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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Philmundi Story about ho»
» Smetana's Piano Trio
» Macondo – Super Melquiad»
» Chopin's Waltzes, Witold»
» Multiple Tracks, Each On»
» DBT - a signature of lis»
» Do not reproduce extreme»
» A strange urge.
» Musicians' ear
» The tools to listening s»
» Digital crossovers self-»
» TAS article: start of th»
» Hans Deutsch active acou»
» The K&K SE hybrid ph»
» Macondo’s Midbass Projec»
» Melquiades For Dummies™ »
» A tale of two DACs
» About Harry Pearson lega»
» Where are our good phono»
» George Orwell and loudsp»
» Impressions from High En»
» Bach, Brandenburg Concer»
» Woman conductor?
» MacondoLite
» 3 ways how I listen to m»
» A quest for a better SET.
» His Master Voice’s Shade»
» High-End Audio Topologie»
» Tuners and digital noise»
» How to play mp3.
» Some kind of Grundig…
» What a trip 30 years bac»
» Jonathan Valin smokes La»
» About the Audio Neutrali»
» The 'nature' of said rea»
» The most interesting hor»
» The best picture of audi»
» It is about timbres, stu»
Bookmarked are red
Jammin' Jersey
Hickok Maintenance
Pianist Yakov Kasman
The National Valve Museum
Alexander Karpov’s “Next»
Audiofederation's Blog
Audio Database
Rachmanionoff's links
Spinning Dog Records
Overgrown Path
Musical Instrument Jokes
TubeTesters.info
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
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 Composer: or  
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Recording Information:
  Recorded Sampling Rate:
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Extra material within recording:
File was edited / post-processed:
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