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» Sometimes surface noise »
» Today: Rachmaninoff in A»
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» Aporia - Silbatone Acous»
» Rullit Aero-8 driving – »
» It is imposable to “hear»
» San Francisco in Februar»
» Richard Wagner. Somethin»
» Stephen Hartkel, the goo»
» CES – constant but fortu»
» First Order on Bass chan»
» Bruckner 9, Transcriptio»
» My Koshka is meowing
» Eventually I’ve seen a l»
» Bach Piano Concertos, 1,»
» Computer Audio - like ev»
» The benefits of ultra hi»
» The power AC Outlets?
» My recent FM mystery
» Tractrix Bass horn vs Sp»
» True High-End Audio: Ant»
» New Shalin Liu Performan»
» Ravel Piano Concerto No2
» Best recording I heard i»
» An Interview With Dr. Br»
» Audiophile Re-issues: Wh»
» Sansui TU-X1 Broadcast m»
» Tannoy's Flagship by Jef»
» The elusive “absolute to»
» RDANA - about banning no»
» The meaning of lowest oc»
» What is High-End Audio, »
» The WHRB’s Rimsky-Korsak»
» A Simple Question (or 3)»
» Just-Sound of Audio vs. »
» The unintended consequen»
» About audio Crashes.
» PCM63 DAC with Transform»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Purist Audio Design Pro»
Rohde & Schwarz EU-6201»
Vitavox S2/S3 diaphragms
Lamm L2 Reference pream»
“Tree Blind Mice” colle»
Altec 515B bass drivers
Musatex-TP Bidat 20-Bi»
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Tribute Output Amorphou»
Mid-range tantrix round»
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