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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Sound of line level filt»
» Bye-Bye, Fane
» In defense of Mikhail Pl»
» Thoughts on midbass horn»
» Computer Audio
» Better DAW by a “second”»
» Andre Previn in Boston.
» The “Dead Points of Live»
» Macondo copying: Horns t»
» It was seventy years ago»
» Like theese?
» Observations and Thought»
» Ultimate MF compression »
» The "non-winner&quo»
» The Sound assessment rec»
» About HF Binaurallism
» Allnic Verito MC Phono C»
» The Evolution (or Anti-E»
» "New" TechDas »
» The ultimate buffer #2..»
» Use absolute polarity as»
» The 3rd music revolution»
» Tanglewood's 75th annive»
» GM70 vs. 6C33C
» DAW is down… new DAW.
» Rach’s Prelude in C-shar»
» The Norman Lebrecht’s ar»
» Berlioz Requiem / Pavaro»
» An idea of Individual Re»
» S3 on tractrix 260 graph.
» I think it is the end.
» Gaussmeter wanted.
» Micro Seiki MAX 282 User»
» Playback and chamber mus»
» Faberryman and the CES 2»
» The best musical event o»
» Tokyo Opera City Concert»
» 43.7 Times the Price of »
Bookmarked are red
Adnan Arduman's site.
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Opera Collector Guide
Great Hong Kong Blog
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Russian Music in 20th Ce»
Austria's Musical Exiles
MusicStack
The National Valve Museum
Vintage Audio Trader
Western Electric manuals
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
LF Transformer for 6C33C
Sansui TU-X1 Tuner
Altec 515B bass drivers
Vitavox S2 Compression »
Lamm Industries M1.1 Mo»
Micro-Seiki air-suspend»
“Tree Blind Mice” colle»
Tribute Output Amorphou»
ESS AMT-1A Heil Air Mot»
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