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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The evenings with Greate»
» Input choke for Low Curr»
» Soprano Sally Matthews.
» Stage Music: get clew.
» DVD for pop, SACD for cl»
» JBL2440 on a round 300Hz»
» Some Audiogon realty
» Who makes horns? Archite»
» Antenna Cable Connection
» Czech Republic's Audio
» Gardzienice "Metamo»
» Tedeska Cartridges.
» And a Bruckner 8 the day»
» The CES's 2011 horns
» Looking for the most vin»
» Bruckner 3rd
» A single worst thing in »
» New Barenboim’s Bruckner»
» Ever thought about how m»
» Better solution for bein»
» My today’s views on LP c»
» A magnetic hybrid driver.
» Magico Model 6 loudspeak»
» Crossover or non-crossov»
» DIY Firefly Horns
» How to build the best au»
» Building On "Accide»
» The dynamic range of our»
» Boston and Bruckner
» The Full (fuller) Range »
» Why people still sell co»
» Beware of the "dipo»
» JMLC horns profile?
» “They either adore me or»
» Audio Enigma Variation
» Placido Domingo... condu»
» Direct radiation in the »
» Turntable speed analysis.
Bookmarked are red
Former Sirkorski Site
Spinning Dog Records
The Gustav Mahler Board
Tubecad publication
Classical Music Network
Altec divers/horns
Audio Anthology
Russian Records
Furtwängler's conserts
Orchestra on Demand
Silent Running Audio
Tchaikovsky-Research.
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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