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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Bach and Rain
» Some Horns propaganda
» Vitavox corner horn
» CEC TL0 3.0 trasport
» De-stress not decompress»
» The 'nature' of said rea»
» Dannoy and oxytocin...
» Turntable Design
» Bermuda Triangles of Aud»
» Small spaces
» Macondo copying: Horns t»
» The nature of "soun»
» Ravel's String Quartet; »
» Audio Enigma Variation
» The Dvorák’s Tone P»
» How to read Romy the Cat»
» A playback and wrong not»
» Interview with Daniel We»
» Yarlung Records at 24 bi»
» S3 on tractrix 260 graph.
» A Very Nice "Eroica»
» “A” sound from “B” syste»
» A fresh take on 9th by t»
» The 24 bits of Christmas
» Nothing to read.
» New speaker system
» The site navigation/feat»
» Chasing utopian better p»
» A different type of uppe»
» JMLC horns profile?
» Are You On the Road to A»
» Bach's performing space.
» How to build the best au»
» Electronluv systems ques»
» San Francisco in Februar»
» Live vs. Recorded transc»
» USB microscope for setti»
» Hans Zenders’ orchestrat»
Bookmarked are red
Overgrown Path
Sound Tourism
Linkwitz's "Laboratory"
Exponential/Hyperbolic C»
Art Songs and Librettos
Plasma Tweeters Site
Audio Database
Tonal tests
Rachmaninoff Photos
Graeme's Speaker DIY Pag»
Radiotron Designers Hand»
The Leonard Cohen Files
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
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 Composer: or  
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Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
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Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
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 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
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Comments:

 

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