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» Chesky Records went &quo»
» Cool running AB amplifie»
» Truly a new use of high-»
» German Odeon horns.
» Use absolute polarity as»
» My today’s views on LP c»
» The CES 2005
» The Opera Room
» An angry engineer...
» Sauna and Audio
» Do not pursue full-range»
» The Lavry Gold DA924 ++
» Film in Boston: "An»
» A littlie D-War: Bidat v»
» Forward in the past with»
» John Cage about silence »
» Tchaikovsky: Symphony No»
» The Tenor amplifier and »
» Bill Gaw: over 50 years »
» Horn high-sensitively ar»
» Greeting every one
» 6E6P-DR in triode mode
» ESP Concert Grand SI Lou»
» “Tool” for Morons ™: Bla»
» 7788 tube mic pre design
» Audio and the “Alzheimer»
» Explain TAD ET-703 drive»
» Avid Listener --- Stereo»
» The tools to listening s»
» Acoustic Treatments That»
» I do not even know where»
» Large La or Tratrix horn»
» FM Acoustics
» Canadian Speaker Proposal
» Interesting use of Lunda»
» Vinyl Ceremonies: Repeat»
» The 5th horns in stack o»
» An interesting TT link: »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Audio vs. Musical pitch 4425 
The Narative, or The Thread, and Relative Pitch 4425 
Some Sunday morning thoughts… 4423 
Audio science 4423 
Audio vs. sound vs. scale 4420 
Single drivers?? 4420 
6 Trumpets 4420 
Some midweek morning stimulation… 4420 
Weakness and tuning 4420 
Precisely Wrong 4420 
Blow the trumpet up (or at least the overtones?)? 4420 
Put That Way 4420 
Micro linearity 4419 
Unfortunately there is no "linearity" in music 4417 
Micro 4417 
Partially explained 4015 
All scale notes are overtones 4015 
Micro vs. Macro linearity: definition? 4014 
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