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Macondo Acoustic System
End of Life Phonostage
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» Another (outdoorsy) swea»
» Initial thoughts about n»
» Learning to interpret RTA
» Chostakovich: Concerto »
» A passive but elegant pr»
» Big mama 1.5" horns»
» Where the FM quality com»
» What a trip 30 years bac»
» Making LPs; What Goes In»
» R22
» Okada’s installation.
» Verify that you sources »
» Foundation Standarts for»
» Afraid loudspeakers that»
» Lamm L1 vs. L2 preamp
» The Extraordinary Harvar»
» What drives your musical»
» Jonathan Valin smokes La»
» Direct radiation in the »
» The Kato-san's Goto »
» Brian Cheney of VMPS
» An interesting comment, »
» Why I do not like the &q»
» Building a new music room
» Tuners and digital noise»
» MacondoLite
» Compression at WCRB - b»
» Avantgarde Trio, Roy Gre»
» The Ridiculous Japa-Braz»
» A big room with good aco»
» Small spaces
» Beware of the "dipo»
» High End Audio and music»
» Beethoven PVC Trio, Opus»
» What is it all about? De»
» Another "Top five t»
» Micro Seiki Armboards: I»
» LF Amplifier in biamping.
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Rachmaninoff Society
Musical Instrument Jokes
StateWork Broadcast Reco»
Opera America
Jammin' Jersey
Adnan Arduman's site.
Tchaikovsky's Compositio»
Furtwängler's conserts
Classical Music Network
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Holger Klein's Soundpage»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Hillock TV-2 tube tester
Purist Audio Design Pro»
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Mid-range tantrix round»
Korvet “Egg” Tonearm
Micro-Seiki air-suspend»
Micro-Seiki Arm Board
Sansui TU-X1 Tuner
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