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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» RCA driver made in China
» Horn loaded ribbons and »
» Another Boston Radio Sta»
» Tape Machines
» About Boiling Micro Resp»
» Canadian Speaker Proposal
» Depicting and Visualizin»
» High-End Audio and ... p»
» "Something is rotte»
» It is Miracle
» Help FM Broadcast
» The ultimate worst best »
» About rationalism of twi»
» The Church of Denon 103C
» The ultimate buffer – li»
» Happy New Year
» A full-range driver = C»
» Michelin horns
» Things to look out for w»
» New old records shopping
» Bruckner 8, WDR and Manf»
» Long time due: Digital P»
» Horn Enclosures & &q»
» Janine Jansen
» Foundation Standarts for»
» 47 Lab Digital
» Not new, but VERY intere»
» About bass horns by Joha»
» The road to less dummine»
» My today’s views on LP c»
» Playback and chamber mus»
» Wasted Time and "be»
» Non-classical genius (st»
» Some Horns propaganda
» Interesting use of Lunda»
» Is horn a natural shape?
» Use absolute polarity as»
» The GoodSoundClub’s ‘Ult»
Bookmarked are red
The Opera Critic
Tonal tests
Takashi Asahina Group
GEMM catalog
Electron Tube Data sheets
Austria's Musical Exiles
Glenn Gould Audio Archiv»
WGBH's “Keeping Score”
Furtwängler's conserts
Tuners Stereo Surgeons
The Soul of Sound
Boom's Dungeon
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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