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» Why David Robertson does»
» The John Barbirolli’s wi»
» Berlioz Requiem / Pavaro»
» SET and speakers: disreg»
» The inflatable speakers »
» Lutoslawski’s Concerto f»
» "Consensus in audio»
» A longer CD-Rom cable.
» Playback and chamber mus»
» The ultimate worst best »
» Munich 2017, Avantgarde »
» Single Ended Pentode to »
» Streophile show 2007 and»
» LLoyd Walker Never Rests
» ... again on GOTO Unit d»
» Smyth Research Realiser »
» Living Voice Loudspeaker
» Audio critique – open yo»
» Better chassis design fo»
» Boxed in horns
» How to start Classical M»
» Incorporating active cro»
» Bad orchestras shell not»
» Got new mid/high horns. »
» Satisfying result: the R»
» Label or map it religiou»
» Really Expensive DACs?
» Putin or Medvedev?
» The concrete midbass hor»
» A magnetic hybrid driver.
» A turntable platter as a»
» The Bruckner 5 by Benjam»
» Outdoor horns
» If you've never heard th»
» Resonating hi from overs»
» Tree motors from one sid»
» Sonic consequences of re»
» Dynamic range in histori»
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APR 12 Magdalene Ho, pianis»
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