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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Micro Seiki SX 111FV Pla»
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» A quest for a better mon»
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» Tokyo Opera City Concert»
» It looks like a simple q»
» How to make musicians to»
» JBL Project Array
» Tchaikovsky’ Death
» Bye-Bye, Fane
» Reel-to-Reel Tape vs. Ra»
» Turntable speed analysis.
» Why GOTO do not care abo»
» Dual channel SET
» Balanchine’s “Pathetique”
» Romy stalked me on the f»
» Music and WW3
» Auro, reverb injection, »
» Experimental horn
» Le C'leach horn rear cha»
» I built this device
» Zander, BPO, George Li a»
» William Kapell legacy an»
» Julia Fischer in Boston »
» A sad day in Greece.
» Ode to joy
» Live memories of Live br»
» DIY multicellular horn
» Melequiades PSU
» About Stupid Dynamic
» Good commercial speakers
» Ludwig van Beethoven &qu»
» Looking at the pictures »
» A better way of approach»
» 60hz, GPA-515-8ghp horn.»
» A new 'chic' foolishness»
» SCAM! Horn - Academy Phi»
» Lamm ML2.0 & Lamhorn»
Bookmarked are red
Music & Arts
The Bruckner Discography
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Musical Musings
Austria's Musical Exiles
Marston Records
MusicWeb
Dr. Bruce Edgar Interview
Tahra Records
Eugene Ormandy Pages
Rachmaninoff Society
Tempo-Electric - Arthur »
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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