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» Why I do not love Mahler?
» It's might be anothe»
» Reel Machines :-O
» The inflatable speakers »
» The 3rd music revolution»
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» How to evaluate playback»
» What a trip 30 years bac»
» 2+3 surround sound??
» CD horn and JBL: Crossov»
» Beauty as I See It - Mus»
» Zebra horns painting?
» Audiophile Re-issues: Wh»
» 50/40 Altec 604 Duplex B»
» Those experiences. Early»
» Romy the Cat’s Audio Hom»
» The need for a balanced »
» Dreams about Audio
» Nikolaj Znaider's play a»
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» Wagner and loudness.
» Problems with horns: upp»
» If you were to start fro»
» K2HD -yet, another CD fo»
» It is all about hard sur»
» Brahms, "Liebeslied»
» Matching audio to music:»
» The Herbert von Karajan’»
» Arranging my records col»
» Clark Johnsen.
» JMLC horns profile?
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» Garg wants more horns.
» A Scratched Horn.
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Charpentier, Gustave (25 J»
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Zeisl, Eric(h) (18 May 190»
Darvas, Gábor (18 Jan»
van de Woestijne, David (1»
Nobre de Almeida, Marlos (»
Shields, Alice (18 Februar»
My Audio Leftovers
Micro-Seiki MAX-282 To»
Lamm L2 Reference pream»
Micro Seiki RX-5000
Vitavox S2/S3 diaphragms
Kenwood L-02T FM Tuner
Tribute Output Amorphou»
Vitavox AK151 15" bass »
Koetsu Onyx Platinum Ca»
Purist Audio Design Pro»
Purist Audio Design Pro»
Rohde & Schwarz EU-6201»
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