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» Another "Top five t»
» “Zarathustra” amplifier:»
» Hässler sonata: Gra»
» I good spot-light for a »
» Bias help
» October surprise. NY, NY»
» MF on AF2, and (perhaps)»
» Accidental death music.
» Putin or Medvedev?
» Engineering over Art
» How to play Bruckner Sou»
» Do not “compare” audio e»
» New audiophile download »
» Tweeters: the most misus»
» More or less pleasure: w»
» Some evidence for the ch»
» How audio started….
» Music & Arts' Stokow»
» That is not 1812 and the»
» Those experiences. Early»
» Chopin's Waltzes, Witold»
» Compression at WCRB - b»
» The “Primary Frequencies»
» The “Wet and Fuzzy” cabl»
» About DSET-driven multi-»
» T.H.E. Show, Newport, 20»
» Synergy Horn
» How High-End Audio can b»
» A request to all posters»
» European Triode Festival»
» The Sound assessment rec»
» Radiation patterns match»
» The silence after coda
» Bruckner 9 live in 30 mi»
» Audio equipment vs. live»
» Melequiades PSU
» Why David Robertson does»
» A proper implementation »
Bookmarked are red
Nornan Lebrecht's blog
The Bruckner Discography
Audio Database
GS Tube
Direct Drive TT
Aria Database
The Air This Week
Adnan Arduman's site.
MetManiac Opera Archive
OperaGlass
Decca Classical discogra»
Western Electric manuals
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