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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» We don’t necessarily kno»
» Liszt’s symphonic poems.
» Romy the Cat's Audio»
» San Francisco in Februar»
» The "Nubianco"»
» Dunlavy SC++ loudspeaker»
» Better chassis design fo»
» The meaning of lowest oc»
» Does high-sensitivity sp»
» Playback and Perception »
» Jaap van Zweden kicks as»
» The UnipheyeMusic and St»
» Help with RF loop
» Bruckner 8, WDR and Manf»
» Good small SS amplifier
» The Softer Side of a Har»
» Thoughts on midbass horn»
» VTL TL-7.5 Reference: Hi»
» Super Melquiades, Macond»
» Callas and Tebaldi Compa»
» Selling Audio...
» Sensible record cleaning»
» The “theories” about the»
» A sort of DPOLs
» VITAVOX - Current Lineup»
» Ultimate Turntable?
» About DSET-driven multi-»
» Think how a playback com»
» A Cardboard Effect.
» SCAM! Horn - Academy Phi»
» My Koshka is meowing
» Closer to the musicians »
» The elusive “absolute to»
» The Multicells HF Horns.
» New source for old tuners
» Impossibility of commerc»
» Bach's performing space.
» Michael Fremer Continuum»
Bookmarked are red
Classical Collections
Club Abbadiani Itineranti
MusicStack
Norman Lebrecht's blog
Wood Horn Speakers
Musical Musings
Neal's Recordings
Eugene Ormandy Pages
Musical Instrument Jokes
MusicWeb
GS Tube
John Lenard Burnett's si»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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