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» Audio and the “Alzheimer»
» Oliver Sacks' "Musi»
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» RIAA pole two = 501,12 Hz
» Deficiency of sensible a»
» The today’s take on Rach»
» Horns and digital crosso»
» Links in the Knowledge T»
» Graphene for Audio
» About reviewer’s qualifi»
» SME M2-12 tonearm
» Open Baffle Speaker Desi»
» Electrostatic tweeter fo»
» New show in US, some new»
» A quest for a better SET.
» Rejection of non-natural»
» Metal domes
» If I start High-End Audi»
» Wich melquiade?
» Building a new music room
» Playback journeys and Mu»
» Eben X-3 loudspeakers -»
» Is better than Kinetic S»
» Non-MDF horns
» The "Nubianco"»
» Grid bias power supplies
» My new favorite "Ne»
» Lutoslawski’s Concerto f»
» Mid-bass Hornresp (V51.3»
» Multi-amping crossoverin»
» JBL 2490 mid-range driver
» SME M2
» To move audio equipment »
» How is Leak tl 25 differ»
» Van den Hul famous FAQ c»
» Audiotism: cable elevato»
» Revisiting DSP
» The pianist Yuja Wang … »
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Berkshire Record Outlet
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Value of Records Tool
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
CEC TL-0 MK2 transport
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Koetsu Onyx Platinum Ca»
Pacific Microsonics Mod»
Stage Acompany SA8535 d»
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“Tree Blind Mice” colle»
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