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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Audio Enigma Variation
» Antelope: might be an in»
» Thoughts from Clark John»
» Any South/Latin American»
» I good spot-light for a »
» Tchaikovsky’s “Evgeny On»
» The Rachmaninoff's large»
» Looking for the most vin»
» Janine Jansen Violin
» Do not over-damped your »
» The Art of Pablo Casals,»
» Arranging my records col»
» If you are in Bruckner: »
» Brahms Double Concerto
» SME M2
» RIP Henryk Mikolaj G»
» Don’t "use" VTA
» What to do in office?
» Conchita Supervia
» I do not know what else »
» Audio equipment recommen»
» The Lavry Gold DA924 ++
» The Active High Frequenc»
» The iHorn - a passive a»
» A quest for a better SET.
» Philosophical approach t»
» Prokofiev
» The global live televisi»
» More power from Melquiad»
» Miniumum sample rate for»
» Digital Equalization
» Beethoven's Triple Conce»
» The Nimbus' Prima Voce b»
» Bach's performing space.
» The “Wet and Fuzzy” cabl»
» 'Ideal' ceiling height? »
» Bruckner 3rd
» DIY multicellular horn
Bookmarked are red
Berkshire Record Outlet
Direct Drive TT
Alexander Karpov’s “Next»
American Broadcasting
Furtwängler's conserts
Plasma Tweeters Site
Classical Music Network
Tuners Stereo Surgeons
Bruce Edgar's Edgarhorn »
Russian Music in 20th Ce»
Tchaikovsky-Research.
Tahra Records
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
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 Composer: or  
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Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
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Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
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 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
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Comments:

 

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