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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Danley's optimised paral»
» The Jeff Day’s Westminst»
» A proper implementation »
» Claude Perrier and his t»
» My subject of envy to au»
» About HF Binaurallism
» How to make a speaker dr»
» The best 20 hz bass horn
» Monophonic bass: myth an»
» Make Your Own Horns
» Tanglewood's 75th annive»
» Digital Voicing
» Pacific Microsonics Mode»
» My reading for a “smalle»
» What is High-End Audio, »
» Barn Conversion - James'»
» RIAA pole two = 501,12 Hz
» A need for Resolution /S»
» Hans Deutsch active acou»
» Focal-Jmlab – the Utopia»
» A car with vacuum tube..»
» What is High-End Audio, »
» More or less pleasure: w»
» Bruckner integral
» The Foolishness of Analo»
» I have a dream, the drea»
» Tokyo Opera City Concert»
» About the Playbacks’ Thi»
» A new kid in the block: »
» Classical Music for the »
» The 24 bits of Christmas
» It was seventy years ago»
» So sad that did not see »
» Memory Player Box?
» Kalinnikov’s First Symph»
» Tuners and digital noise»
» Why Hight-End Audio, as »
» “Zarathustra” amplifier:»
Bookmarked are red
Rachmaninoff Photos
Rachmaninoff Society
OperaGlass
The AHRC Research Centre
The Cartridge Database
Japanese Translator
Clemens Krauss Archive
Paul's Antenna Attic
Koussevitzky & BSO
The Opera Critic
The Music Parlour.
BachTrack
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
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 Composer: or  
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Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
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Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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