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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Crash course on horns an»
» DAW is down… new DAW.
» Closer to the musicians »
» RDH20 Frame double horn »
» "Zaratustra II"»
» How the things are getti»
» The best Third Movement »
» A synonym of audio revie»
» A revolution for Executi»
» The Trout - Perlman, Ba»
» Gould's Goldberg Variati»
» A full-range driver = C»
» To move audio equipment »
» Where the Horns Light is»
» The global live televisi»
» Conductor Herbert Kegel
» The Yevgeny Mravinsky Fi»
» Audio cabinet of curiosi»
» The DHOFT topology? Do n»
» Kloss 5-way horns setup.
» Make your own horns?
» First Bruckner listening»
» Listening Pipe Organ Mus»
» Wine, women, song.. and »
» The Supernatural Josef H»
» Grid bias power supplies
» My new horn systems
» The Herbert von Karajan’»
» What’s up with these gia»
» Expressive Technologies »
» An Acquired Taste
» More 6E5P-6C33C amps.
» Who inherit Mocondo or a»
» Compression at WCRB - b»
» Lavry D9a26 Power Supply
» Real-time free and publi»
» Dubbing LP to digital.
» Ortofon MC Anna cartridg»
Bookmarked are red
Input Choke & Resonant C»
Glenn Gould Audio Archiv»
Rradiomuseum
Tin Lee Electronics
RAAL ribbons
Tonal tests
Club Abbadiani Itineranti
JBL Products
Rachmaninoff Society
ECC99 - 6C33C SET
Radio-Locator
Jong Woo's Site
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
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  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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