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» 100V vs 120V
» Another interesting corr»
» Idler Drive - Rumbling I»
» Label or map it religiou»
» Woofers cone repair – a »
» Battling stupid Horn Cri»
» About the ownership of a»
» Philmundi Story about ho»
» Why I hate computer play»
» About the tweeters phase»
» The “Primary Frequencies»
» Dannoy and oxytocin...
» The Multicells HF Horns.
» Long time due: Digital P»
» The Tenor amplifier and »
» Electro-Voice T350, T35,»
» Dvorak Piano Quintet
» Bach's performing space.
» Micro Seiki SX 111FV Pla»
» The “Melquiades” Sound -»
» Sensible record cleaning»
» A new 'chic' foolishness»
» Gaussmeter wanted.
» The commercial music ser»
» High End speakers Evolut»
» Acoustics of Avery Fishe»
» Compression at WCRB - b»
» Copland/BSO/Copland
» What a week in Boston!
» The Abington Something =»
» The ways to delay horns »
» A quest for a better SET.
» Mozart: "Cosi Fun T»
» Downloadable DSD.
» Expectations in the conc»
» About speakers Imbedded »
» ... and some Bruckner bu»
» Beware of PurePower Part»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
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another trump blunder»
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Vitavox S2 Compression »
Lamm ML-2 Single-Ended »
SME M2 - 12" Tonearm wi»
Musatex-TP Bidat 20-Bi»
Micro-Seiki Arm Board
Micro-Seiki MAX-282 To»
Altec 808A compression »
Micro Seiki RX-5000
Vitavox S2/S3 diaphragms
Sansui TU-X1 Tuner
Rohde & Schwarz EU-6201»
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