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» Panel with Peter Qvortru»
» Instrumental music vs. o»
» Tchaikovsky’s “Evgeny On»
» Digital Volume Control s»
» An educational Eugenie’s»
» A contemporary AD1 Triod»
» About the DAW playback s»
» How to build the best au»
» Some evidence for the ch»
» I think about War lately.
» The European Triode Fest»
» Nikolaj Znaider's play a»
» Sound Quality and “Elect»
» Eq for 78's
» Audio vs. Musical pitch
» 3012 silicon dumping
» Shostakovich‘s "Suite on»
» Incorporating active cro»
» Some thoughts about bass»
» What a week in Boston!
» ... and some Bruckner bu»
» Dynamic range in histori»
» The audiophile’s stupid »
» The decentralization and»
» Günter Wand Intervi»
» Beethoven's Triple Conce»
» Rhapsody for Tape Record»
» Off-the-wall playback or»
» How to play Bruckner Sou»
» Input choke for Low Curr»
» BD-Design’s Orelino
» The Edgarhorn RTA respon»
» Help with RF loop
» Show Report PiS Fest
» Stephen Hartkel, the goo»
» The wonderful Alisa Weil»
» High-End Audio Bass: wha»
» Chasing utopian better p»
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Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Accuracy vs. Musicality (and YMMV) 507 
Look at this photograph... 506 
Musical Intelligence 506 
There is definitely truth to that 506 
This is a purely artifactually constructed problem 506 
HiFi it is then 505 
Real vs Emotional 505 
Think about ut. 505 
Thus Spake Zarathustra 505 
I like this subject 504 
Musicality 504 
Magico Gryphon modern systems 503 
Cost vs Complexity vs SOTA vs Personal 503 
Is Audio Personal? 503 
Please Continue! 503 
Is Audio Personal? 502 
I think audio is not about taste 502 
Cessaro vs Living Voice or Real vs Musical 502 
"Taste" vs "Awareness" 502 
It can ONLY be personal 502 
That is a great subject 502 
Maybe 502 
A dead-end objective. 502 
It is not an objective 502 
Some examples 501 
Shaping Sound 501 
My Audio Rule: go for perfect Dynamics 500 
Favorite sound 500 
It's a Long Way to Tipperary 500 
It is a very complex subject 499 
Sure, It is very complex 498 
I think you are very confused. 498 
DPOLS and Tone 498 
Perfect Electricity 498 
Tone vs transparency 498 
Good Electricity vs. Topology 498 
Proper setup meaning 498 
Transparancy vs. Density 498 
Density is an elusive thing 495 
Bingo! 495 
Bad LP or simply another phono correction curve? 494 
Sound Engineers as UberConductors, 494 
I think that the history of microphone placement i... 492 
The Performance vs. Playback 492 
The Play of Differences 479 
There is an important state of "good enough&q... 474 
Again With Time... 474 
Where is happyness? 472 
If Not For Music, Then Why Audio? 472 
There IS high end without music! 471 
Isn't it all about a regular creativity? 471 
The Thread That Joins Us 471 
Live vs. (Re)produced 373 
"Just Stereo"? 281 
DPOLS 280 
Doing What We Can Do 280 
Audio Rules 279 
Living With "Recorded Ambience" 34 
First hand experience 32 
LF Texture vs. Power vs. Timing 32 
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