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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Be careful: Imaging vs. »
» Oistrakh(s) on Monitor M»
» SF audio gurus?
» Rohde & Schwarz EU-6»
» Think how a playback com»
» The “theories” about the»
» Arranging my records col»
» Shostakovich’s 100th bir»
» Koshka gets a beautiful »
» SET and speakers: disreg»
» Romy's Multi-cell Horns »
» Beethoven PVC Trio, Opus»
» D'Agostino/Momentum SS M»
» Stop buying the records »
» How to test 6C33C?
» Dedicated horn loaded mi»
» Dream Hi-Eff Speakers fo»
» Stravinsky and Headphone»
» How to run MM-type cartr»
» Things to look out for w»
» The pianist Yuja Wang … »
» Jonathan Weiss Introduce»
» A cutoff horn loudspeake»
» Gould's Piano
» About Darwinism of Music»
» 1st Guitar Thread
» The 3 things that audio »
» ACR Fabulous-Series PA-1»
» SET amplifiers
» Http://goodsoundclub.com»
» Another interesting corr»
» The Daniel Hertz M1 ultr»
» DIY LCR phono
» Tape Machines
» Micro Seiki MAX 282 Ques»
» Bad, bad, bad 1812 Overt»
» Micro Seiki Armboards: I»
» More about step up trans»
Bookmarked are red
Wiener Philharmoniker Di»
Martha Argerich Site
Graeme's Speaker DIY Pag»
BachTrack
NPR's SymphonyCast
John Lenard Burnett's si»
Tahra Records
Western Electric manuals
Japanese's HiFiDo
Tin Lee Electronics
Solid State Electronics
Direct Heated Rob
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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