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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» About HF Binaurallism
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» Auro, reverb injection, »
» A stunning contra-Bruckn»
» Orion Phono Preamplifier
» About audio hoarding
» Afraid loudspeakers that»
» Sonic consequences of re»
» Macondo – Super Melquiad»
» S3 on tractrix 260 graph.
» Thinking about Bruckner »
» Audio and Music: four le»
» About DSET-driven multi-»
» Rhapsody for Tape Record»
» Use absolute polarity as»
» De-stress not decompress»
» Russian mythology and Ho»
» Experience Music Horn In»
» Valve Technology Timeline
» Does high-sensitivity sp»
» Stephen Hartkel, the goo»
» Hi-Fi Mini Systems
» “Why horns”, years later.
» BBC broadcasting radio e»
» Rcf n850
» Janine Jansen
» Holly Proscenium idiocy!
» Russian Orthodox liturgy»
» A datacenter at home and»
» Sound of line level filt»
» Wiring for box speakers?
» Macondo’s lowest channel.
» Educate yourself WHY you»
» How to paint Multicell h»
Bookmarked are red
Truesound Transfers
MusicStack
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Pjay's Speaker building »
Boston Philharmonic Orch»
OboinaThor
Good-Music-Guide
BostonSymphony's Channel
Former Sirkorski Site
Max Robinson’s “Fun With»
THL Audio
Glenn Gould Audio Archiv»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
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 Composer: or  
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Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
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Commercial Availability:
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Recording Information:
  Recorded Sampling Rate:
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 Recorded File Type:
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Extra material within recording:
File was edited / post-processed:
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