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End of Life Phonostage
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» The decentralization and»
» Antenna attenuator – you»
» The Ralf Stegmueller’s h»
» The Full (fuller) Range »
» 6C33C socket types, wher»
» Some analysis of the Joe»
» Playback and chamber mus»
» Faital compression drive»
» How to start Classical M»
» Weiss MAN301 Music Server
» About HF Binaurallism
» The “better speakers” to»
» Celebrating Anton Bruckn»
» A Frankenstein Macondo -»
» Thoughs about “My Playba»
» Schubert's Dancing Cats
» A stunning Beethoven’s “»
» What constitutes a great»
» Not new, but VERY intere»
» “Why horns”, years later.
» Dunlavy SC++ loudspeaker»
» How does it sound?
» The “Implied Sound” in A»
» A Moscow setup with Horn»
» Bose audio and industry »
» Inside views of "me»
» Paganini's Daemon : A Mo»
» High-end audio: Absolute»
» Myth: High-efficiency L»
» Ale horns on ebay possib»
» The A=432 Hz Frequency
» Horns and digital crosso»
» Audio treasure find
» Driver Alignment, and Wh»
» Label or map it religiou»
» The Remote System Manage»
» Proximity of horn’s cros»
» Orphean horns of bd desi»
Bookmarked are red
Tonal tests
Instant Encore
Arbiter Records
Willem Mengelberg discog»
Orchestra on Demand
Musical Instrument Jokes
Tube World
OboinaThor
Classical Composers
RAAL ribbons
Irvington Music
Solid State Electronics
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
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Fane Studio 8 dual conc»
ESS AMT-1A Heil Air Mot»
Rohde & Schwarz MSDC Mu»
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Altec 515B bass drivers
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