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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» What constitutes a great»
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» An interesting read abou»
» Ravel's String Quartet; »
» Klipsch Jubilee
» Micro Seiki SX777 Air Re»
» Technology and Ideation;»
» My playback can’t play l»
» Null-set dipole butterfl»
» The exaggerated boots un»
» Tchaikovsky: Symphony No»
» Middle step (non ultimat»
» Digital crossovers self-»
» Single-stage Melquiades »
» Where are our good Tuner»
» First Order on Bass chan»
» Easy Bruckner for Beginn»
» New here
» Rubinstein at Carnegie H»
» Integrated sound field o»
» Sound from behind a wind»
» Vitavox ak151 in klipsch»
» Russian Orthodox liturgy»
» In defense of Mikhail Pl»
» About HF Binaurallism
» Infinite Baffle Implemen»
» Dannoy and oxytocin...
» Paul McGowan. tubes in p»
» Panel with Peter Qvortru»
» VTL TL-7.5 Reference: Hi»
» Drama vs. Chic
» Winter storm & Casals
» Copland/BSO/Copland
» About the DAW playback s»
» The Silence of the Lamms!
Bookmarked are red
Austria's Musical Exiles
Joachim Raff Society
Exotic Audio
Bruce Edgar's Edgarhorn »
Conductor’s Corner
Hermann Scherchen discog»
The Thiele-Small Loudspe»
Michelangeli Site
NPR's SymphonyCast
Haenssler Classic
Pjay's Speaker building »
Alexander Karpov’s “Next»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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