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» Some Orchestra on Demand»
» Midbass Horns and Real E»
» Interesting non horn spe»
» Orchestra of 32 Loudspea»
» How to USE “Resonating O»
» Danley's optimised paral»
» Recording/Playback softw»
» Label or map it religiou»
» Some thoughts about bass»
» Polish Autotech steps up»
» Macondo and ALE drivers,»
» Speaker Building
» The ferrofluiding of com»
» Lutoslawski Concerto for»
» Critique audio performan»
» Learning to interpret RTA
» To play my 88/24 files o»
» Myth: High-efficiency L»
» Bruckner and women
» Stephen Hartkel, the goo»
» Gardzienice "Metamo»
» Music & Arts' Stokow»
» DIY Void acoustics Air m»
» New set-up causing major»
» Analogue to digital conv»
» Brahms' Magelone Songs
» RIP, Joan Sutherland, &q»
» Dream Hi-Eff Speakers fo»
» What is wrong with the A»
» Carbon Interconnect
» 2011 Brucknerathon
» Thoughts on midbass horn»
» About the audio Sources.
» Stravinsky and Headphone»
» THE Show, 2016
» 3.5m Tractrix Horn Proje»
» About “strangeness” of A»
» Audio equipment recommen»
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ClassicalNet
Vincent Brient's Sit
Value of Records Tool
Louis Speichler's Records
Berkshire Record Outlet
Michelangeli Site
Vintage Audio Trader
Jim Moskowitz's Unknown »
Robert Greene’s "Reg on »
FM Radio Query
TubeTesters.info
Qualiton
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
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Lamm L2 Reference pream»
Sansui TU-X1 Tuner
CEC TL-0 MK2 transport
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Musatex-TP Bidat 20-Bi»
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Purist Audio Design Pro»
Fane Studio 8 dual conc»
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