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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» TX-103s...
» The centuries old strugg»
» Amazing Altec 288 ++
» S2 Hissing Sound
» Monitors: Wishful thinki»
» An angry engineer...
» Bruckner at 24bit.
» How to get a LOT of SET »
» A primer on high-end mar»
» The Second stereo arm pr»
» Plaishner 3-way speaker.
» Some Horns propaganda
» Richard Wetz and Martin »
» Online Music Store in Eu»
» Engineering over Art
» Summary: my/your audio: »
» A littlie D-War: Bidat v»
» The industry’s high qual»
» Speakers: a hi-fi disast»
» Ravel Piano Concerto No2
» Some analysis of the Joe»
» Question on speakers
» Learn to differentiate b»
» Roomy the cat is going t»
» Single-stage Melquiades »
» Shock-absorbing tube soc»
» Nothing Is Perfect
» Audio and Music: four le»
» New old records shopping
» The last phonocorrector:»
» LF Amplifier in biamping.
» Classical Music for the »
» The new CEC TL1 transpor»
» From bad Opera to good O»
» More power from Melquiad»
» It takes balls to shop (»
» Links in the Knowledge T»
» How to make a playback t»
Bookmarked are red
Duke Classical
Cedille Chicago
About FM Antennas
The National Valve Museum
Classical Music Streams
Hickok Maintenance
GedLee loudspeakers
Tuner Information Center
Direct Drive TT
Music & Arts
The Leonard Cohen Files
Tahra Records
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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