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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Romy Sells Out
» A quest for a better mon»
» German Odeon horns.
» The ULF cannel for my ne»
» Why David Robertson does»
» The commercial music ser»
» A new film about Karajan
» Inner Groove Distortion »
» The Berlin Philharmonic »
» VoES
» Musicians' ear
» The Nimbus' Prima Voce b»
» Audiophiles are Happy or»
» Dannoy and oxytocin...
» Ghorbani&Hamdani sin»
» The Ridiculous Japa-Braz»
» K2HD -yet, another CD fo»
» Dvorak Cello Concerto in»
» Hypex for ULF?
» Dennis Colin's Sound Str»
» Live memories of Live br»
» Impressions from High En»
» Many Mani's options: My »
» Kevin Puts, American Com»
» The Church of Denon 103C
» Macondo – Super Melquiad»
» World's First Concrete R»
» Lutoslawski’s Concerto f»
» Ravel's Piano Trio; Rubi»
» Playback journeys and Mu»
» The ultimate cancer of a»
» Bass drivers inquiry
» Pure Audio Blu-ray.
» The WHRB’s Rimsky-Korsak»
» Audio Cost
» Rubinstein at Carnegie H»
» EMM Labs hits… the chick»
» Sound is like a proverbi»
Bookmarked are red
Art Songs and Librettos
Linkwitz's "Laboratory"
Heart's Ease
Tonal tests
Pjay's Speaker building »
Carlos Kleiber List
Club Abbadiani Itineranti
RAAL ribbons
Dan Lavry's Forum
The Music Parlour.
The Leonard Cohen Files
Qualiton
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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