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End of Life Phonostage
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» Observations and Thought»
» 834p modding..."hum»
» ELROG tubes sinked but s»
» The sound compromises of»
» I wonder when Chinese be»
» The inflatable speakers »
» Reading an official audi»
» Boxed in horns
» Integrated sound field o»
» Swing hornspeaker of bd-»
» The real goals of sound »
» Bass drivers inquiry
» Lamm LP2 phonostage: rev»
» A quote from a Japanese »
» Closer to the musicians »
» Expressive Technologies »
» Copper Mat on a Micro Se»
» The Tenor amplifier and »
» About destiny of “High-E»
» A resistor between scree»
» Orchestra of 32 Loudspea»
» Lamm ML2.0 & Lamhorn»
» Thoughts from Clark John»
» S3 on tractrix 260 graph.
» Bill Gaw: over 50 years »
» Dc10audio.
» Beethoven PC 5 Surprise »
» Apple helped kill FM...a»
» The 6E5P tube data.
» JBL 2446
» Tchaikovsky: Symphony No»
» FMFool – a truly useful »
» Harry Pearson new round »
» Signal variation, noise,»
» The most emblematic reco»
» The most interesting hor»
» The high-end audio, as i»
» Book "High Quality »
Bookmarked are red
Perer Gulmann's Classica»
Haenssler Classic
Orchestra on Demand
IMSLP Music Library
Robert Greene’s "Reg on »
The Opera Critic
Altec divers/horns
Instant Encore
Eugene Ormandy Pages
Tchaikovsky-Research.
Michelangeli Site
Lenard's Opals monitor
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