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» The “Wet and Fuzzy” cabl»
» Micro Seiki SZ-1T
» The silence after coda
» Hässler sonata: Gra»
» Shaky tubes, echo testing
» An interesting Russian p»
» Primitive steps for stan»
» A revolution for Executi»
» Beautiful Mahler Lieder
» How would you handle it?
» The last message of audi»
» Appearance of listening »
» How Mussorgsky should so»
» 3012 silicon dumping
» Beware of the "dipo»
» Acoustics of Avery Fishe»
» The evenings with Greate»
» Single-stage Melquiades »
» Danley's Hyperion
» The state of High-Effici»
» Etheraudio's some BS….
» Beware of PurePower Part»
» Commercial Air Blower Io»
» Playback journeys and Mu»
» Brahms [piano] Concerto »
» Big mama 1.5" horns»
» Shelter 901 on SME 309 t»
» Creative listening
» Another horn manufacturer
» Double enclosure or usin»
» The Deutsches Requiem of»
» The not-so-big listening»
» Designing and building a»
» Liszt’s symphonic poems.
» RMAF 2008 observations, »
» Paganini's Daemon : A Mo»
» High-End Audio and..... »
» The most appalling audio»
Bookmarked are red
Glenn Gould Audio Archiv»
GEMM catalog
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Willem Mengelberg discog»
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Dr. Bruce Edgar Interview
VIP Records
Western Electric manuals
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Stage Acompany SA8535 d»
Musatex’s Bidat Model "»
Hillock TV-2 tube tester
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LF Transformer for 6C33C
Lamm L2 Reference pream»
Rohde & Schwarz MSDC Mu»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
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