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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Vitavox S2 with Electrom»
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» CDs: good tendencies.
» The mystery of AmpX
» About Darwinism of Music»
» A tribune to Transient E»
» The fantastic Lucas Deba»
» Richard Wetz and Martin »
» The "non-winner&quo»
» Horn speaker with dipole»
» How to paint Multicell h»
» A stunning Beethoven’s “»
» Another interesting corr»
» Is it the time to change»
» Optical Cartridge: groun»
» Reel-to-Reel Tape vs. Ra»
» Interesting use of Lunda»
» Expressive Technologies »
» The 'Side's End Ceremony»
» A quest for a better SET.
» Oliver Sacks' "Musi»
» Schroder Tonearms
» Online Music Store in Eu»
» 5 Channel Version of Mel»
» Lavardin discovery
» Trading cable elevators »
» The "artificially&q»
» Polish Autotech steps up»
» Micro Seiki SX777 Air Re»
» My playback’s sound vs. »
» Introduction to “Melquia»
» Ah Mravinsky !
» Loenid Kogan
» The Verklarte Nacht with»
» The new FM Classical sce»
» Whatever they say about »
» Do not touch that used t»
» A weekend of treats by B»
Bookmarked are red
Stereopal
Decca Classical discogra»
Twogoodears' Blog
The Music Parlour.
Neal's Recordings
Composers Forum
Alexander Karpov’s “Next»
Vintage EV speakers
Higherfi.com
GEMM catalog
Female Composers Site
Aria Database
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
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