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» The not-so-big listening»
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» The crossovering Messiah»
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» Charles Schlueter’s inte»
» Denouncing of idea of Ba»
» JMLC horns profile?
» My new favorite "Ne»
» AMR PH-77: just another »
» New nanotube speaker tec»
» The K&K SE hybrid ph»
» The exaggerated boots un»
» An angry engineer...
» San Francisco in Februar»
» About “strangeness” of A»
» Unexplained haunting exp»
» The state of High-Effici»
» Furtwangler War Years Re»
» Long time due: Digital P»
» A Frankenstein Macondo -»
» Audio Shopping vs. Piano»
» DSET and Cables.
» Best streaming service 2»
» Dunlavy SC++ loudspeaker»
» Macondo Frame modificati»
» The DHOFT topology? Do n»
» The “Melquiades” Sound -»
» Weiss MAN301 Music Server
» High End speakers Evolut»
» Tube outputted CDP's and»
» Digital crossovers self-»
» Sound of Ehernet cables?
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» Mastodont DIY Rack: Wall»
» "O Vitavox, Vitavox»
» The Classical Music Caf&»
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Decca Classical discogra»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Kenwood L-02T FM Tuner
Sansui TU-X1 Tuner
Vitavox S2 Compression »
Electro-Voice T350 twee»
Altec 515B bass drivers
CEC TL-0 MK2 transport
LF Transformer for 6C33C
Mid-range tantrix round»
“Tree Blind Mice” colle»
Purist Audio Design Pro»
Pacific Microsonics Mod»
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