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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» What is wrong there and »
» Live vs. Recorded transc»
» My recent FM mystery
» Six years of continuing(»
» Boston and Liszt’s Secon»
» A new beast from JBL: Ev»
» The Active High Frequenc»
» Rejection of non-natural»
» Horns and digital crosso»
» A random neutralness
» Rach’s Prelude in C-shar»
» How to make a playback t»
» A good young conductor: »
» Audiophiles are Happy or»
» Driver tubes, grid leak »
» ULF: where is the border»
» Making LPs; What Goes In»
» RMAF 2008 observations, »
» Micro SX8000I: noisy pum»
» The Brain Inertia.
» A littlie D-War: Bidat v»
» Always check power-line »
» Submerging deeper into A»
» French Horns/drivers sho»
» The 24 bits of Christmas
» The CES 2005
» New Shalin Liu Performan»
» How to manage audio powe»
» The BBC program about gr»
» Lamm ml2 voltage 110v to»
» Smetana's Piano Trio
» The decentralization and»
» LPs & CDs Storage.
» It was seventy years ago»
» Say “no” to the light to»
» Thank you, Sir! May I ha»
» Turntable Design
» JBL LE8
Bookmarked are red
Spinning Dog Records
The Music Parlour.
Scriabin's Sonatas
High-End Audio
Musical Musings
GEMM catalog
American Broadcasting
Audiomisc
Wolds Opera Broadcasts
Japanese Translator
Parnassus Records
GedLee loudspeakers
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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