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» Good commercial speakers
» The foolishness of multi»
» How to USE “Resonating O»
» Antenna Cable Connection
» Conductor Herbert Kegel
» How do you position your»
» Audio Enigma Variation
» 2+3 surround sound??
» Sansui AU-X1 bomb...
» A contemporary AD1 Triod»
» Horn placements - horns »
» Bill Gaw: over 50 years »
» The Yevgeny Mravinsky Fi»
» What is High-End Audio?
» A big room with good aco»
» Custom UPS.
» Compression at WCRB - b»
» Hans Vonk Legacy
» Mendelssohn, Cello Sonat»
» An interesting TT link: »
» How playing an instrumen»
» The Avicenna's failure i»
» Tolga Kashif's “The Quee»
» Why I hate computer play»
» Tidal’s Music Streaming »
» Who the hell is this int»
» Horn-Kultur 5-Way from G»
» Nice pair of S2s on eBay»
» Rullit Aero-8 driving – »
» A quests for an ultimate»
» Eventually I’ve seen a l»
» Yamaha B-2 V-FET amplifi»
» Afraid loudspeakers that»
» Bruckner 3rd
» Big room vs small room
» Idler Drive - Rumbling I»
» Bruckner 8 in Washington»
» Midbass Horns and Real E»
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OboinaThor
Former Sirkorski Site
JE Labs
Duntech Audio loudspeake»
The Opera Critic
NPR's SymphonyCast
FM Radio Query
Direct Heated Rob
Haenssler Classic
Dr. Olson Tribute Site
Rottenburger Museen
The Victor Victrola Page
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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