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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Dunlavy SC++ loudspeaker»
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» Micro Seiki MAX 282 User»
» The low-power SET and de»
» First order filtration a»
» Perception - Time Consta»
» Choice of Fireware Inter»
» Audiophile Re-issues: Wh»
» JBL 2226 2445 2405 3-way»
» You decide who you are.
» The 5-ways from Germany.
» How to sell high-end aud»
» William Ralston Listenin»
» Vitavox’s S2 Survival Gu»
» Wilsons, EMM, Ozawa, Sa»
» The Church of Denon 103C
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» Aesthetix Rhea Signature»
» What is High-End Audio?
» The evenings with Greate»
» Dvorak Piano Quintet
» Any South/Latin American»
» Wheel-Fi
» Bruckner 8, WDR and Manf»
» Tokyo Opera City Concert»
» Beware of "Higher F»
» A new 'chic' foolishness»
» RCA’s Sound And The Story
» High-End Audio. The thir»
» BD-Design’s Orelino
» Satisfying result: the R»
Bookmarked are red
Seen and Heard
Eugene Ormandy Pages
Professional Audio Calcu»
MusicStack
RAAL ribbons
Polish GM70 Poject
Louis Speichler's Records
ClassicalNet
Classical Recordings New»
Pianist Yakov Kasman
Boston Philharmonic Orch»
Valves Collection
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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