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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» How difficult is it to a»
» Fuck you, the Shunyata's»
» New paradigm - what an &»
» Some thoughts about Milq»
» Do curved corners help???
» DHT driver & input
» Suggestion on my introdu»
» Tweeter for Vitavox S2. »
» Macondo – Super Melquiad»
» The girl with banjo - th»
» A big subwoofer vs. an a»
» The inflatable speakers »
» Observations and Thought»
» Upper-Sound of Upper-Imp»
» About EAR 834P Modificat»
» Not all audio equipment »
» Elgar conducts Elgar.
» The best picture of audi»
» How to evaluate playback»
» My CES
» Who makes good L-Pads?
» Audio Tekne driver align»
» European Triode Festival»
» RX-5000 Thread tension.
» Maria Callas’s Glory Day»
» America, version 2004
» Integrated sound field o»
» Building horn onto power»
» Accidental death music.
» Another time aligned 5-w»
» A new CES 2010 loudspeak»
» Help: Building a Melquia»
» About Boiling Micro Resp»
» Fostex tweeters, Lowther»
» It takes balls to shop (»
» A new 'chic' foolishness»
» Macondo – Super Melquiad»
» How High-End Audio can b»
Bookmarked are red
Phono EQ
Hughs Ominous Tubes
Classical Composers
RAAL ribbons
Takashi Asahina Group
Toccata Classics
Qualiton
Former Sirkorski Site
Vintage EV speakers
Haenssler Classic
The Thiele-Small Loudspe»
The Cartridge Database
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
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