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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Berlin, Bruckner 8 in Ma»
» More about the EdgarHorn»
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» "SOTA Technology&qu»
» (Whose) classical music.»
» Engaging the David Haign»
» Apple helped kill FM...a»
» If I start High-End Audi»
» My favorite video clips
» Brian Cheney of VMPS
» The Church of Denon 103C
» Just Hi.. and my audio b»
» Audio cabinet of curiosi»
» George Orwell and loudsp»
» EMM Labs hits… the chick»
» (Hopefully short) headph»
» Which SME 3009?
» New sample 24/96 downloa»
» Gas voltage reference 0A»
» Tonality versus Frequenc»
» The Sakuma's Show
» A littlie D-War: Bidat v»
» Try something unusual an»
» Faberryman and the CES 2»
» Janine Jansen
» Do not buy Brand and Mod»
» LLoyd Walker Never Rests
» PS Audio's digital appro»
» How the things are getti»
» A new beast from JBL: Ev»
» New nanotube speaker tec»
» The K&K SE hybrid ph»
» Miniumum sample rate for»
» A tribune to Transient E»
» Evaluation of tractrix c»
» Le C'leach horn rear cha»
» Expectations in the conc»
» New audiophile download »
Bookmarked are red
Dolmetsch Online
Technical books online
FM Radio Query
Stereopal
Tonal tests
GEMM catalog
Clemens Krauss Archive
Classical Recordings New»
Musical Musings
Glenn Gould Audio Archiv»
The Gustav Mahler Board
Irvington Music
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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