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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A horrible re-performanc»
» Melquiades: too early fo»
» Bravo, Stereophile: Adve»
» Middle step (non ultimat»
» PCM63 DAC with Transform»
» Wide dispersion horns
» Shock-absorbing tube soc»
» 3012, 312, M2-12 or ... ?
» Audio industry metaphor
» USB microscope for setti»
» Emmerich Kalman (1882-19»
» Do not “compare” audio e»
» S3 on tractrix 260 graph.
» What I am doing?
» MDTunes™ from SoundLab l»
» Compression driver phase»
» From GoodSoundClub, with»
» Trash your “full-rage”, »
» The best album of 2005 s»
» Rachmaninoff, PC 3; Kond»
» About reviewer’s qualifi»
» More 6E5P-6C33C amps.
» First order filtration a»
» Macondo vs. the “industr»
» The one-stage Melquiades.
» The 60-inch LF driver.
» Tweeters: the most misus»
» New old records shopping
» A quest for a better SET.
» Bach's Cello Suites
» Thoughts from Clark John»
» So sad that did not see »
» Time Alignment : Live Pe»
» Live vs. Recorded transc»
» Loenid Kogan
» Macondo – Super Melquiad»
» Use absolute polarity as»
» Making LPs; What Goes In»
Bookmarked are red
Koussevitzky & BSO
FM Radio Query
Tchaikovsky's Compositio»
Classical Music Forum
NPR's SymphonyCast
Jim Moskowitz's Unknown »
Value of Records Tool
Rottenburger Museen
Piano Wizard
Aria Database
Furtwängler's conserts
Opera America
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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