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» A tube tuner? REL Preced»
» About cost of electromag»
» Sibelius VC; Furtwangler»
» The Mercury "Rigole»
» My new favorite "Ne»
» Goto SG-370DX measurement
» My Audio Philosophy
» Rightsizing from extreme»
» Hi from Melbourne, Austr»
» Reel-to-Reel Tape vs. Ra»
» My recent FM mystery
» Single Ended Triode dist»
» CES – constant but fortu»
» Vincent Brient’s playbac»
» The Evolution (or Anti-E»
» De-stress not decompress»
» I'm omnivorous... am I i»
» The Thomas Blumenhofer’s»
» Satellite radio
» Think how a playback com»
» Milq: Starting the proje»
» Tannoy's Flagship by Jef»
» Software for collection »
» An idea of “Rain Wake-Up»
» High-End Audio demo, the»
» It is about timbres, stu»
» The nature of "soun»
» The decentralization and»
» The LCR RIAA correctors
» Abbado + Lucerne Festiva»
» Copland/BSO/Copland
» What is it all about? De»
» Aesthetix Rhea Signature»
» Driver Alignment, and Wh»
» Micro Seiki Armboards: I»
» The ridicules naming of »
» The CES's 2011 horns
» Flac 16bit/48Khz streami»
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Classical events in Boston
APR 28 Tuesday Concerts in »
APR 29 NEC Philharmonia in »
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APR 30 Semiosis String Quar»
APR 30 Facets in Cambridge »
AUG 1 BU Tanglewood Instit»
AUG 1 Mozart: The Marriage»
AUG 1 Esa-Pekka Salonen, c»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Reinken, Jan Adams (27 Apr»
Thalberg, Sigismond (8 Jan»
Catoire, Georgi Lvovitch (»
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Scriabin, Alexander (6 Jan»
Messiaen, Olivier (10 Dece»
My Audio Leftovers
Altec 808A compression »
Lamm ML-2 Single-Ended »
Fane Studio 8 dual conc»
Musatex’s Bidat Model "»
Korvet “Egg” Tonearm
Ortofon Mono CG 25 Di c»
Mid-range tantrix round»
Tribute Output Amorphou»
LF Transformer for 6C33C
Micro-Seiki Arm Board
Rohde & Schwarz EU-6201»
More Leftovers »»