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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Drama vs. Chic
» Earl Geddes: Horny Book
» SME M2-12 tonearm
» Macondo’s MiniMe or abou»
» Could someone recommend »
» Abbado + Lucerne Festiva»
» About playback and messa»
» Class “D” – the industry»
» RIP Oscar Peterson
» Micro Seiki MAX damping
» Vitavox ak151 in klipsch»
» Tchaikovsky’s “Pathetiqu»
» The WHRB’s Orgies period.
» Red Violin Concerto
» Macondo – Super Melquiad»
» Fostex tweeters, Lowther»
» Ravel's String Quartet; »
» Another electromagnet dr»
» About audio sales and h»
» Ca(r)t before the horse:»
» 6C33C myths: audio Moron»
» How to make a music pers»
» How to paint Multicell h»
» The Herbert von Karajan’»
» Analog is Back 2011: Wav»
» Analog vs. Digital... wi»
» Bahnsen Horns + some fre»
» The Nationals Anthems
» Why Horn loaded systems?!
» Zigmahornets Speakers: c»
» The 6E5P tube data.
» The best 20 hz bass horn
» Melquiades: too early fo»
» Corresponding With Carlo»
» Macondo listening experi»
» Puccini: Tosca
» The today’s take on Rach»
» Listening playback with »
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Conductor’s Corner
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Dr. Bruce Edgar Interview
Solid State Electronics
Tuner Information Center
Hi-Fi Speakers Design
Marston Records
The Gustav Mahler Board
Virtuosos Discographies
Koussevitzky & BSO
Haenssler Classic
Audiomisc
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
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 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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