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» THE Stargazer
» More about the EdgarHorn»
» Analog Transfer: the fir»
» A perfect "High-End»
» How we "think"»
» Choice of Fireware Inter»
» About speakers Imbedded »
» June in Boston with Earl»
» High Pass Inductors
» Hammond?
» My Audio Philosophy
» Kenwood L-02T and the hy»
» The Silence of the Lamms!
» The state of High-Effici»
» A Plasma Tweeter made in»
» Macondo's Axioms: Horn-l»
» Baltimore Symphony Appoi»
» Is horn a natural shape?
» Dynamic range in histori»
» Why I do not like La-hor»
» Single Ended Pentode to »
» Many Mani's options: My »
» Who makes horns? Archite»
» Hans Zenders’ orchestrat»
» The global live televisi»
» DSET phoned home?
» Crossover Design
» Philmundi Story about ho»
» Lab JC
» Do not buy Brand and Mod»
» Tuners and digital noise»
» A longer CD-Rom cable.
» Impulse response, short »
» Beware of the monophonic»
» Audio and Music: four le»
» Brahms PC #1, Philharmon»
» A book about Loudspeaker»
» Multi-amping crossoverin»
Bookmarked are red
The Soul of Sound
Parnassus Records
Tube World
Tonal tests
Valves Collection
Jong Woo's Site
Scriabin's Sonatas
Wiener Philharmoniker Di»
BachTrack
Audio Anthology
Great Plains Audio
The Thiele-Small Loudspe»
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APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
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Korvet “Egg” Tonearm
CEC TL-0 MK2 transport
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Hillock TV-2 tube tester
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