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» Some Orchestra on Demand»
» New superlative horn bui»
» Kevin Brooks Acoustic Sy»
» A full-range quality-tri»
» Coaxial design
» Where are our good Tuner»
» Should I low pass the mi»
» Drama vs. Chic
» Another electromagnet dr»
» Get, or made up a tube t»
» Multiple EQ curves of A»
» Push pull compound compr»
» A full-range driver = C»
» Turntable Design
» The idiotism of Audio Sy»
» Beware of the monophonic»
» Dedicated horn loaded mi»
» Submerging deeper into A»
» A book about Loudspeaker»
» Thank you, Sir! May I ha»
» About the (secret) rules»
» Macondo Alternation. Ext»
» Bach Piano Concertos, 1,»
» Borbely Audio Take on 6C»
» Constructing LF modules »
» Simpson Microphones thre»
» High-End Audio demo, the»
» Why the tubes shall be t»
» Digital Voicing
» Amazon and MP3
» Middle step (non ultimat»
» Macondo’s MiniMe or abou»
» Janine Jansen Violin
» Why I do not love Mahler?
» 3012, 312, M2-12 or ... ?
» WE15a plans
» “Zarathustra” amplifier:»
» Today’s SACD - music for»
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THL Audio
Koussevitzky & BSO
Classic Artc Showcase
Tchaikovsky's Compositio»
Haenssler Classic
Holger Klein's Soundpage»
Max Robinson’s “Fun With»
Value of Records Tool
OperaGlass
Sibelius Academy music l»
WHRB Radio Station
Linkwitz's "Laboratory"
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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it’s (almost) business as »
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Zelter, Karl Friedrich (11»
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Mahler, Alma (31 August 18»
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De Sabata, Victor (10 Apri»
Carter, Elliott (11 Decemb»
Bach, Jan (11 December 193»
van Otterloo, Rogier (11 D»
Faverman, John (11 Decembe»
Pacific Microsonics Mod»
Vitavox AK151 15" bass »
Micro-Seiki air-suspend»
Vitavox 330Hz Horn for »
Lamm ML-2 Single-Ended »
Purist Audio Design Pro»
Micro Seiki RX-5000
SME M2 - 12" Tonearm wi»
Vitavox S2/S3 diaphragms
CEC TL-0 MK2 transport
Ortofon Mono CG 25 Di c»
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