's “Keeping Score”
Music & Arts
High-End Audio
MusicWeb
Valves Collection
Michelangeli Discography
VIP Records
The AHRC Research Centre
Decca Classical discogra»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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it’s (almost) business as »
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“Tree Blind Mice” colle»
Hillock TV-2 tube tester
Kenwood L-02T FM Tuner
Rohde & Schwarz MSDC Mu»
Pacific Microsonics Mod»
Purist Audio Design Pro»
Stage Acompany SA8535 d»
Fane Studio 8 dual conc»
Electro-Voice T350 twee»
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