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» "Zaratustra II"»
» About the tweeters phase»
» Red Violin Concerto
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» The CES's 2011 horns
» Macondo Horns: biography.
» 2012 Decca records from »
» Macondo's Axioms: Horn-l»
» Story of my discovery - »
» Constructing LF modules »
» Dynamic range in histori»
» Macondo vs. the “industr»
» The Saudi Arabia and Uni»
» Audio equipment recommen»
» About the Critical Audio»
» If I were a High-End Aud»
» The “Implied Sound” in A»
» The jump-start of loudsp»
» Tonearms criterias??
» Thinking about Bruckner »
» Graphene for Audio
» My playback: what is nex»
» Some conical horns anti-»
» Reel Machines :-O
» How audio started….
» Who makes good L-Pads?
» Crash course on horns an»
» Altec cabinet: 815a
» Chesky's violin concerto
» The Thomas Blumenhofer’s»
» Audio and Music: four le»
» Listening Pipe Organ Mus»
» Electrostatic tweeter fo»
» SME M2-12 tonearm
» Ludwig van Beethoven &qu»
» The 68 dipoles imitation»
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APR 11 Benjamin Zander, con»
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