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02-04-2026 Post does not mapped to Knowledge Tree
Romy the Cat


Boston, MA
Posts 10,457
Joined on 05-28-2004

Post #: 1
Post ID: 29570
Reply to: 29570
A question to DIY musicologists….
One of the most brilliant examples of a psychologically engineered music is the celebrated by Russians Slavic Farewell by Agapkin. Nowadays it has various political unfortunate connotations, but I would like to void all it and to stay purely in musical merit. I know that it is considered a super cool military march in minor key (good lich to find more!) but I hear a fugue. That was a tip. Now is the question:

What connects those 3 works:

Agapkin’s Slavic Farewell
Sibelius’ Finlandia     
Bach’s Ricercar a 6



"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche
04-20-2026 Post does not mapped to Knowledge Tree
steverino
Posts 398
Joined on 05-23-2009

Post #: 2
Post ID: 29657
Reply to: 29570
The answer
Notes
04-21-2026 Post does not mapped to Knowledge Tree
alex
Posts 5
Joined on 09-13-2010

Post #: 3
Post ID: 29658
Reply to: 29570
What connects those 3 works
All three are used by Tarkovski in Solars ? 
04-21-2026 Post does not mapped to Knowledge Tree
steverino
Posts 398
Joined on 05-23-2009

Post #: 4
Post ID: 29659
Reply to: 29658
Soundtrack solaris
From the fount of all knowledge - accuracy not guaranteed
The soundtrack of Solaris features Johann Sebastian Bach's chorale prelude for organ Ich ruf' zu dir, Herr Jesu Christ, BWV 639, played by Leonid Roizman [ru], and an electronic score by Eduard Artemyev. The prelude is the central musical theme. Tarkovsky initially wanted the film to be devoid of music and asked Artemyev to orchestrate ambient sounds as the score; the latter proposed subtly introducing orchestral music. The classical music used for Earth's theme stands in counterpoint to the fluid electronic music used as the theme for the planet Solaris. The character Hari has her own subtheme, a cantus firmus based on Bach's music featuring Artemyev's music atop it; it is heard at Hari's death and at the story's end. 
Logically speaking works aren't connected by something or someone other than the works themselves. I think Romy will have to clear up this mini mystery. 
04-21-2026 Post does not mapped to Knowledge Tree
alex
Posts 5
Joined on 09-13-2010

Post #: 5
Post ID: 29660
Reply to: 29659
Not sure
Maybe in Zerkalo (The mirror), not sure....
04-21-2026 Post does not mapped to Knowledge Tree
steverino
Posts 398
Joined on 05-23-2009

Post #: 6
Post ID: 29661
Reply to: 29660
Appreciate the ingenuity
of your suggestions. but I think Romy is saying that there is some musical interconnection between these 3 works. He said a "fugue was a hint" which is both obvious and puzzling as the Bach Ricercar is of course a fugue. I don't think there is a fugue in the other two works. I took a look at the Russian March and did not see any fugue like passage. Simple imitation is not a fugue. 
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