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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Bliss
» "It" Thread
» Oistrakh(s) on Monitor M»
» 12AX7 or?
» The Free Intent Audio Jo»
» EMIA Phonostage.
» Meyer X-10
» A good young conductor: »
» SF audio gurus?
» Lamm’s new phonostage.
» Munich High End 2010
» Melquiades (D-Set) parts»
» Van Cliburn Moscow 1958
» The remarkable moments i»
» It was seventy years ago»
» Tanglewood 2010
» High-End Audio vs. High-»
» I can't wait to read the»
» Wywires – “Custom” desig»
» A Very Nice "Eroica»
» Micro RX5000: is that be»
» Levels of High End Audio»
» Macondo Horns: biography.
» "Master Quality Aut»
» Another "Top five t»
» Replacing 802 G and 811 »
» Koshka gets a beautiful »
» Looking for the most vin»
» Micro Seiki MAX 282 Ques»
» Just Hi.. and my audio b»
» Platine Verdier Magnum
» Ludwig van Beethoven &qu»
» Why I hate computer play»
» The Color of Bass
» Aporia - Silbatone Acous»
» A revolution for Executi»
» How to start Classical M»
» Has anyone built the DIY»
Bookmarked are red
Tahra Records
Direct Drive TT
ClassicalNet
Lenard's Opals monitor
Direct Heated Rob
DIY SET
Austria's Musical Exiles
Jogis Röhrenbude's Site
Loudspeaker Designer's G»
The Soul of Sound
Hickok Maintenance
Value of Records Tool
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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