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» Some nice horns from Gre»
» Prom 22 - if only all or»
» The African compression »
» Fidelity Research FR-7
» The EdgarHorns: the new »
» Proximity of horn’s cros»
» Electronluv systems ques»
» Eben X-3 loudspeakers -»
» Thoughts from Clark John»
» Bruckner Sinfonie Nr.8, »
» Fake Vitavox S2 diaphrag»
» Nicolai Golovanov
» Myth: High-efficiency L»
» A quantum CD?
» Tchaikovsky: Symphony No»
» The "new" Shos»
» How to manage the digita»
» High End speakers Evolut»
» In appreciation of Koshka
» The 60-inch LF driver.
» What drives your musical»
» About EAR 834P Modificat»
» Archimago's Musings talk»
» Ah, Michelangeli...
» The "NEW T.H.E Show»
» Engineering over Art
» Musicians' ear
» Does tube preamplifier V»
» Tonearms criterias??
» Oppo DVD player as a tra»
» Direct to Disc: The Brah»
» Walter conducting Vienna»
» Tightening to loosening »
» An idea of Individual Re»
» Getting Started with Mya»
» Kenwood L-02T and the hy»
» Recording options: Pacif»
» Superior electric bindin»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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Micro-Seiki Arm Board
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Purist Audio Design Pro»
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Lamm ML-2 Single-Ended »
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Micro Seiki RX-5000
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CEC TL-0 MK2 transport
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