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» About “strangeness” of A»
» Nice collection of Artic»
» The Art of Pablo Casals,»
» Macondo + Milq… very nic»
» Lamm ML2.1 "No long»
» Bravo, Stereophile: Adve»
» DIY multicellular horn
» Multiple EQ curves of A»
» The Sound assessment rec»
» Eat your heart out, Mr. »
» Submerging deeper into A»
» The Audio of 21 century:»
» Upperbass horns – tone v»
» Playback and Perception »
» TU-X1 setup
» Those Video broadcasts f»
» First order filtration a»
» The state of High-Effici»
» “FM live” file exchange »
» Motion Picture Sound
» Drama vs. Chic
» Schroder Tonearms
» The Real Total Horn
» Some kinky goodies from »
» LeCleach vs. tratrix and»
» Aporia - Silbatone Acous»
» Wagner and loudness.
» The sound compromises of»
» A new generation of full»
» Input choke for Low Curr»
» Lavry D9a26 Power Supply
» How to make a speaker dr»
» Wywires – “Custom” desig»
» Conclusions on my Home a»
» Red Violin Concerto
» Joaquin Rodrigo’s “Conci»
» Antenna Cable Connection
» Khatia Buniatishvili
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
Stage Acompany SA8535 d»
Pacific Microsonics Mod»
Koetsu Onyx Platinum Ca»
Purist Audio Design Pro»
Lamm L2 Reference pream»
Micro-Seiki Arm Board
Rohde & Schwarz MSDC Mu»
Fane Studio 8 dual conc»
Ortofon Mono CG 25 Di c»
Electro-Voice T350 twee»
More Leftovers »»