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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The sound compromises of»
» Strings reinforced sound»
» Vendors’ Egos.
» Minusk: a new Vibraplan?
» Used car salesman as a d»
» A horrible re-performanc»
» Arranging my records col»
» Six years of continuing(»
» Audio Covid and some hom»
» Vintage JBL products lin»
» Incorporating active cro»
» Book "High Quality »
» Sauna and Audio
» Internet and electricity
» Targeted Audio Listening»
» JBL 2490 mid-range driver
» Got new mid/high horns. »
» "Master Quality Aut»
» Best of the HE2006!!!
» Those Video broadcasts f»
» A stunning Beethoven’s “»
» The most interesting hor»
» New Shalin Liu Performan»
» The 3 things that audio »
» Janine Jansen Violin
» A strange urge.
» Universal VTA adjustment.
» Audio vs. Musical pitch
» hello cats...meow.
» Amazing Altec 288 ++
» In appreciation of Koshka
» About rationalism of twi»
» Dreams about Audio
» BBC: Composer of the Wee»
» Avantgarde Trio, Roy Gre»
» The industry-embraced au»
» Fake Vitavox S2 diaphrag»
» How audio started….
Bookmarked are red
Jogis Röhrenbude's Site
Thomas Dunker's Site
Audiomisc
Adnan Arduman's site.
FM Radio Query
Classical Music Forum
Club Abbadiani Itineranti
DIY SET
Exponential/Hyperbolic C»
Radiotron Designers Hand»
Rachmanionoff's links
John Lenard Burnett's si»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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