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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» The cPlay software.
» It is about timbres, stu»
» Yo-yo Ma live on the int»
» Beethoven PVC Trio, Opus»
» The need for a balanced »
» Danley's optimised paral»
» Munich 2017, Avantgarde »
» Kenwood L-02T and the hy»
» VoES
» Contact-free volume cont»
» Musique Concrete horns
» THE Stargazer
» Here's what's REALLY wro»
» "It" Thread
» A great article from Pet»
» Thomas Mayer’s Triamp
» Bad orchestras shell not»
» About DSET-driven multi-»
» Better solution for bein»
» Scientific vs. audio act»
» European Triode Festival»
» Push pull compound compr»
» A minor Audio depression»
» TOA monster sized compre»
» The “sounds” that I am l»
» Horn Speaker Leftovers f»
» Hans Deutsch active acou»
» Six years of continuing(»
» Another time aligned 5-w»
» Do not “compare” audio e»
» Vintage Altec drivers / »
» Western Electric reprodu»
» Van den Hul famous FAQ c»
» Avantgarde Trio G3 Louds»
» Philmundi Story about ho»
» 3012, 312, M2-12 or ... ?
» Woman conductor?
» Audio system: my path to»
Bookmarked are red
Silent Running Audio
Takashi Asahina Group
Willem Mengelberg discog»
Altec divers/horns
High-Tech Hi-Fi
MusicStack
Greg Sando’s Site
Jim Moskowitz's Unknown »
TubeTesters.info
Wing Records
Opera America
Aria Database
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Hillock TV-2 tube tester
Sansui TU-X1 Tuner
Vitavox S2/S3 diaphragms
Micro-Seiki MAX-282 To»
Koetsu Onyx Platinum Ca»
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Micro-Seiki Arm Board
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