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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The dynamic range of our»
» About bass horns by Joha»
» Günter Wand Intervi»
» Superior electric bindin»
» My reading for a “smalle»
» Tube outputted CDP's and»
» Tomorrow in Boston: Yout»
» The 'Side's End Ceremony»
» Analog FM on a PCI cards?
» (monitor vs hifi speaker»
» Equalizer? Hm…
» The Norman Lebrecht’s ar»
» Fantasies about 10Y
» The Tenor amplifier and »
» Midrange driver suggesti»
» An evening to remember -»
» Herbie's Hal-O Tube Damp»
» Meyer X-10
» A new generation of full»
» The optimum Sampling Rat»
» The ferrofluiding of com»
» Tchaikovsky Symphony #4
» A lucidly implemented di»
» Power Supplym for driver»
» Bruckner, Wind and the w»
» Atkinson vs. Tektronix: »
» Custom made woofers.
» Moerch DP6 and DP8 “anis»
» An interesting read abou»
» Recording options: Pacif»
» Don't evaluate audio by »
» Sound of line level filt»
» NESPA Optical Disc Final»
» Chesky Records went &quo»
» Jaap van Zweden kicks as»
» Does horn surface porosi»
» Lamm introduced LL1 Sign»
» JBL 2226 2445 2405 3-way»
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Dr. Bruce Edgar Interview
Opera Collector Guide
Club Abbadiani Itineranti
Retro hi-fi blog
Decca Classical discogra»
NPR's SymphonyCast
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Transparent horns 157 
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Or these 155 
The aesthetic ... 154 
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AUG 17 Black Sheep Contempo»
AUG 18 Rossini’s Petite Mes»
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