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» It looks like a simple q»
» The tools to listening s»
» Brahms, "Liebeslied»
» Forward in the past with»
» Tell me about more about»
» Sub-woofer integration w»
» The "Nubianco"»
» Myth of CD clocking = Tr»
» The Abington Something =»
» Ultimate Tonearm
» The “Melquíades” d&»
» Winter storm & Casals
» Russian Orthodox liturgy»
» Solid state revisited
» The Rachmaninoff's large»
» We who are about to die.»
» Playing bad recordings u»
» The real goals of sound »
» Denouncing of idea of Ba»
» Real-time free and publi»
» Tolga Kashif's “The Quee»
» CES – constant but fortu»
» The “theories” about the»
» If you were to start fro»
» “Why horns”, years later.
» Maxonic drivers from Jap»
» A new amplifier from Aud»
» Rachmaninoff PC 2: Conce»
» Should I low pass the mi»
» A multi-tier audio contr»
» Digital crossovers self-»
» To hear Haydn for a firs»
» “Melquiades” amplifier: »
» Credibility of digital i»
» Rod Poole 1962-2007
» The contra-ridicules sol»
» About the thoughtfulness»
» Micro SX8000I: noisy pum»
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