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» Interesting use of Lunda»
» Better chassis design fo»
» In Praise of Infidelity »
» Yep, Bach would do it….
» Yo-yo Ma live on the int»
» Some thoughts about Milq»
» RDH20 Frame double horn »
» Miniumum sample rate for»
» Musique Concrete horns
» Help with RF loop
» Janine Jansen Violin
» Boxed in horns
» My Multi-way Horns
» Julia Fischer in Boston »
» The Mercury "Rigole»
» To drive the 6C33C...
» The elusive “absolute to»
» Some conical horns anti-»
» Dynamic range in histori»
» Like colourful contrasts»
» The new CEC TL1 transpor»
» Dubbing LP to digital.
» Single Ended Pentode to »
» Garg wants more horns.
» Reality Check system to »
» I do not even know where»
» $350.000 of audio-script»
» Beware of the monophonic»
» Rare Onkyo HM-300 MK2 Ho»
» About the tweeters phase»
» Balanchine’s “Pathetique”
» Upper-Sound of Upper-Imp»
» New Barenboim’s Bruckner»
» Tokyo (Akihabra) Audio a»
» Macondo’s Midbass Projec»
» Speaker Building
» I do not know what else »
» The LCR RIAA correctors
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CEC TL-0 MK2 transport
Micro-Seiki MAX-282 To»
Hillock TV-2 tube tester
LF Transformer for 6C33C
“Tree Blind Mice” colle»
Lamm Industries M1.1 Mo»
Altec 515B bass drivers
Korvet “Egg” Tonearm
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