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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
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» Zander's new Masterclass
» Romy the Cat communicati»
» Vitavox 12 cell Horns + »
» THE Stargazer
» Wasted Time and "be»
» Marantz MA-9S2 Monoblock»
» Digital Voicing
» Liszt Piano Sonata &»
» Does high-sensitivity sp»
» Earl Geddes: I can't her»
» "Consensus in audio»
» Looking for different So»
» THE book on intonation
» More Gieseking!
» Maria by Callas
» How audio started….
» Altec radial phase plug »
» Problems with horns: mid»
» Absolutely the best audi»
» What’s up with these gia»
» The unintended consequen»
» Another Boston Radio Sta»
» Fake Vitavox S2 diaphrag»
» Ode to joy
» About DSET-driven multi-»
» Abbado + Lucerne Festiva»
» The Mercury "Rigole»
» Some analysis of the Joe»
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» Be careful: Imaging vs. »
» Michelin horns
» The Kato-san's Goto »
Bookmarked are red
Polish GM70 Poject
Phil Mundi Audio Pro Med»
Soviet Composers
WGBH's “Keeping Score”
Duntech Audio loudspeake»
Exponential/Hyperbolic C»
The Cartridge Database
Michelangeli Site
Western Electric manuals
Dan Lavry's Forum
Art Songs and Librettos
Musical Instrument Jokes
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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