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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A big subwoofer vs. an a»
» The realty of UHF and LF»
» Closer to the musicians »
» Happy New Year
» Interesting diffuser sof»
» The Tenor amplifier and »
» Bookshelf Horns
» Dima Kereev
» Bruckner integral
» American National Record»
» Cellist Daniel Müll»
» Woofer cone materials an»
» Pham Thanh Cuong's playb»
» Electrostatic Sub Horn
» Ode to joy
» Neumann Dummy Head.
» Zigmahornets Speakers: c»
» High-End Audio and.... &»
» Tokyo (Akihabra) Audio a»
» Learn to listen your lis»
» RCA driver made in China
» Melquiades For Dummies™ »
» Align your FM tuners!
» How Mussorgsky should so»
» Looking to brainstorm st»
» The 6E5P tube data.
» The tools to listening s»
» The funny Internet audio»
» Drama vs. Chic
» Audiophiles are Happy or»
» Chesky Records went &quo»
» High End Audio and music»
» DA architecture: True M»
» MET Broadcast, season 20»
» RIP Henryk Mikolaj G»
» DAW drives configuration»
» What, no Mahler?
» Harry Pearson new round »
Bookmarked are red
Professional Audio Calcu»
Doremi CD label
WHRB Radio Station
Input Choke & Resonant C»
John Lenard Burnett's si»
Polish GM70 Poject
Classical Collections
Western Electric manuals
Adnan Arduman's site.
Female Composers Site
StateWork Broadcast Reco»
Russian Records
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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