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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
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Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Nikolaj Znaider's play a»
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» Horns and digital crosso»
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» Where is "Good enou»
» Benjamin Grosvenor is co»
» Midrange driver suggesti»
» Lampizator horn
» What about 220V 50Hz?
» Magico: Robert Harley’s »
» SET and speakers: disreg»
» About the tweeters phase»
» Tools, Materials and Per»
» REL Precedent Tuner - An»
» THE Show, Irvine 2018
» (monitor vs hifi speaker»
» The Nationals Anthems
» SPUnisation of Macondo: »
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» Magico Model 6 loudspeak»
» The unintended consequen»
» Khachaturian anyone?
» To Milq builders: correc»
» A[nother] Cautionary Tal»
» MacondoLite
» The nature of "soun»
» Czech Republic's Audio
» Shi-Yeon Sung and BSO
» Do You Really Know How b»
» The CES 2005
» Convergent Legend Preamp»
» Clark Johnsen.
» Benz Gullwing and Hi all
» The crossovering Messiah»
» Incorporating active cro»
» List of top 20 conductor»
Bookmarked are red
Parnassus Records
Polish GM70 Poject
Altec divers/horns
Michelangeli Site
Jammin' Jersey
The Handelmania Podcast
Radio-Locator
Musical Instrument Jokes
Opera America
Technical books online
BachTrack
Audiomisc
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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