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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Small SET’s bass, beside»
» Why horn-loaded loudspea»
» Observations and Thought»
» Belar fms-2 Vs. r&»
» The “guest musician opin»
» To drive the 6C33C...
» Impressions from High En»
» Ultimate HF output trans»
» My recent FM mystery
» DIY Firefly Horns
» Omni-directional 'horny'»
» Another electromagnet dr»
» Better DAW by a “second”»
» Mystery of bass horn cal»
» Do not over-damped your »
» The unintended consequen»
» Ravel Piano Concerto No2
» Reference Recordings “di»
» THE book on intonation
» Dc10audio.
» Anyone Care to Make Odds»
» The “Melquíades” d&»
» Streophile show 2007 and»
» Maria Callas’s Glory Day»
» Philmundi Story about ho»
» The "new" Shos»
» Learn to differentiate b»
» A good PF articles about»
» Headphone amplifiers. Ba»
» THe Audio Critic Magazine
» Lamm ml2 voltage 110v to»
» The Nimbus' Prima Voce b»
» Why I do not like the &q»
» Bruckner, me and the Sev»
» I do not even know where»
» RIP Henryk Mikolaj G»
» HELP: I’m a line-level l»
» Silicone gel damping?
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Classical Collections
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The Cartridge Database
Nornan Lebrecht's blog
OboinaThor
Clemens Krauss Archive
Nubes Partem
Perer Gulmann's Classica»
Olson Acoustical Book
Conductor’s Corner
Doremi CD label
Avie Records
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Lamm L2 Reference pream»
Electro-Voice T350 twee»
Musatex’s Bidat Model "»
Ortofon Mono CG 25 Di c»
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Lamm ML-2 Single-Ended »
Purist Audio Design Pro»
Micro Seiki RX-5000
Rohde & Schwarz MSDC Mu»
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