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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» 47 Lab Digital
» Goto SG-370DX measurement
» Music and Arts of Americ»
» The mono cartridges para»
» The Shielding Condoms on»
» The "new" Shos»
» The "mystery&am»
» Mini A7
» The Bruckner 5 by Benjam»
» Entry level DSET Melq?
» GM70 vs. 6C33C
» Education vs Magic
» Cool running AB amplifie»
» How many channels does a»
» DSET and Cables.
» Interesting diffuser sof»
» Listening Pipe Organ Mus»
» Lower cost horn loaded a»
» Wine, women, song.. and »
» Two channels (tweeter an»
» Horn Enclosures & &q»
» Lavardin discovery
» Just-Sound of Audio vs. »
» Pure Audio Blu-ray.
» A multi-tier audio contr»
» The ultimate buffer #2..»
» How to evaluate playback»
» Some analysis of the Joe»
» Wilson Audio and the Moo»
» From Newton to Einstein
» Weber’s "Andante e »
» Convergent Legend Preamp»
» The sound compromises of»
» The Extraordinary Harvar»
» The Shelter 90X: mystery»
» Today’s SACD - music for»
» A true nature of audioph»
» Idler Drive - Rumbling I»
Bookmarked are red
Marston Records
Opera America
Greg Sando’s Site
John Lenard Burnett's si»
Tahra Records
Wolds Opera Broadcasts
Willem Mengelberg discog»
The Well Tempered Comput»
Phono EQ
Higherfi.com
Classical Recordings New»
Boom's Dungeon
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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