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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The power AC Outlets?
» The Second stereo arm pr»
» It is imposable to “hear»
» Making of a Steinway.
» An unexplored way to dea»
» Macondo + Milq… very nic»
» The single-stage Milq an»
» Etheraudio's some BS….
» The Verklarte Nacht with»
» Rakeshorns
» The audiophile’s stupid »
» 6 Channel Version of Sup»
» Panel with Peter Qvortru»
» Cellist Daniel Müll»
» Problems with horns: upp»
» Big room vs small room
» Romy's Horns
» EMI rollercoaster across»
» Universal VTA adjustment.
» Not new, but VERY intere»
» Digital crossovers self-»
» WE15a plans
» Practical Guide for Back»
» Altec Lansing model 19 c»
» Commercial Air Blower Io»
» Making LPs; What Goes In»
» Lamm ML2.1 "No long»
» The Sound assessment rec»
» Passive transformer base»
» Think ahead how to measu»
» Deficiency of sensible a»
» RIAA pole two = 501,12 Hz
» Music & Arts' Stokow»
» How to read Romy the Cat»
» Transfer: The reel-to-re»
» Bruckner Sinfonie Nr.8, »
» Midrange driver suggesti»
» The last phonocorrector:»
Bookmarked are red
Koussevitzky & BSO
Russian Records
Linkwitz's "Laboratory"
Sibelius Academy music l»
Robert Greene’s "Reg on »
Music & Arts
Boston Philharmonic Orch»
Valves Collection
Western Electric manuals
Nubes Partem
Berkshire Record Outlet
Rachmaninoff Photos
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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