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» The Krell’s cursed Sound»
» The Sound assessment rec»
» The cPlay software.
» The tapped horns: cons, »
» Verify that you sources »
» It is all about hard sur»
» What, no Mahler?
» The Supernatural Josef H»
» Non-MDF horns
» “Get Better Sound” by Ji»
» About EAR 834P Modificat»
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» Vitavox S2 with Electrom»
» The WHRB’s Rimsky-Korsak»
» Natalia Gutman (!) in Bo»
» Bruckner 9, Transcriptio»
» Any recommendations?... »
» The Church of Denon 103C
» The girl with banjo - th»
» Superior electric bindin»
» The commercial music ser»
» Remembering Sound…
» Tchaikovsky’s “Pathetiqu»
» Polish Chamber Choir - S»
» A playback and wrong not»
» Tube outputted CDP's and»
» Measuring reality: empir»
» Semi-Interesting film fr»
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» Those experiences. Early»
» Shaky tubes, echo testing
» First Bruckner listening»
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Wolds Opera Broadcasts
Duntech Audio loudspeake»
Polish GM70 Poject
JE Labs
Daniels Audio
The AHRC Research Centre
Scriabin's Sonatas
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WGBH's “Keeping Score”
Broadcast History
Radiotron Designers Hand»
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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Koetsu Onyx Platinum Ca»
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Lamm ML-2 Single-Ended »
CEC TL-0 MK2 transport
Pacific Microsonics Mod»
Hillock TV-2 tube tester
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Korvet “Egg” Tonearm
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