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» Best recording I heard i»
» German Odeon horns.
» Digital recorders: what »
» The stunning “The Magic »
» Is anybody live in Austr»
» Berlioz Requiem / Pavaro»
» A quest for a better mon»
» Le Poeme Harmonique
» The ways to delay horns »
» Avantgarde Trio, Roy Gre»
» Meitner Audio - Ed Meitn»
» A response to David Hurv»
» DAC Recommendations
» The Extraordinary Harvar»
» Phono stages with SU-1
» A sort of DPOLs
» The strings period: the »
» The "mystery&am»
» About DSET-driven multi-»
» Rightsizing from extreme»
» FM and live real-time br»
» What’s up with these gia»
» Remembering Sound…
» Brahms PC #1, Philharmon»
» Open cell foam in horns »
» "SOTA Technology&qu»
» Equalizer? Hm…
» The Tenor amplifier and »
» Analog is Back 2011: Wav»
» Life 3.0
» Who owns what in FM
» What lives in Symmetric »
» Boxed in horns
» High-End Audio and ... c»
» CATS Purring tempo, slid»
» Recapping RX5000
» JBL 2446
» Tonearms criterias??
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Rohde & Schwarz MSDC Mu»
Purist Audio Design Pro»
Micro-Seiki Arm Board
Kenwood L-02T FM Tuner
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