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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The audiophile’s stupid »
» Montreal Audio Show 2013
» What lives in Symmetric »
» How playing an instrumen»
» Romy's Multi-cell Horns »
» Creative listening
» Playback journeys and Mu»
» The Softer Side of a Har»
» DA architecture: True M»
» Do not touch that used t»
» A cutoff horn loudspeake»
» Conductor Herbert Kegel
» The mystery of reversed »
» Metaxas-Wolfson ADC with»
» The dynamic range of our»
» Problems with horns: upp»
» Philmundi Story about ho»
» Introduction to “Melquia»
» To be or not to be.
» There is no need to say »
» Samuel Feinberg's Well-T»
» Some Audiogon realty
» A ridicules speaker cable
» Schubert's Dancing Cats
» To Milq builders: correc»
» Maxim Vengerov: Encore i»
» Remembering Sound…
» Rakeshorns
» The global live televisi»
» A dive to Auro 3D
» About the life-expectanc»
» Top Recordings of All Ti»
» Jessie Dazzle Project
» Parts As Facilitators or»
» Audio Covid and some hom»
» Surprising: the most int»
» High-End Audio demo, the»
» The jump-start of loudsp»
Bookmarked are red
Truesound Transfers
Michelangeli Discography
Turner Audio
Conductor’s Corner
Doremi CD label
Overgrown Path
Club Abbadiani Itineranti
Classical Music Network
Carlos Kleiber List
Spinning Dog Records
Professional Audio Calcu»
Wiener Philharmoniker Di»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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