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» The Sound assessment rec»
» Excerpt: Beethoven Cello»
» Ravel's Piano Trio; Rubi»
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» The idiotism of Audio Sy»
» New sample 24/96 downloa»
» The Engström & »
» Why I do not like the &q»
» The jump-start of loudsp»
» Lowther Driver
» I think it is the end.
» Has anyone ever seen the»
» A dive to Auro 3D
» A great production of th»
» Constant directivity = c»
» Amplifiers heat… a real-»
» The Evolution of Honk.
» Brian Cheney of VMPS
» The need for a balanced »
» The Daniel Hertz M1 ultr»
» My site and Your expecta»
» Audiophiles are Happy or»
» The Hannes Kastner’ Tocc»
» My Multi-way Horns
» Tightening to loosening »
» Audio system: my path to»
» Martin-Logan, Myles Asto»
» Audio Sonar Acoustic Lev»
» JMLC horns profile?
» How many Bits needed for»
» Seven hours of live musi»
» Chicago Horn Loudspeaker»
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» The differential diagnos»
» Macondo – Super Melquiad»
» How is Leak tl 25 differ»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Thomas, Jason (27 Decembe»
Vitavox S2 Compression »
Musatex-TP Bidat 20-Bi»
Kenwood L-02T FM Tuner
Tribute Output Amorphou»
Lamm ML-2 Single-Ended »
Vitavox S2/S3 diaphragms
Micro-Seiki air-suspend»
Altec 808A compression »
LF Transformer for 6C33C
Micro Seiki RX-5000
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