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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A dive to Auro 3D
» Lab JC
» Macondo – Super Melquiad»
» Beauty as I See It - Mus»
» Lavry D9a26 Power Supply
» Remembering Sound…
» The leather-suspended dr»
» How idiots destroy sound.
» To move audio equipment »
» A “pocket version” of Br»
» Soundsmith’s analog idea»
» Making of a Steinway.
» Professional sound syste»
» Smyth Research Realiser »
» Placido Domingo... condu»
» Signal variation, noise,»
» Bye-Bye, Fane
» Riccardo Muti and Chicag»
» Conductors and Audio Sou»
» Eduardo de Lima is a fre»
» How Mussorgsky should so»
» Interested in reading mo»
» The Rafael Kubelík'»
» Macondo System Suggestio»
» Observations and Thought»
» The most interesting hor»
» Medici TV, interesting…
» Education vs Magic
» The 60-inch LF driver.
» Ortofon MC Anna cartridg»
» NOS Wagner move - what i»
» $350.000 of audio-script»
» Analog Transfer: the fir»
» The Thomas Blumenhofer’s»
» The iHorn - a passive a»
» The new G.I.P speakers.
» A tale of two DACs
» Macondo 2.0?
Bookmarked are red
Art Songs and Librettos
Clemens Krauss Archive
Robert Greene’s "Reg on »
OboinaThor
Nubes Partem
Wood Horn Speakers
NPR's SymphonyCast
Electronics encyclopedia
Orchestra of the Age of »
Audio Anthology
BostonSymphony's Channel
33+45=78
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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