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End of Life Phonostage
Audio Demoronizator AD-1
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» What is the best or rule»
» Beware of the "dipo»
» Curiosity about others. »
» The remarkable moments i»
» Jonathan Valin shell be »
» Compression drivers and »
» Tonearms criterias??
» Matching audio to music:»
» Someone is DSETing, it s»
» A fundamentally faulty J»
» Conclusions on my Home a»
» Coaxial design
» Soundsmith’s analog idea»
» The best 20 hz bass horn
» Any South/Latin American»
» 3012 silicon dumping
» Creative listening
» Dick Burwens "low c»
» Rebel++ first blood, Amp»
» Wharfedale Super 12/RS/D»
» The Yevgeny Mravinsky Fi»
» The ultimate buffer #2..»
» A strange urge.
» Sometimes surface noise »
» San Francisco in Februar»
» Bruckner 9 live in 30 mi»
» Strings reinforced sound»
» Professional sound syste»
» Shall quality-price be r»
» How to switch moving coi»
» That is not 1812 and the»
» Fostex tweeters, Lowther»
» About DSET-driven multi-»
» The many sounds of a City
» Shaky tubes, echo testing
Bookmarked are red
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NPR's SymphonyCast
Robert Greene’s "Reg on »
Elliott Sound Products
Dazy Web Labaratory
Electron Tube Data sheets
Cedille Chicago
Classical Music Network
Value of Records Tool
Technical books online
Rradiomuseum
MusicStack
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APR 11 Benjamin Zander, con»
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Micro Seiki RX-5000
Purist Audio Design Pro»
Musatex’s Bidat Model "»
Micro-Seiki Arm Board
Musatex-TP Bidat 20-Bi»
Conscience of audio rev»
Altec 515B bass drivers
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Tribute Output Amorphou»
Stage Acompany SA8535 d»
Kenwood L-02T FM Tuner
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