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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Appearance of listening »
» The CES's 2011 horns
» Stay home with Bruckner
» First Bruckner listening»
» The SACD and the Windows»
» A CD playing audio perso»
» Fantasies about 10Y
» Dynamic range in histori»
» How to give bats a heada»
» Bravo, Stereophile: Adve»
» Apple helped kill FM...a»
» The Deutsches Requiem of»
» Coaxial design
» Shall quality-price be r»
» Building a new music room
» The mystery of Koetsu On»
» Dannoy 2021 Loudspeakers
» Make Your Own Horns
» The great pianist Earl W»
» My playback’s sound vs. »
» Children's playground in»
» Natalia Gutman (!) in Bo»
» Lamm ML2.2 and Mark the »
» A Good Tchaikovsky PC 1?
» Good commercial speakers
» About Darwinism of Music»
» How much does it cost to»
» Terminal Velocity? Smart»
» The “better speakers” to»
» The high-end audio, as i»
» Mahler VI - Barbirolli w»
» The Dvorák’s Tone P»
» The WHRB’s Rimsky-Korsak»
» The road to less dummine»
» Input choke for Low Curr»
» The crossovering Messiah»
» Cogent+Electronluv+Acape»
» DAC Recommendations
Bookmarked are red
WGBH's “Keeping Score”
Classical Composers
BuyWell Australia's Clas»
TubeTesters.info
Audio Spot Kamani
The National Valve Museum
Unofficial Vitavox Site
AudioTools
Rachmaninoff Society
Tahra Records
OboinaThor
Professional Audio Calcu»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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