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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Compression at WCRB - b»
» Transition : Driver to t»
» The Patrick Flanagan’s N»
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» The 3 things that audio »
» Montreal Audio Show 2013
» William Ralston Listenin»
» Building horn onto power»
» What is High-End Audio?
» I need a “second-type” p»
» The “Inverted High End A»
» Inner Groove Distortion »
» Denouncing of idea of Ba»
» The tapped horns: cons, »
» Le C'leach horn rear cha»
» Listening Pipe Organ Mus»
» The Hannes Kastner’ Tocc»
» The experiments with rem»
» The sound compromises of»
» NASA Reverberant Acousti»
» Choice of Fireware Inter»
» Mozart: "Cosi Fun T»
» Macondo 2.0?
» 1st Guitar Thread
» Schubert's Dancing Cats
» Help with Math needed.
» A CD player of today… 20»
» The Softer Side of a Har»
» Better DAW by a “second”»
» Pure Audio Blu-ray.
» Ca(r)t before the horse:»
» The Truly High-End Ampli»
» When the stars aligned.
» Violin Concertos
» 5 way system in the UK
» Despicable me
» It is all about hard sur»
» Bruckner 9, Transcriptio»
Bookmarked are red
The Victor Victrola Page
Female Composers Site
AudioTools
Heart's Ease
Hermann Scherchen discog»
Radios for Sale
Sound Tourism
Great Plains Audio
Audio Spot Kamani
Opera Collector Guide
Museatex
Spinning Dog Records
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
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Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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