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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Koussevitsky and La Mer
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» THE book on intonation
» “FM live” file exchange »
» High-End Audio Bass: wha»
» The Color of Bass
» MBS Platinum ADC
» Chicago Horn Loudspeaker»
» Beware of PurePower Part»
» NOS Wagner move - what i»
» The low-power SET and de»
» Mozart: "Cosi Fun T»
» I need some advice and d»
» CEC TL0-X: by no means a»
» It looks like Brits will»
» Recording options: Pacif»
» Time alignment of drivers
» Re-set Martha Argerich!
» Rachmaninoff’s Symphony »
» Pop-music as a side-disc»
» Rachmaninoff PC 2: Conce»
» Today’s SACD - music for»
» Placido Domingo... condu»
» The “Dead Points of Live»
» New Motor for an Old Sot»
» Adding one more spherica»
» Melquiades: too early fo»
» Are Any Powerful Amps Wo»
» Goto SG-370DX measurement
» Overlooked Cello Reperto»
» Naked Sound and Whether.
» Disregard the industry p»
» Starting from scratch - »
» Top Recordings of All Ti»
» Classic Artc Showcase St»
» A quests for an ultimate»
» The cPlay software.
» Vitavox S2 driver made i»
Bookmarked are red
Opera Collector Guide
Joachim Raff Society
Jogis Röhrenbude's Site
The Gustav Mahler Board
JBL Products
The Opera Critic
Hub Arts
Scriabin's Sonatas
Museatex
Norman Lebrecht's blog
Stereopal
BostonSymphony's Channel
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
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 Composer: or  
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Performer and Solist:
Conductor/Director/Chorusmaster:  
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Commercial Availability:
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Recording Information:
  Recorded Sampling Rate:
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 Recorded File Type:
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Sound Quality:
Extra material within recording:
File was edited / post-processed:
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