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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Our Fuzzy Pussies, Audio»
» Some thoughts about bass»
» Shostakovich’s 100th bir»
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» Fantasies about 10Y
» Steve Leung, Cartridge W»
» Baltimore Symphony Appoi»
» Audiophiles are Happy or»
» Life 3.0
» Micro RX5000: is that be»
» Tonality versus Frequenc»
» The “Melquíades” d&»
» Where are the full-funct»
» HELP on a Custom 3 Way H»
» Who has best sound in Hi»
» Bruckner, me and the Sev»
» High-End Audio demo, the»
» Midbass Horns and Real E»
» Sound is like a proverbi»
» Altec Lansing model 19 c»
» The Museatex Bidat pages.
» What, no Mahler?
» Interesting non horn spe»
» Constructing LF modules »
» Non-Jewish Jewish music »
» What drives good sound?
» Macondo System Suggestio»
» My beloved Contraltos: k»
» The 6E5P tube data.
» Yet another Gould box se»
» A new beast from JBL: Ev»
» Altec A2
» Compression drivers saga
» The evil of low sensitiv»
» Altec cabinet: 815a
» Surprising: the most int»
» The Shielding Condoms on»
» Audio-tekne's "Tone»
Bookmarked are red
Max Robinson’s “Fun With»
Audiomisc
Eugene Ormandy Pages
Heart's Ease
Robert Greene’s "Reg on »
Altec divers/horns
Wood Horn Speakers
Tuner Information Center
VIP Records
Recording Technology His»
Joachim Raff Society
Classical Music Network
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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