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» What drives good sound?
» Gershwin's Rhapsody in B»
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» Reflections pattern in C»
» A fresh take on 9th by t»
» Custom UPS.
» 6E6P-DR in triode mode
» The corrupted listening »
» The ferrofluiding of com»
» Hypex for ULF?
» What is wrong with Dipol»
» Vitavox S2 coupling
» ... and some Bruckner bu»
» Okada’s installation.
» The Studio AU projects.
» 45Hz Bass Horn
» A phenomenal find: Garvi»
» The not-so-big listening»
» BSO and 192kps
» FMFool – a truly useful »
» How to make musicians to»
» It was seventy years ago»
» Replacing 802 G and 811 »
» A strange urge.
» Conductors and Audio Sou»
» About TTH characteristic»
» Martin-Logan, Myles Asto»
» Maxonic drivers from Jap»
» Speaker Building
» “Harmonic Speed”- friend»
» A perfect "High-End»
» The CD players must read»
» Taking the mystery out o»
» The Eduardo Chibas and B»
» Danley's Hyperion
» About moronity of DIY Au»
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Wood Horn Speakers
Eugene Ormandy Pages
Austria's Musical Exiles
Stereopal
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Tchaikovsky's Compositio»
Phil Mundi Audio Pro Med»
Thomas Dunker's Site
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