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» Gershwin's Rhapsody in B»
» The Lieberson’s Neruda S»
» Bach Cello Suites
» Does Reference Recording»
» Macondo's Axioms: Horn-l»
» CEC TL0 3.0 trasport
» James Levine takes a gre»
» The concrete midbass hor»
» The "non-winner&quo»
» The low-power SET and de»
» Thoughs about “My Playba»
» About dymick sparkling.
» Horn high-sensitively ar»
» Crane Radio CCE2
» The new releases from &q»
» Optical Cartridge: groun»
» A complex Audio Question
» Mid Bass horns help with»
» John Luther Adams's Beco»
» Don't evaluate audio by »
» Reel-to-Reel Tape vs. Ra»
» Apple helped kill FM...a»
» The bogusness of the coa»
» The essence of High-End »
» Tchaikovsky Symphony #4
» Get, or made up a tube t»
» An objective tool to tra»
» Non-classical genius (st»
» The most promising “best»
» (monitor vs hifi speaker»
» Label or map it religiou»
» The Softer Side of a Har»
» A different breed of 6C3»
» Western Electric reprodu»
» Speaker Building
» Elgar conducts Elgar.
» Faital compression drive»
» A new beast from JBL: Ev»
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Orchestra of the Age of »
Pianist Yakov Kasman
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Hummel, Bertold (27 Novemb»
Lachenmann, Helmut (27 Nov»
Hunt, Jerry (30 November 1»
SME M2 - 12" Tonearm wi»
Micro-Seiki air-suspend»
REL Precedent 646C tuner
Micro-Seiki Arm Board
Kenwood L-02T FM Tuner
Koetsu Onyx Platinum Ca»
Altec 515B bass drivers
Hillock TV-2 tube tester
Vitavox AK-15/40 15" ba»
Tribute Output Amorphou»
Korvet “Egg” Tonearm
More Leftovers »»