GoodSoundClub - Romy the Cat's Audio Site - Re: 7788

02-14-2006

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Romy the Cat

Boston, MA
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7788 - love the tube!

rafaroxlm wrote:
As you may know the 7788 is a high transconductance pentode which should in theory be able to give higher audio resolution than say 12AX7, 6072 tubes in tube mic pre designs. On search here the 7788 was mentioned as being used as the first tube in a phono preamp design but no schematic was available. Woild appreciate assistance from the tube Gurus here in coming up with a design for a 7788 transformer input tube mic pre design. Have some UTC A-10, LS-10 as well as output trans available.

Rafaroxlm,

I’m very much not a guru but I feel that 7788 is a freakishly wonderful tube, probably one of the best out there for the two stages correctors considering the relations of gain to sound quality and to noise. There are quite few ideas of 7788 phonostages around it are all depends what a person might look for. I use 2 phonostages with 7788: one with passive RLC filter (designed by Thorsten) and one with low capacitance feedback to high impedance, identical to what was used in EAR-834P (designed by Dima Kireev)

The idea to use 7788 come to me a few years ago form a guy that I know who used 7788 for almost 30 year for exactly the same purposes that that you intended to use it: the microphone preamps. After he made me to use this tube I do love the tube a lot:

(http://www.goodsoundclub.com/TreeItem.aspx?postID=171#171)

I have built and used tree 7788-based RIAA correctors that give me some perspective to this tube. Use a few dozen Ohm grid stopper and ferrite bids sitting at the grid entry. Use shock-mounted tube sockets. I do not think that my operation point would be relevant as it would be a property of the specific application, impedance loading and so on. What is very important is paying super attention to the screen voltage and it’s type. Usually pentodes sound very idiosyncratic: hard and sharp. Some Morons recognize it as evidence of “quality” but I degree with them. The artistry of using pentodes is to teach the pentodes to sound soft and liquid. It is possible with 7788 and the changing the type of the screen voltage is one of the primary tools to accomplish it.

In the end I would agree with Jim Hagerman and would propose that the “higher audio resolution” is a bogus concept. Mostly people recognize the “higher audio resolution” as the excessive HF extension and zipping of sound. In reality, there is no such a thing as “audio resolution”. Beside if one would claim that 7788 has higher audio resolution then 12AX7 then a person should propose that 12AX7 has deficiency of “audio resolution”. What would it mean and how a person could judge “audio resolution” (whatever it means) without a context of the specific application and without the specific results? The 7788 is mHz level TV tube and defiantly faster then 12AX7 but the irony is that the 7788 begins to sound “humane” only when it’s UHF bandwidth got killed and what it begin to sound like a triode (12AX7) , but a triode with ultra high gain and ultra low noise.

Rgs,
Romy the caT

"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

02-15-2006

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rafaroxlm
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Re: 7788 - love the tube!

Thanks for the comments Romy. Would appreciate pointing out where the schematic is for the 7788 phono preamp or even better your friend´s 7788 mic preamp schematic. I can use the phono stage circuit minus the RIAA as a starter and then play with the grid voltage as needed.

Jim H. The 7788 as a first tube in a mic pre either triode wired or pentode wired offers some theoretical advantages considering the high Gm....the remarkable closeness of the grid to the cathode should give very fine control. Theoretically more so than twin triodes although yes the UHF may need to be cut off.
At any rate it would be worth trying as a possible significant improvement.

Rgds

Rafaro

02-15-2006

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hagtech

Hawaii
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Re: 7788 - love the tube!

Yeah, so the closeness of the grids results in a higher current gain. So what? What is the relationship between gain and sonics? Are you saying that all high gm tubes sound better than low gm tubes? And does that include 300B and 2A3?

One problem with these high gm tubes is microphonics. The close grid spacing demands higher dimensional tolerance, stability, and stiffness. Parameters drift a lot as the tube warms up and settles. On the other hand, high gm tubes tend to be much better constructed.

I am curious, Romy, do you run this tube as a pentode or triode? I would guess pentode, given the very high gains you are achieving.

I once designed a modem to operate over an old submarine telephone cable. It used vacuum tube repeaters every 20 miles. They were pentodes. And the requirements for linearity were really high. They were getting 50dB out of one tube! SNR was also very good. Wish I remember what tube that was.

jh

02-17-2006

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rafaroxlm
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Re: 7788 - love the tube!

Jim it was probably the 7788. This "supertube" was military stockpiled and difficult to get until about 8 years ago when finally military released. Then you could get them for $5 but people are getting wise now as per the $30-40 prices. I been wanting to try this tube as a first tube in a tube mic pre since released but been too complicated. Amperex had very tight tolerances and high reject rates with this one. But it has very high gain, linearity and low microphonics as per the heavy duty construction. Refer to this 1961 reprint. http://www.elecdesign.com/Articles/ArticleID/4080/4080.html Apparently you are a designer would appreciate help with project if possible, feel free to E mail

02-17-2006

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Romy the Cat

Boston, MA
Posts 10,156
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Post ID:	2098
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Re: 7788

hagtech wrote:
Stu just found a bunch in his stash and asked about them on asylum - totally unrelated to this post.

Did your Stu ever learn that anything that deserves any real attraction or interest and exposed to the asylum’s barbarians get vandalized or juts got misunderstood by the asylum’s Morons?

hagtech wrote:
Gold pins, superb construction, etc. So it must be something special. Could be great for your mic pre. You might want to try both pentode and triode modes.

Pentode, the triode does not sound as good as some other "triodes", like 7721 for instance….

The Cat

"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

02-18-2006

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Romy the Cat

Boston, MA
Posts 10,156
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Trying to eliminate audio chitchat on my site.

hagtech wrote:
My Stu never got a reply by the asylum inmates. Maybe nobody there ever heard of a 7788. No help.

7788, gain/noise/bias vise, as a penthod, is pretty much idle first stage for not-extra-stages low input preamps. (Phono, Mic etc…)

http://www.goodsoundclub.com/PDF/7788.pdf

It is very stable by parameters . I have many of them, from different brands, and all of them are identically good. You can take any two of then drop replace and see that gain, nose will be the same and event a plate voltage will drift with no more then 1-5V (I drive them at 150V). 7788 has very neutral sound, not “sticky”, not “glossy” and not “showy”. It might be at “too fast” side if not properly used, but it is only if not properly used. All together it is a phenomenal thing.

Rgs,
The caT

"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

11-05-2007

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hagtech

Hawaii
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Some useful curves

Ok, so it took me awhile. I finally got around to doing a design around this tube, believe it or not, as a driver for a 2A3. It just seemed right. Bought some 60's vintage(?) Amperex "PQ" on eBay. Well, here's what it looks like:

That's 50V/div horizontal, 12.5mA/div vertical. Screen at about 200V. The looping caused by a power supply time constant in my curve tracer (the loop ain't real). I forget where zero is. I think this was 0.5V per grid step. The severe kink makes this look like a tetrode. In fact, maybe that's because I hooked it up as a tetrode? Aw crap, I left pin 8 floating. Anyway, here's the triode-strapped version:

Looks incredibly linear. The kink is still there. I let you know tomorrow if it is real. Grid steps are 1V/div, starting at 0V. Turns out plate impedance is about 2.8k, mu is roughly 50. Linearity is awesome. Shoot, I guess that makes this a supertube.

jh

11-05-2007

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Romy the Cat

Boston, MA
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The 7788 as a driver to drive 2A3?

Jim,

It is the super tube – you forgot to mention the amount of noise with its transconductance…. You use the 7788 as a driver to drive 2A3? This is kind of strange: the 7788 has relatively low bias and a typical line voltage should sent 7788 deep into A2 and in clipping. Do you use it with feedback lifting up the bias with signal? You might look for 7721 tube that has the same gain but 1V more on base and generally sound better as a triode-driver, if I am not mistaken I have sent you it the 7721. BTW, in my phonocorrector (Dima’s design) I used 7788 at 150V and input pentode and following tests with voltage variations confirmed that I had better result at 145-160V… Sure, it was the result of my special application and it might not be true in your case.

Rgs, the caT

"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

11-05-2007

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hagtech

Hawaii
Posts 117
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Corrected Curves

Ok, once I got pin 8 connected to pin 1, the curves came out straight. Here is the true pentode plot at 200V screen, 0.5V/step:

And here is my new data sheet plot for triode mode:

For reference, at a bias of Va = 200V, Vg = -3.0V, we get roughly Ik = 20mA, rp = 2.5k, mu = 50, gm = 20mA/V.

typical line voltage should sent 7788 deep into A2 and in clipping

Yes indeed. I bias my amp driver at about 175V, -2.5V, 20mA. This means an input signal above 1.7Vrms will send it into A2 (constant current operation). However, the 2A3 needs only +/-40Vp in A1, and that translates to about 0.7Vrms at input, which would be the stated sensitivity of the amplifier. This means I have a little headroom in the driver and it should stay quite linear under normal conditions. I also am using an interstage tranny which is I think 1:1.5, so that gives me even more gain. Hard to tell yet, as I have not calculated the losses due to loading (probably about -2dB).

jh

11-05-2007

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Romy the Cat

Boston, MA
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Still, with all native beauty of 7788…..

… I do not consider it as an interesting driver and I have a good feeling that you will review your desire to drive 2A3 with 7788. 7788 is phenomenal for different application (ultra low noise + ultra high Mu) not for driving power triodes. Jim, if you looking for a driver, why don’t not you try my 6E5P. This tube is truly super driver, with phenomenal sound and with ability to throw some sonic tricks that the 5687-class drivers could only dream about. It is 35 times gain, with 8-9 watt on plate... and it is in 9-pin body. This driver alone can easy to drive 6C33C, 845, 211, GM70…. You have over -4V bias and you can get over 100V AC juts from one driver. The 6E5P sound is capable at the same time to express that large “elephant” brutal attitude of GM70 and the delicacy and sophistication of 2A3. It is truly amassing tube and what is very important - thankfully to me it is extremely cheap to buy anywhere. Try it and you might enthusiasticly loose your virginity about the drivers…

Rgs, Romy the caT

"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

11-07-2007

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Romy the Cat

Boston, MA
Posts 10,156
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Come on, Jim!

hagtech wrote:
I didn't want to steal any of your ideas.

This is very bogus notion. If the 6E5P is somebody’s idea then would be not me but Dima’s as he discovered the tube “for Sound aplicatios” in 90s while he was fixing a TV. However, your approach, Jim, is very strange to me - who care whos idea it would be. Do we care about respect to Sound of about a bogus content of artificial egos? I think you confused my site with DIYAudio…

hagtech wrote:
Seemed to me there were enough 7788 around on eBay and whatever. I am also using it in a DAC output stage. Gain and driver in one. I needed 30dB or so and then a reasonable output drive. The 7788 has both. I like it better than the 12aX7 gain into 12AU7 cathode follower I had previously used.

I do not believe in driver/input stages neither around 12aX7 not around 7788 or the rest low-biased, low-power tubes. Run 0dB out of your DAC and see what will clip first - output transformer or driver stage. In a proper design the transformer should choke first…

Rgs, the Cat

"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

11-07-2007

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hagtech

Hawaii
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Tube thief

This is very bogus notion

Well I am glad to see you feel that way. You never know - some people cry foul when such happens. "Hey, that was my idea! And now this guy stole it and put into his own product." It happens. As a manufacturer I usually try to stay clear of situations that could result in a negative business impact. I don't need people on the net thrashing me like they do Welborne. Similarly, I rarely comment on politics publicly, as it can alienate a large segment of the buying population. (Buck Fush!)

There is also the case of where I come up with something innovative, and would prefer it not to be copied by others, eating into my potential profits. One example is the UFO. It helps if I am not a hypocrite.

I do not believe in driver/input stages neither around 12aX7...

I understand. It is best practice to design for +10dBu line level for full power. That way, you can take the output of a redbook CD player directly into a stage without clipping. However, usually we have volume controls or some sort of preamplifier in the path, and so deviating a little from this specification isn't so bad. I ended up have a full power sensitivity (just prior to the onset of clipping) of 0.5Vrms. I suppose one could argue that I have 12dB too much gain. Can change loading on my interstage tranny to drop 6dB. Or change tubes. As it is now, I have way more headroom in the driver stage that I need.

jh

12-31-2007

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Romy the Cat

Boston, MA
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The same as the European E55L?

Jim,

Isn’t it the same as the famous European E55L? If so then it is a very popular in certain circles tube and it is a good driver. I never tried it myself though and I can not comment about it sonic signature or how to use it. BTW, the way how you discover the 8233 was exactly how Dima discovered in 90s the 6E5P. He has a box of the TV tubes and he juts tried them until he found the one that attracted him as “strange construction”…

The Cat

"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

01-02-2008

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Romy the Cat

Boston, MA
Posts 10,156
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Post #:	21
Post ID:	6257
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Many fast tubes and the Lynn Olson Syndrome

hagtech wrote:
Yes, it is an E55L. I wonder how stable it is. Interesting to me how many of these "uber-tubes" are designed for RF operation. Should make a wonderful oscillator.

Go figure not stable are they. All those MHz tubes are very fast and defiantly need a good shock-observant mounting, rid stopper and elevation of anode over screen to minimize possible oscillation. How stable are they after that? I think it is a model by model, brand by brand and in many instances a tube by tube. The 7788 and particularly made by a good brand is very good from this perspective and from my view it has the best transconductance vs. noise ratio.

hagtech wrote:
The other find I came across was a pair of 6CL6. Makes me want to design all kinds of new amplifiers. The video amp schematic in the 6CL6 data sheet shows the exact series-shunt inductive peaking I used many years ago, but with transistors

Well, here were we are differents – I never have any desire to design/build “all kinds of new amplifiers”. I know many people do, it is what I call the Lynn Olson Syndrome – I do not suffer from it. I need juts one amps and one speaker and I do not found a pleasure to intermingle again and again and again with the amps and speaker. For the Olson-type of people the ceremony of intelligent BS on the subject is meaningful and self important. I am in contrary found that result is something then more motivates me. So for me that fact that there is another good tube out there or another good driver out there is not the solicitable factor. To me more important the specific problems that I recognize currently with sound and the specific direction where I would like to lead my Sound. To massage everything that is massageable, as Lynn Olson and many others do at his DIYaudio site is too tedious and ignite no interest to me. I am certainly not against the 6CL6 but it would be more useful to me if you say what is wrong with your sound NOW and how you feel the 6CL6 should change it. Well, you use 7788 with 1V of bias at line level input – I know what and why it should be wrong with your Sound now… :-)

The caT

"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

01-02-2008

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hagtech

Hawaii
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L-O-S

I need juts one amps and one speaker

I don't design amplifiers for myself. I design them for others. And I am always on the lookout for something new or different or any possible improvement. Not all customers want for the same thing. That is where I am coming from, the viewpoint of a manufacturer. And so coming across a tube like the 6CL6 brings new challenges, even if merely theoretical. I wonder how I might use it. What would it be well suited for? Is it for driving, gain, buffer? Is there something in the datasheet that gives me an idea for something else?

Meanwhile, I am not experiencing any oscillation troubles with either the 7788 or the 6E5P. Although I am always on the lookout for it. One thing I did change, was that for triode mode, I took pin 8 on 7788 to anode, not ground.

jh

01-02-2008

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Lucian
Posts 3
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Post #:	23
Post ID:	6264
Reply to:	6250

E55L

Hello first, as I am new on this site...

I have tried a number of high Gm pentode/triode tubes, including E55L and, of course, 7788. All are very linear when used as triodes, but do not bet on very low noise, if that is what you would be after. These are very high bandwidth tubes, so be on the watch for RF behavior (see grid stoppers, decoupling, heater RF filtering, etc).
Great linearity for E55L/8233, not necessarily at very high anode currents (20-30mA usually are enough if a bit of conductance loss is tolerable, but maximum linearity is reached at about 50-60mA and 125-130V on the anode, whether triode or pentode connected). Great line driver and, why not, can be used for spud SEs (E55L can be run at 200V maximum). Also great perveance, E55L will swing between 25V and 200V at 50mA, if pentode (was used by Tektronix as a deflection amplifier up to 30MHz and more). Good current source too, but relatively noisy.
The only drawback: they are VERY expensive and fabricated no more. For fans of high Gm tubes, a few recommendations:
1. 6J51P (EF184) - Russia
2. 6J9P (E180F) - Russia
3. 6J52P - Russia
4. 6J53P same
This list is only a very small one out of the many tubes like this out there.

While there is no known correlation between Gm and sound quality, the increased conductance/perveance guarantees driving difficult (read reactive/complex) loads and also increases the efficiency of the smallest amount of current feedback, if used to increase the linearity. As a matter of my own personal taste, I do not use tubes that have less than 10mA/V and plate resistances larger than 10K, so I am basically confining myself to triode connected pentodes and high Gm triodes.

As a last comment, many reputable designs have used pentodes as drivers, but there are design rules to that, if the very high output impedance of a pentode is not to become a problem. See Citation II, Radford STA100, etc. The fine point is to use pendodes into a "zero impedance" NFB summing point: thus a pentode is used in the ideal way - a constant current source into an integrator input guarantees maximum bandwidth, lowest possible distortion, but noise can become a problem because it is presented also as a noise current source to the said summing point... but I should keep that rant for another occasion :-)...

My two cents.
Lucian

01-02-2008

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Romy the Cat

Boston, MA
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A correlation between Gm and sound quality?

Lucian,

here is where the beauty of 7788 comes - max Gm with absolutely lowest noise ( the area where Russian tubes reportedly can hardly compete). What is particularly cool about 7788 that that are dead quiet one after another. I have near ten different 7788 brands all of them are dead quiet.

What you said is very interesting: “… there is no known correlation between Gm and sound quality…” This is a whole big subject. With transconductance of 55.000 in one stage and with very low signal from MC cartridge or a microphone where would be a virtue of “sound quality”? Will two gain stages of half transconductance be inherently inferior juts because it will have one more active stage? It is hard to say.

I have Dima’s designed 7788-7721 phonostage with 65dB gain in juts two stages. It is very good; would it be the same if it were 3 stages? I doubt. BTW, the 7788 is very sensitive to the “quality” and type of screen voltage, sometimes I will play with this subject more.

The caT

"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

01-03-2008

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Lucian
Posts 3
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Post #:	25
Post ID:	6269
Reply to:	6266

High Gm Tubes and "Sound Quality"

Hello Romy,

Quite clearly, a high Gm device will have a higher voltage gain than a lower Gm (for pentodes, gain is Gm*Rload if single ended) and this is something we are after in a MC stage. Noise performance is crucial and below I am analyzing a bit of that...

Like any other amplifier, a tube has an input noise voltage (mostly defined by an RMS sum of the thermally generated noise, mechanically generated noise and internal noise voltages like partition noise for pentodes plus other sources of noise - 1/F noise, cathode interface noise, etc -) and a (relatively low) input current noise, whose origin is in the thermally and electrically generated leakages in the grid(s)... Let us just see whether the high Gm is warranting good noise performance...

As defined by the datasheet, E810F has a conductance of 42-58mA/V, an Ri=42K if pentode and a gain µ1µ2=57. Excellent choice for a high gain stage, it seems, specially if we do not ignore the equivalent noise resistange of 110 ohms at 45MHz... Does all this promise good noise performance in a WB application? Clearly, but only when used at maximum gain (i.e. as a pentode or cascoded with another one like it). You obviously can see that this performance is relative (to use an Atkinson's favorite, "good for a tube amplifier" :-)...

Let's make some measurements, then: an E810F measured for noise shows about 50-100nV/sqrtHz@20Hz, 10-20nV/sqrtHz@1KHz and about 10nV/sqrtHz for the rest of the higher frequencies noise voltage densities as measured with my HP3585 spectrum analyzer. These values are practically the same for a very high quality ECC83 (TFK used as a comparison), but generally 10-30dB worse for the garden variety ECC83/12AX7 bunch.

The ECC83 has a 1.6mA/V Gm vs. 220K load, while the Gm of E810F is 50mA/V vs 20K load... these values will convert to a (calculated) input noise voltage of 1.1µV for ECC83 vs. 1.4µV for E810F. When taking gain into account, the output noises are 55µV for ECC83 and 38µV for E810F, not much of a difference, but clearly better for E810F.

What my is point, considering the measurements above? The Gm of a tube is not so clearly illustrating the noise performance of a tube by default, but only in a direct comparison (1.6mA/V versus 50mA/V only yields a noise improvement of 2.5dB, while the direct Gm increase is 29dB).
Not to mention that the noise densities (measured) of a 2SK170BL JFET are 10nV/sqrtHz@20Hz, 0.4nV/sqrtHz@1KHz and the rest, yielding a WB input noise of 0.33µV with a Gm of 80mA/V :-)... Is the JFET better? Noise performance-wize, vastly, at only 2.2µV output noise (+24dB SN improvement as compared to E810F or about +21dB including the -non-trivial- noise current of the JFET).
Is the JFET better? Noise-wize, far better if the JFET is used with very low source impedances such as MC.

Does it also mean that the JFET will "sound" better? Now clearly this is a whole totally different sort of discussion and, as you have said, we must tackle this (very interesting) subject separatedly :-)...

Best regards,
Lucian

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