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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» An Interview With Dr. Br»
» What is the best or rule»
» Inner Groove Distortion »
» Some thoughts about bass»
» More or less pleasure: w»
» Cable Current Loading
» Tell me about more about»
» The elusive “absolute to»
» Rendezvous Mit Richard T»
» The Classical Music Caf&»
» Tidal’s Music Streaming »
» Wilsons, EMM, Ozawa, Sa»
» Do not “compare” audio e»
» Shock-absorbing tube soc»
» Too damn loud?
» How Well Shall a CD Tran»
» Phoenix
» Recording options: Pacif»
» Updated view: The Optima»
» It is imposable to “hear»
» The audiophile’s stupid »
» Wywires – “Custom” desig»
» Dynamic range in histori»
» Amazing Altec 288 ++
» Audio and Music: four le»
» The industry’s high qual»
» Earl Geddes: I can't her»
» Haliaetus: Dick Cheney’s»
» Purist Audio Design vs. »
» Borbely Audio Take on 6C»
» How to build the best au»
» The mystery of AmpX
» Full range Melquiades im»
» Has anyone built the DIY»
» Long Range Acoustic Devi»
» Expectations in the conc»
» Audio treasure find
» Micro Seiki Armboards: I»
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Jogis Röhrenbude's Site
High-Tech Hi-Fi
Classical Recordings New»
Classical Music Network
FM Radio Query
Wiener Philharmoniker Di»
Classical Collections
Good-Music-Guide
Holger Klein's Soundpage»
Rachmanionoff's links
Altec divers/horns
Scriabin's Sonatas
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Purist Audio Design Pro»
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Musatex’s Bidat Model "»
Altec 515B bass drivers
Ortofon Mono CG 25 Di c»
SME M2 - 12" Tonearm wi»
Vitavox AK-15/40 15" ba»
Korvet “Egg” Tonearm
Pacific Microsonics Mod»
Micro-Seiki MAX-282 To»
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