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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The Patrick Flanagan’s N»
» Beware of the "dipo»
» The 5-ways from Germany.
» A right midbass solution»
» Richard Wagner. Somethin»
» The Full (fuller) Range »
» The Engström & »
» Macondo's Axioms: Horn-l»
» Stage Music: get clew.
» Altec Lansing model 19 c»
» A fundamentally faulty J»
» Hickok Tube Testers: Qui»
» Neat reminiscences from »
» The Lavry Gold DA924 ++
» Why Hight-End Audio, as »
» Tosca, Aida, Madama Butt»
» Speaker hunting
» Fostex tweeters, Lowther»
» Tubas and Mc-step
» Audio vs. Musical pitch
» Mendelssohn, Cello Sonat»
» ... again on GOTO Unit d»
» A truly cool solution fo»
» Windows Based Transport:»
» Cerebral and psychologic»
» Many Mani's options: My »
» FM Acoustics
» "O Vitavox, Vitavox»
» The ultimate worst best »
» Making of a Steinway.
» Getting more power from »
» Van den Hul famous FAQ c»
» Bruckner 3rd
» Training amplifiers
» How Piazzolla should sou»
» RAAL “Water Drop” tweete»
» Lavry D9a26 Power Supply
» The Hannes Kastner’ Tocc»
Bookmarked are red
Electron Tube Data sheets
Tchaikovsky-Research.
Boom's Dungeon
The Gustav Mahler Board
Robert Greene’s "Reg on »
Greg Sando’s Site
Conductor’s Corner
Pristine Audio Direct
Austria's Musical Exiles
DIY SET
Wiener Philharmoniker Di»
Furtwängler's conserts
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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