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» Tanglewood's 75th annive»
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» The "non-winner&quo»
» (Hopefully short) headph»
» Audio and Politic: a sol»
» John Cage about silence »
» A truly cool solution fo»
» Audio system: my path to»
» Getting more power from »
» Polarity Tester – a must»
» Hi from Melbourne, Austr»
» Russian cello festival
» Playlists and patience
» Elgar conducts Elgar.
» What is interesting abou»
» A car with vacuum tube..»
» Apple helped kill FM...a»
» Mahler 3 and BPO.
» What is the difference b»
» Driver tubes, grid leak »
» Gould's Piano
» In defense of Mikhail Pl»
» The corrupted listening »
» Mahler VI - Barbirolli w»
» Need A audio connector &»
» Horn length/expansion/gr»
» Weiss MAN301 Music Server
» Building On "Accide»
» Moerch DP6 and DP8 “anis»
» A new 'chic' foolishness»
» Josh: My visit to Romy t»
» Bass drivers inquiry
» The 500-megawatt FM stat»
» The New sound of London »
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Art Songs and Librettos
MetManiac Opera Archive
Lenard's Opals monitor
MusicWeb
WGBH's “Keeping Score”
Decca Classical discogra»
Boom's Dungeon
Thomas Dunker's Site
Tuners Stereo Surgeons
JE Labs
Irvington Music
Exotic Audio
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Magdalene Ho, pianis»
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Fane Studio 8 dual conc»
Altec 515B bass drivers
Vitavox 330Hz Horn for »
Lamm ML-2 Single-Ended »
Micro-Seiki Arm Board
Micro-Seiki air-suspend»
Musatex-TP Bidat 20-Bi»
Purist Audio Design Pro»
Ortofon Mono CG 25 Di c»
LF Transformer for 6C33C
Micro-Seiki MAX-282 To»
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