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» Available Blenders and S»
» RMAF 2008 observations, »
» Instrumental music vs. o»
» Steve Leung, Cartridge W»
» Macondo's Axioms: Horn-l»
» Bach Cello Suites
» 834p modding..."hum»
» Discovered a great chora»
» Brahms Double Concerto
» CEC TL0-X: by no means a»
» Some Audiogon realty
» Semi-Interesting film fr»
» Van den Hul famous FAQ c»
» The “bread and circus” o»
» Perspective?
» Amplification and Consci»
» Sub-woofer integration w»
» The Patrick Flanagan’s N»
» San Francisco in Februar»
» Planning my DSET
» The Melquiades bass chan»
» Driver Alignment, and Wh»
» The new “little things” »
» Make your own horns?
» DIY Void acoustics Air m»
» Playlists and patience
» More 6E5P-6C33C amps.
» My Multi-way Horns
» The Melquiades' "Re»
» Does horn surface porosi»
» High End speakers Evolut»
» About the Critical Audio»
» T.H.E. Show, Newport, 20»
» The nature of "soun»
» Magico Model 6 loudspeak»
» Disregard the industry p»
» Rebel++ first blood, Amp»
» Some analysis of the Joe»
Bookmarked are red
Dr. Bruce Edgar Interview
MetManiac Opera Archive
Nubes Partem
Random Classics
The Music Parlour.
The Well Tempered Comput»
Holger Klein's Soundpage»
Adnan Arduman's site.
Japanese's HiFiDo
The AHRC Research Centre
BachTrack
Rottenburger Museen
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Musatex’s Bidat Model "»
Lamm L2 Reference pream»
Electro-Voice T350 twee»
Micro Seiki RX-5000
Lamm ML-2 Single-Ended »
Ortofon Mono CG 25 Di c»
Tribute Output Amorphou»
Micro-Seiki MAX-282 To»
SME M2 - 12" Tonearm wi»
Micro-Seiki Arm Board
Mid-range tantrix round»
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