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» A new 'chic' foolishness»
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» My current conductor obs»
» The Herbert von Karajan’»
» Tweeters: the most misus»
» Signal variation, noise,»
» The Truly High-End Ampli»
» 6C33C socket types, wher»
» The best “Die Fledermaus»
» High-End Audio and ... c»
» In defense of Mikhail Pl»
» My favorite video clips
» The WHRB’s Orgies period.
» Thank you, Sir! May I ha»
» Steinway and Lyngdorf lo»
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» The contemporary pressin»
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» Japanese Super High Mate»
» If you've never heard th»
» It is time for you to de»
» JMLC horns profile?
» Perception of bass?
» James Levine takes a gre»
» About the Critical Audio»
» Balanchine’s “Pathetique”
» Audio and Politic: a sol»
» A proper implementation »
» The DSET perspective exa»
» Macondo 2.0?
» New sample 24/96 downloa»
» Starting from scratch - »
» How to test 6C33C?
» I can't wait to read the»
» A cutoff horn loudspeake»
» A passive but elegant pr»
» How to insert pictures i»
» Middle step (non ultimat»
Bookmarked are red
Decca Classical discogra»
JPC CD Store
Exponential/Hyperbolic C»
Joachim Raff Society
Find-a-Concert
Adnan Arduman's site.
Daniels Audio
Seen and Heard
Furtwängler's conserts
Wolds Opera Broadcasts
33+45=78
Vintage EV speakers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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