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» Brahms Double Concerto
» Zander, BPO, George Li a»
» High-End Audio vs. High-»
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» A cutoff horn loudspeake»
» Friedrich Kuhlau and his»
» Do the Filament Transfor»
» Cmpare them
» That is not 1812 and the»
» 6C33C loading in Super M»
» The Saudi Arabia and Uni»
» Romy the Cat's Audio»
» About destiny of “High-E»
» Why Hight-End Audio, as »
» A truly cool solution fo»
» 6E6P-DR in triode mode
» The Audio of 21 century:»
» Watching conductors of t»
» Creative listening
» The path of simplificati»
» Ever thought about how m»
» Course & guide on ho»
» DAW drives configuration»
» Chord QBD76 - the new dac
» “Hearing Modernity” at H»
» One of the Best Mozart R»
» About the pre-warming of»
» Macondo – Super Melquiad»
» The ferrofluiding of com»
» Dick Burwens "low c»
» Macondo: new horizons. A»
» Fostex tweeters, Lowther»
» Shindo Latour
» To hear Haydn for a firs»
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» After-concert download –»
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Jong Woo's Site
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Recording Technology His»
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Tchaikovsky's Compositio»
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Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Haniwa Cybernetic Audio System 6898 
Maxwell Maltz's LOUDspeakers 6898 
The typical audio literature… 6898 
They will still offer so called "big sound "... 6898 
Haniwa 6897 
So what? 6897 
So nothing 6897 
I heard them 6886 
Haniwa and TADs 6886 
"If the waveform is wrong, the sound is wrong..." 6886 
Violent "compression"? 6885 
It is not “compression” it is system builder's stupidity. 6884 
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