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» My today’s views on LP c»
» The loudspeakers for a p»
» Who makes horns? Archite»
» Ophelie Gaillard renders»
» Bruckner Ninth and the W»
» A Frankenstein Macondo -»
» THE book on intonation
» Big mama 1.5" horns»
» A great conductor - but »
» Tchaikovsky's Nutcracker»
» "New" TechDas »
» Gaussmeter wanted.
» Sensible record cleaning»
» The concrete midbass hor»
» Bravo, Stereophile: Adve»
» Compression driver phase»
» Getting more from MF cha»
» Dennis Colin's Sound Str»
» A littlie D-War: Bidat v»
» "Master Quality Aut»
» DHT driver & input
» Inner Groove Distortion »
» High Pass Inductors
» About speakers Imbedded »
» Natalia Gutman (!) in Bo»
» Wiring for box speakers?
» What a trip 30 years bac»
» Sibelius VC; Furtwangler»
» Bruckner 8, WDR and Manf»
» How to select mid/upper »
» Shostakovich‘s "Suite on»
» The inflatable speakers »
» In defense of Mikhail Pl»
» Course & guide on ho»
» Single-stage Melquiades »
» MF on AF2, and (perhaps)»
» Koussevitsky and La Mer
» The New sound of London »
Bookmarked are red
Heart's Ease
Pristine Audio Direct
Appian Publications & Re»
The Handelmania Podcast
Austria's Musical Exiles
Rachmaninoff Photos
Eugene Ormandy Pages
Tin Lee Electronics
Michelangeli Site
Classical Composers
WHRB Radio Station
Wolds Opera Broadcasts
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

Audio Knowledge Tree - hierarchical collection of Club's audio content. Click a subject to expand articles
 
Analog source and analog related accessories
 Turntables (8)
 Tonearms (9)
 Cartridges (14)
 Analog set-up (5)
 Accessories (2)
 Phonostages (18)
 Step-up transformers (1)
 Tuners (6)
 Tape machines (2)
Digital source and digital related tools
 Transports-Players (17)
 D-A Processors (18)
 Recorders, A-D Processors (14)
Line-level and power electronics
 Line-level Amplifier (13)
 Power Amplifier (49)
 Crossovers (7)
 Vacuum tubes (58)
Acoustic system and listening room
 Horn loaded (160)
 Boxed (34)
 Opened baffle (8)
 Speakers setup (27)
 Listening Rooms (17)
Secondary audio devises and trivial Gizmos
 Cables (7)
 Power lines and supplies (10)
Listening Practice
 Evaluation methods (70)
 “How audio might sound”
 +1dB effect form basshorn.
 A new 'chic' foolishness about mono systems
 About a "consciousness of a playback system"
 About Darwinism of Music and audio assessments.
 About DSET-driven multi-way acoustic system maintenance assessment.
 About my listening habits.
 About Stupid Dynamic
 About the “beauty” of digital crossovers.
 About the Audio Neutrality.
 About the mysery of audio DIY enthusiasm
 About the tweeters phase alignment.
 About TTH characteristic in Audio
 About vowelness and bubbleness of Sound
 Absolutely Transparent Stage and Audio Events
 An important thing about listening practice
 Are You On the Road to Audio Hell?
 Audio and Music: four levels of unity and separation or…
 Audio critique – open your mind!
 Audio must not use none-presentational evidences
 Color Theory 101
 Critique audio performance before acquire a new element.
 DBT - a signature of listening ignorance
 Deficiency of a sensible attitude in playback.
 Do not “compare” audio equipment.
 Do not pursue full-range without being ready.
 Don't evaluate audio by sound of "live" music.
 Further guidelines for Audio Neutrality...
 Goals of audio
 Here is where the key of High End
 High End Audio and musical content.
 How to build the best audio payback
 How to evaluate playback... or the Six-Leveled-Listening Benefits™
 I would shade some light about “abstract audio”
 Immediate Gratification by Surrogate Sonic Effects
 It is imposable to “hear distortions”.
 Learn to listen your listening rooms
 Macondo and not only Macondo positioning
 Matching audio to music: false
 Melquiades: too early for a verdict?
 My Audio Reviewing agenda.
 My old Fi-Hi gear associations...
 Naturally suck-sounding playback or Karaoke Playback Assessment
 Out-impedance and "bass"
 Playback evaluations made easy.
 Position your speakers anal-retentively.
 SET and speakers: disregard Volume
 Some explanations about "Engineering of Audio"
 Soundstage vs. spatial reconstruction via Soundstage’s inner-dynamic.
 Speakers: a hi-fi disaster.
 The “absolute tone” in drivers
 The “Implied Sound” in Audio.
 The “Inverted High End” ™
 The Active High Frequency Solution - AHFS
 The best audio system: my secrets are partially out.
 The corrupted listening culture.
 The nature of "soundstage" in audio.
 The realty of UHF and LF relation
 The Sound and How We Hear It
 The sound that could not be "sold".
 The trade show listening rules.
 The unintended consequences of the binaural things in Hi-Fi.
 Time Alignment : Live Performances vs Audio
 Upper-Sound of Upper-Importance
 Use absolute polarity as an early speakers test.
 Verify that you sources do not underperform.
 What does make a playback to stop?
 What you loose about tweeters...
 Why I hate the “Japanese Sound”
 You should expect to hear just the music
 Collection Organization (5)

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