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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Brahms' Magelone Songs
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» "New" TechDas »
» (Hopefully short) headph»
» New Motor for an Old Sot»
» Training amplifiers
» The Audio of 21 century:»
» A playback and wrong not»
» Targeted Audio Listening»
» A turntable platter as a»
» Yamamura's 6 ways
» The ferrofluiding of com»
» There is Bruckner and th»
» Exceptional loudspeakers»
» Melq 6e5p driver stage f»
» Measuring reality: empir»
» Do curved corners help???
» How does it sound?
» My trip to the Stereophi»
» 6C33C socket types, wher»
» My Koshka is meowing
» New Barenboim’s Bruckner»
» Bid Midbass Asian Horns
» Alicia De Larrocha, Bach»
» Radio Netherlands’ Live!»
» So sad that did not see »
» Compression at WCRB - b»
» 1st Guitar Thread
» “Hearing Modernity” at H»
» Tannoy Red or Gold monit»
» Small SET’s bass, beside»
» My old Fi-Hi gear associ»
» Performers
» What constitutes a great»
Bookmarked are red
JE Labs
Soviet Composers
MusicStack
Linkwitz's "Laboratory"
Haenssler Classic
MetManiac Opera Archive
Spinning Dog Records
Technical books online
The Well Tempered Comput»
Solid State Electronics
Toccata Classics
Jogis Röhrenbude's Site
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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