| Search | Login/Register
   Home » Analog Playback» Tell me about more about Ortofone SPU Sound. (55 posts, 3 pages)
  Print Thread | 1st Post |  
Page 3 of 3 (55 items) Select Pages:  « 1 2 3
   Target    Threads for related reading   Most recent post in related threads   Forum  Replies   Views   Started 
  »  New  SPUnisation of Macondo: how to catch own testicals...  Who? (shades of the old "musical" vs. "a...  Horn-Loaded Speakers Forum     1  32301  02-01-2007
  »  New  Buying a last cartridge...  Lucky you...  Analog Playback Forum     80  810535  09-05-2008
  »  New  The Softer Side of a Hard-Tracing Cartridge..  [how] to get it right from the start......  Analog Playback Forum     12  112651  05-24-2009
  »  New  The mono cartridges paradox...  More info on Pierre Clement...  Analog Playback Forum     11  96536  11-29-2010
06-03-2008 Post does not mapped to Knowledge Tree
Romy the Cat


Boston, MA
Posts 10,160
Joined on 05-28-2004

Post #: 51
Post ID: 7522
Reply to: 7521
The Mono cartridges ground loop syndrome
 Brian Clark wrote:
Per Winfeld confirmed to me that the coil former assembly is rotated 45% compared to the regular SPU such that only lateral motion is sensed. Unfortunately I did not think to ask him how the coil/coils was/were wound. Since the quoted DCR is significantly higher than for the SPU GM - 100ohms vs 6 ohms - I can only speculate that (a) there are more turns on the the former and (b) there are two coils are connected in series and the two outputs are taken in parallel.

My SPU Mono is currently with Expert Stylus for re-tipping and I have just rung them but unfortunately Mr Hodgson Snr, who had a long working relationship with Winfeld until the latter's retirement, was not in. Hopefully I should be able to establish the facts with him tomorrow.

Brian.
Yes, Brian,

I understand about the SPU construction in term of vertical motion absence, thanks,  but my interest was about electrical construction. SPU is by nature are Stereo Pickups and your speculation that they use two coils are connected in series with parallel out sounds like pleasure. What I observe confirm this speculation. Thos types of the cartridges are inclined to ground loops. I just finished my new phonostage with different grounding schema and it deals way better with the mono cartridges ground loop syndrome. It is still not completely defeats it as I feel it might not defeatable. In my old configuration I used a dedicated mono phonostage where it was no problem but with the new phonocorrector I would like to use stereo and mono needles in the same way – I am not sure that it is possible. Both right and left primaries of my transformer have referent to ground and with mono cartridges with stereo parallel leads they ALSO connected on the cartridge side – here is where the loop take place. Each individual mono lead – right or left are dead silent but as soon the second channels is connect to primary I got the loop. It is not too strong but it is there. I think I need to put a switch that would disconnect the right and left primary in case the Mono SPU is used. I ‘m still thinking about a more elegant solution….

Rgs, The caT


"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche
06-03-2008 Post does not mapped to Knowledge Tree
Brian Clark
Ongar, UK
Posts 78
Joined on 10-02-2004

Post #: 52
Post ID: 7523
Reply to: 7522
Shorting the answer
My stereo corrector (834P with air-vane caps) has a shorting switch across the two channels at the input. I suggest you incorporate the same.
With it out of circuit I did indeed get that hum you refer to with the SPU Mono. Switching to short eliminated it.


What form has your new corrector taken?


Brian.
06-03-2008 Post does not mapped to Knowledge Tree
Romy the Cat


Boston, MA
Posts 10,160
Joined on 05-28-2004

Post #: 53
Post ID: 7524
Reply to: 7523
Less hostile way to do the thing?

 Brian Clark wrote:
My stereo corrector (834P with air-vane caps) has a shorting switch across the two channels at the input. I suggest you incorporate the same.
With it out of circuit I did indeed get that hum you refer to with the SPU Mono. Switching to short eliminated it.

I see, it is exactly what I thought. So, you short the “hot” between two channels at the input? It is already shorted on the cartridge side but you shorting it locally (on the corrector side) kill the loop across the cable. The same effect might be archived if we drive signal from SPU via one cable and then split it on the phonostage side via a switch or having a switch on outside of the corrector feeding right and left cable. It looks like your solution is less painful… Oh, well, not I need a switch and to drill a hole… I will need to learn to disengage the mono switch. I wonder if other options are available… for instance to shunt the RCAs on the cable that feed signal from SPU. Then it will be still bridge locally and the loop will be not 120cm but a few millimeters.


 Brian Clark wrote:
What form has your new corrector taken?

Something similar to what you have, mine is combined with ET2 transformer.

http://www.goodsoundclub.com/LatestPosts.aspx?ThreadID=5856

The Cat


"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche
06-04-2008 Post does not mapped to Knowledge Tree
Romy the Cat


Boston, MA
Posts 10,160
Joined on 05-28-2004

Post #: 54
Post ID: 7535
Reply to: 7522
The Mono cartridges ground loop syndrome: resolved

 Romy the Cat wrote:
I think I need to put a switch that would disconnect the right and left primary in case the Mono SPU is used. I ‘m still thinking about a more elegant solution….

Well, it is resoled and it is resoled remarkably simple and effective. Now both stereo and mono cartridges with max out gain of my playback have noise of a CD player. Furthermore the geometry of the cables became to be irrelevant for ground loops. A magic solution? You bet, at least in my case.

I spoke today with Dima and he noted that what I am complaining about should not take please. As one of the possible solution he proposed to decouple the grounding of the transformer primary from ground with a pair of small 50R-100R resistor. I did exactly that: I removed the direct short and I put instead 100R resistor on each channel from ET2’s primary to ground.  It works like a champ. Dima, spent a long time explain to me why it will be immaterial for stereo and work one in mono… and it works!!!

Meow!


"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche
06-05-2008 Post does not mapped to Knowledge Tree
Brian Clark
Ongar, UK
Posts 78
Joined on 10-02-2004

Post #: 55
Post ID: 7539
Reply to: 7535
Earthy matters
Excellent! I don't use step-ups and I always tie signal earth to chassis earth through a 10 ohm resistor at input.


Brian.
Page 3 of 3 (55 items) Select Pages:  « 1 2 3
   Target    Threads for related reading   Most recent post in related threads   Forum  Replies   Views   Started 
  »  New  SPUnisation of Macondo: how to catch own testicals...  Who? (shades of the old "musical" vs. "a...  Horn-Loaded Speakers Forum     1  32301  02-01-2007
  »  New  Buying a last cartridge...  Lucky you...  Analog Playback Forum     80  810535  09-05-2008
  »  New  The Softer Side of a Hard-Tracing Cartridge..  [how] to get it right from the start......  Analog Playback Forum     12  112651  05-24-2009
  »  New  The mono cartridges paradox...  More info on Pierre Clement...  Analog Playback Forum     11  96536  11-29-2010
Home Page  |  Last 24Hours  | Search  |  SiteMap  | Questions or Problems | Copyright Note
The content of all messages within the Forums Copyright © by authors of the posts