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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» I wonder if this crap is»
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» New Beethoven cycle/Anim»
» The irony of playback ph»
» SPUnisation of Macondo: »
» Recapping RX5000
» About the pre-warming of»
» Analog vs. Digital... wi»
» Why audio itself is wast»
» His Master Voice’s Shade»
» "Not So Sweet Spot&»
» The one-stage Melquiades.
» The Supernatural Josef H»
» 6 Channel Version of Sup»
» Allnic Verito MC Phono C»
» Should I low pass the mi»
» The “Dead Points of Live»
» Ways to use audio method»
» Super Melquiades Amplifi»
» Altec A2
» Harmonies for Bosch’s Ga»
» To hear Haydn for a firs»
» Saying goodbye to the di»
» My new “New” listening r»
» It is imposable to “hear»
» Tossy Spivakovsky and Tc»
» Some Audiogon realty
» Bruckner integral
» DIY LCR phono
» Festival “Son & Imag»
» There is Bruckner and th»
» Tannoy Red 1960s: some s»
» The period DHT tubes and»
» A different type of uppe»
Bookmarked are red
Decca Classical discogra»
IMSLP Music Library
Rachmaninoff Photos
Lied and Art Songs
Eugene Ormandy Pages
OperaGlass
Input Choke & Resonant C»
About FM Antennas
Tuner Information Center
Club Abbadiani Itineranti
The National Valve Museum
Austria's Musical Exiles
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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