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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» The strings period: the »
» The mystery of reversed »
» Melquiades: too early fo»
» Open letter to WGBH.
» Rod Poole 1962-2007
» About Wilson Audio Louds»
» Holly Proscenium idiocy!
» Sound from behind a wind»
» Alessandro Baricco's &qu»
» The Expressive Technolog»
» Very in depth considerat»
» My Audio Philosophy
» Practicality of paper ma»
» A very slow monolog abou»
» Digital Equalization
» About Stupid Dynamic
» The "artificially&q»
» The last phonocorrector:»
» Soprano Sally Matthews.
» Stupid SME question abou»
» The New Year Concerts wi»
» The 500-megawatt FM stat»
» Magico: biological minde»
» NOhorn channel for “the »
» $350.000 of audio-script»
» Metaxas-Wolfson ADC with»
» The Herbert von Karajan’»
» Anyone experimented with»
» The Opera Room
» Melequiades PSU
» Lamm introduced LL1 Sign»
» Audio vs. Musical pitch
» Russian cello festival
» Tokyo (Akihabra) Audio a»
» Martin-Logan, Myles Asto»
» Rachmaninoff’s Symphony »
» Moerch DP6 and DP8 “anis»
» Planning my DSET
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Soviet Composers
Parnassus Records
George Szell discography
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Holger Klein's Soundpage»
Avie Records
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Musical Instrument Jokes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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