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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Opera “Boris Godunov”
» Rachmaninoff’s Symphony »
» The absolutely “best” ma»
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» A beautiful miller's dau»
» Playback and chamber mus»
» Idler Drive - Rumbling I»
» A longer turntable belt.
» JMLC horns profile?
» More about Vienna Philha»
» Initial thoughts about n»
» Macondo vs Dannoy = Esse»
» How does [Phaseplug Desi»
» Mysterious Russian Tromb»
» The Melquiades' "Re»
» A phenomenal find: Garvi»
» High-End Audio, DPoLS -»
» The Engström & »
» Large La or Tratrix horn»
» Loenid Kogan
» Observations and Thought»
» Riccardo Muti and Chicag»
» The single-stage Milq an»
» Cats and hifi
» Smyth Research Realiser »
» Don Quixote BSO Live tod»
» Tuners and digital noise»
» BiDat: One more output
» If you were to start fro»
» Silicone gel damping?
» Dream Hi-Eff Speakers fo»
» The Ralf Stegmueller’s h»
» 2+3 surround sound??
» Maxonic drivers from Jap»
» Liszt’s symphonic poems.
» A minor Audio depression»
» The 500-megawatt FM stat»
» Bruckner, Wind and the w»
Bookmarked are red
Cedille Chicago
IMSLP Music Library
Rachmaninoff Society
Rachmaninoff Photos
Dazy Web Labaratory
Value of Records Tool
Valves Collection
Classical Music Network
Appian Publications & Re»
Norman Lebrecht's blog
WHRB Radio Station
Thomas Dunker's Site
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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