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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Ravel's String Quartet; »
» Deep End DIY - Austral»
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» A CD playing audio perso»
» How Piazzolla should sou»
» Wilsons, EMM, Ozawa, Sa»
» Life 3.0
» Input choke for Low Curr»
» Bartok piano works
» New Shalin Liu Performan»
» Another (outdoorsy) swea»
» How many Bits needed for»
» Bach's performing space.
» The path of simplificati»
» The High Resolution PCM »
» Playback and operation o»
» Incorporating active cro»
» Micro Seiki RX-5000 stat»
» Turntable Design
» My new horn systems
» Melequiades PSU
» Audio vs. Musical pitch
» The 'Beethoven Test' of »
» A response to David Hurv»
» JBL 2226 2445 2405 3-way»
» Celibidache / bruckner
» Wilson Audio Setup Proce»
» Andrew's new 4-way horn »
» Horn length/expansion/gr»
» The great Corus performa»
» How to make money in Aud»
» The commercial music ser»
» Vertical Axis Midbass Ho»
» The Evolution of Honk.
» The wonderful Alisa Weil»
Bookmarked are red
Neal's Recordings
Musical Instrument Jokes
Vintage EV speakers
Classical Collections
Sound Tourism
Classical Recordings New»
Wiener Philharmoniker Di»
Virtuosos Discographies
33+45=78
Electron Tube Data sheets
Parnassus Records
Piano Wizard
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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