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» A full-range quality-tri»
» Digital crossovers self-»
» The “Dead Points of Live»
» How audio started….
» How to start Classical M»
» The ultimate cancer of a»
» The Hannes Kastner’ Tocc»
» The Estonian idiocy: Est»
» Digital recorders: what »
» Why horn-loaded loudspea»
» My beloved Contraltos: k»
» The industry-embraced au»
» The Melquiades' "Re»
» Le Poeme Harmonique
» Building a new music room
» The Berlin Philharmonic »
» Constructing LF modules »
» Where is the real Russia»
» Macondo’s Midbass Projec»
» Valve Preamplifier for M»
» Roomy the cat is going t»
» My Multi-way Horns
» Horns and digital crosso»
» RMAF 2008 observations, »
» An angry engineer...
» Brahms PC #1, Philharmon»
» Audio Note new turntable»
» Tokyo Opera City Concert»
» Short midbass horns
» Staxquiades project
» "Seamless extended »
» More power from Melquiad»
» The 3rd music revolution»
» Steve Leung, Cartridge W»
» The Herbert von Karajan’»
» Audio cabinet of curiosi»
» Listening Pipe Organ Mus»
» Dedicated horn loaded mi»
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APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
Musatex-TP Bidat 20-Bi»
“Tree Blind Mice” colle»
Micro Seiki RX-5000
Micro-Seiki MAX-282 To»
Kenwood L-02T FM Tuner
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REL Precedent 646C tuner
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Stage Acompany SA8535 d»
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