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» Andrew's new 4-way horn »
» TAS article: start of th»
» The objectives of Einste»
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» Gaussmeter wanted.
» Bach Cello Suites
» Alicia De Larrocha, Bach»
» Tonearm Alignment Method
» The “Primary Frequencies»
» Bartok piano works
» An amplifier for Tweeters
» Overlooked Cello Reperto»
» Class “D” – the industry»
» We do not have an audio »
» Roger Waters' Ça Ir»
» Music and WW3
» Levels of High End Audio»
» DVD for pop, SACD for cl»
» Electrostatic Sub Horn
» Appearance of listening »
» If I start High-End Audi»
» The Engström & »
» The best 20 hz bass horn
» About HF Binaurallism
» 'Ideal' ceiling height? »
» TOA monster sized compre»
» Digital crossovers self-»
» About the thoughtfulness»
» A dive to Auro 3D
» Nice collection of Artic»
» Joaquin Rodrigo’s “Conci»
» Trinnov amplitude and im»
» Micro SX8000I: noisy pum»
» Worcester Music 2009-201»
» 50/40 Altec 604 Duplex B»
» Transparent horns
» Zander, BPO, George Li a»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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