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» What is interesting abou»
» Romy...thoughts on Lamm »
» Jean Hiraga’s cooking of»
» Gershwin's Rhapsody in B»
» Phono stages with SU-1
» Software for collection »
» About Timbre and Audio.
» Another horn manufacturer
» Splitting XLR into Multi»
» Wywires – “Custom” desig»
» Faberryman and the CES 2»
» Great Cello Concertos
» The 60-inch LF driver.
» A full-range quality-tri»
» Tonality versus Frequenc»
» High-End Audio Bass: wha»
» How to get a LOT of SET »
» Bruckner 9 live in 30 mi»
» The FM Stereo and Multi»
» I do not know what else »
» How to record FM broadca»
» What drives your musical»
» Hungarian folded horn
» Power Supplym for driver»
» Attempt of a playback sy»
» The Mercury "Rigole»
» Some Horns propaganda
» Monitors: Wishful thinki»
» Celibidache / bruckner
» New York Times family ki»
» The ferrofluiding of com»
» Any good sounding AES/EB»
» It is Miracle
» New, Transparent Speaker»
» The evil of low sensitiv»
» Lavry vs Stahl -Tek
» Micro Seiki SX 111FV Pla»
» Digital Equalization
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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‘the lost pianos of siberi»
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Gigout, Eugène (23 Ma»
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Henry, Pierre (9 December »
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My Audio Leftovers
ESS AMT-1A Heil Air Mot»
Rohde & Schwarz MSDC Mu»
SME M2 - 12" Tonearm wi»
Lamm ML-2 Single-Ended »
“Tree Blind Mice” colle»
Mid-range tantrix round»
Musatex-TP Bidat 20-Bi»
Lamm Industries M1.1 Mo»
Conscience of audio rev»
Koetsu Onyx Platinum Ca»
Musatex’s Bidat Model "»
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