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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» About reviewer’s qualifi»
» K-Stereo Ambience Recove»
» Building a new music room
» Universal VTA adjustment.
» The experiments with rem»
» The last message of audi»
» The Supernatural Josef H»
» Anyone Care to Make Odds»
» Analogue to digital conv»
» The period DHT tubes and»
» Brahms, "Liebeslied»
» To buy an SACD Player?
» Another interesting corr»
» Sick CEC TL0
» The new releases from &q»
» The Engström & »
» Direct radiation in the »
» Better organization/desi»
» Credibility of digital i»
» Panel with Peter Qvortru»
» Introduction to “Melquia»
» Tuuubes - where are the »
» A synonym of audio revie»
» Vinyl Ceremonies: Repeat»
» Boxed in horns
» The BSO and Digital Musi»
» Smetana's Piano Trio
» Beautiful Mahler Lieder
» An idea of “Rain Wake-Up»
» To drive the 6C33C...
» My Audio "Reviewing»
» Advanced-Transition Horn»
» GoodSoundClub – one year»
» Live memories of Live br»
» Anything wrong with wide»
» Loenid Kogan
» “Melquiades” amplifier: »
» A quest for a better SET.
Bookmarked are red
Robert Greene’s "Reg on »
VIP Records
Opera America
Twogoodears' Blog
DIY SET
Phil Mundi Audio Pro Med»
Archives of Canada
Pristine Audio Direct
Truesound Transfers
Austria's Musical Exiles
Higherfi.com
Olson Acoustical Book
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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