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» Watching conductors of t»
» Vitavox’s S2 Survival Gu»
» About Omnivorenes of Pla»
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» TAS article: start of th»
» About TTH characteristic»
» Hi from Melbourne, Austr»
» Macondo: new horizons. A»
» The Herbert von Karajan’»
» Looking to brainstorm st»
» Tuva Semminsen sings Viv»
» "Consensus in audio»
» ... and some Bruckner bu»
» Arsenic bacteria & G»
» It is possible to elimin»
» Another (outdoorsy) swea»
» High-End Audio. The thir»
» CDs organisation methodo»
» Ultimate MF compression »
» Another light for the LS»
» Liszt’s symphonic poems.
» Tubas and Mc-step
» Brahms PC #1, Philharmon»
» Micro Seiki RX-5000 Reco»
» JBL LE8
» What is interesting abou»
» Atkinson vs. Tektronix: »
» Audio and Politic: a sol»
» Thinking about Bruckner »
» Preamp/linestage recomme»
» Andrew's new 4-way horn »
» How to evaluate playback»
» What is the buzz: the V-»
» Bruckner 8, WDR and Manf»
» "Not So Sweet Spot&»
» Ortofon MC Anna cartridg»
» Integrated sound field o»
» Class “D” – the industry»
Bookmarked are red
Rottenburger Museen
Furtwängler's conserts
Opera America
Adnan Arduman's site.
Random Classics
Classical Music Network
JPC CD Store
Tchaikovsky's Compositio»
Michelangeli Site
Phil Mundi Audio Pro Med»
Irvington Music
Pjay's Speaker building »
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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