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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Alternative driver for W»
» Faberryman and the CES 2»
» Power Supplym for driver»
» Achingly Beautiful Arias
» The best audio product o»
» Bye-bye Studer…
» Carbon Interconnect
» The leather-suspended dr»
» The "non-winner&quo»
» Winter storm & Casals
» Audio Covid and some hom»
» A very slow monolog abou»
» Available Blenders and S»
» Musicians' ear
» The not-so-big listening»
» How to manage audio powe»
» The DSET perspective exa»
» About DSET-driven multi-»
» Lamm hybrids: M1.2 vs. L»
» $350.000 of audio-script»
» William Kapell legacy an»
» Playback journeys and Mu»
» Vox Olympian secrets unv»
» A ridicules speaker cable
» Nice collection of Artic»
» Tchaikovsky’s “Evgeny On»
» A weekend of treats by B»
» What drives your musical»
» Contact-free volume cont»
» Those little headphones…
» Looking to brainstorm st»
» Silicone gel damping?
» That is not 1812 and the»
» Loenid Kogan
» My (Amplification + Acou»
» The state of High-Effici»
» The Shelter 90X: mystery»
» Klipsch Jubilee horn
Bookmarked are red
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Marston Records
Willem Mengelberg discog»
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Turner Audio
Heart's Ease
JBL Products
Classic Records UK
Jammin' Jersey
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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