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» 12AX7 or?
» “Hearing Modernity” at H»
» Looking for different So»
» Bruckner 9 live in 30 mi»
» The Audio of 21 century:»
» Chesky's violin concerto
» The “guest musician opin»
» Steve Leung, Cartridge W»
» Despicable me
» The Dark Hope of Renee F»
» The single-stage Milq an»
» The contemporary pressin»
» Crossover or non-crossov»
» Choice of Fireware Inter»
» (Whose) classical music.»
» Where are our good phono»
» Long Range Acoustic Devi»
» Montreal Audio Show 2013
» Don't position speakers »
» Meitner Audio - Ed Meitn»
» DA architecture: True M»
» How to train respect aud»
» OK, digitechs, why won't»
» The best musical event o»
» Conductors and Audio Sou»
» Why I do not like the &q»
» Short midbass horns
» Use absolute polarity as»
» Kenwood L-02T and the hy»
» FMFool – a truly useful »
» Thank you, Sir! May I ha»
» Deep End DIY - Austral»
» Bruckner 8, the document»
» Shostakovich’s 100th bir»
» Dual channel SET
» Here is my new tonearm.
» The Andrew Rose’s “Prist»
» The Ralf Stegmueller’s h»
Bookmarked are red
Delta Entertainment
Rottenburger Museen
Michelangeli Discography
John Lenard Burnett's si»
Wolds Opera Broadcasts
The Leonard Cohen Files
Appian Publications & Re»
Instant Encore
Neal's Recordings
AudioTools
Audiofederation's Blog
Boom's Dungeon
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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SME M2 - 12" Tonearm wi»
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Pacific Microsonics Mod»
Stage Acompany SA8535 d»
Hillock TV-2 tube tester
“Tree Blind Mice” colle»
Micro-Seiki Arm Board
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Korvet “Egg” Tonearm
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