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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Why I hate HornResp.
» The 60-inch LF driver.
» Tosca, Aida, Madama Butt»
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» Like theese?
» Analog vs. Digital... wi»
» Despicable me
» TU-X1 setup
» Low output MC?
» Attempt of a playback sy»
» Buckner and Sun
» Miniumum sample rate for»
» Hørning prøble»
» About Harry Pearson lega»
» The ultimate buffer #2..»
» DVD for pop, SACD for cl»
» Better DAW by a “second”»
» Weiss Engineering DAC202
» Herbie's Hal-O Tube Damp»
» Ah Mravinsky !
» MDTunes™ from SoundLab l»
» A random neutralness
» About “strangeness” of A»
» Bye-Bye, Fane
» His Master Voice’s Shade»
» A good young conductor: »
» An amplifier for Tweeters
» Kevin Puts, American Com»
» Eduardo de Lima is a fre»
» The objectives of Einste»
» Melq 6e5p driver stage f»
» How does [Phaseplug Desi»
» Crash course on horns an»
» Fantasies about 10Y
» Other Ways of getting Sp»
» My horn speakers system.»
» A true nature of audioph»
Bookmarked are red
JBL Products
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Instant Encore
Koussevitzky & BSO
Aria Database
Dazy Web Labaratory
Wolds Opera Broadcasts
Opera Collector Guide
Jong Woo's Site
StateWork Broadcast Reco»
RAAL ribbons
Jim Moskowitz's Unknown »
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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