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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Bermuda Triangles of Aud»
» Think how a playback com»
» A quest for a better SET.
» New Beethoven cycle/Anim»
» A different breed of 6C3»
» Arsenic bacteria & G»
» Horn Speaker Leftovers f»
» Life 3.0
» Khatia Buniatishvili
» Montreal audio show phot»
» Building “Zarathustra II»
» GoodSoundClub – one year»
» Gould's Goldberg Variati»
» It is Miracle
» San Francisco in Februar»
» Vox Olympian secrets unv»
» Has anyone ever seen the»
» RDH20 Frame double horn »
» Loit Eagle Player – the »
» The 3 things that audio »
» Crossover Design
» Back chamber
» Bruckner, Wind and the w»
» About digital files and »
» Tonearms criterias??
» Rakeshorns
» Music in the Sound: a mo»
» Pure Audio Blu-ray.
» A proper implementation »
» It is about timbres, stu»
» World's First Concrete R»
» Single-stage Melquiades »
» How would you handle it?
» Playback and operation o»
» Performance of a week.
» Italy’s the best: Michel»
» Chopin's Waltzes, Witold»
» The Foolishness of Analo»
Bookmarked are red
GS Tube
Martha Argerich Site
Polish GM70 Poject
The Bruckner Discography
Twogoodears' Blog
All Tube Testers
Marston Records
Rachmaninoff Society
Linkwitz's "Laboratory"
Toccata Classics
The Leonard Cohen Files
Delta Entertainment
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
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 Composer: or  
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Orchestra/Group:  
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Recording Information:
  Recorded Sampling Rate:
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File was edited / post-processed:
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