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End of Life Phonostage
Audio Demoronizator AD-1
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» Where high-end audio sta»
» Analog is Back 2011: Wav»
» Schimmel's Voxativ Ampeg»
» The cPlay software.
» Swell New RIAA-Only Phon»
» The Softer Side of a Har»
» Pacific Microsonics Mode»
» Dynamic range in histori»
» Solid state revisited
» Recording options: Pacif»
» Here is my new tonearm.
» Hmmm... the sad truth ab»
» Phoenix
» High-End Audio and..... »
» Minusk: a new Vibraplan?
» Film in Boston: "An»
» (Whose) classical music.»
» Does high-sensitivity sp»
» Beethoven IX and Fü»
» Josh: My visit to Romy t»
» Buying cds and records i»
» Esther Kim. What did you»
» Looking for the most vin»
» The essence of High-End »
» A new European productio»
» The Opera Room
» Every crowd has a silver»
» How Piazzolla should sou»
» 100V vs 120V
» Does tube preamplifier V»
» Yet another Gould box se»
» Tonality versus Frequenc»
» Is it the time to change»
» Gershwin's Rhapsody in B»
» Remote control - the ult»
» NAT Audio Magna -160 Wat»
» Worcester Music 2009-201»
» Impulse response, short »
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Seen and Heard
Spinning Dog Records
Graeme's Speaker DIY Pag»
MusicWeb
Pianist Yakov Kasman
Wiener Philharmoniker Di»
Austria's Musical Exiles
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Nornan Lebrecht's blog
Louis Speichler's Records
Lockwood Audio
Great Hong Kong Blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
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Korvet “Egg” Tonearm
Rohde & Schwarz MSDC Mu»
Pacific Microsonics Mod»
LF Transformer for 6C33C
Musatex-TP Bidat 20-Bi»
Vitavox AK-15/40 15" ba»
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