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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» How to make a speaker dr»
» Harmonies for Bosch’s Ga»
» Hmmm... the sad truth ab»
» The Milq’s power supplie»
» The best musical event o»
» The short "6C33C Su»
» The essence of High-End »
» The European Triode Fest»
» Levels of High End Audio»
» Acoustic Treatments That»
» Superbly interesting eff»
» The ultimate buffer #2..»
» Open letter to WGBH.
» $350.000 of audio-script»
» Injection Channel : JBL »
» My site and Your expecta»
» Instrumental music vs. o»
» The sound compromises of»
» Boston and Liszt’s Secon»
» “They either adore me or»
» Coaxial design
» I am thinking about anim»
» The wonderful Alisa Weil»
» Chinese upperbass horn.
» DA architecture: True M»
» A “pocket version” of Br»
» hello cats...meow.
» Some nice horns from Gre»
» Making musical instrumen»
» About DSET-driven multi-»
» Gaussmeter wanted.
» Building On "Accide»
» Bach and kids…
» The WHRB Wagner’s Ring C»
» Pacific Microsonics Mode»
» Reflex enclosures used a»
» I think about War lately.
» Horns and digital crosso»
Bookmarked are red
Dr. Olson Tribute Site
Martha Argerich Site
Musical Musings
Sound Tourism
Good-Music-Guide
Rachmaninoff Society
Tubecad publication
IMSLP Music Library
Stereopal
Vintage Audio Trader
AudioTools
The Air This Week
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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