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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» "Not So Sweet Spot&»
» Woofers cone repair – a »
» What is the best or rule»
» Where high-end audio sta»
» Good midbass is complica»
» The foolishness of multi»
» 250 watts Parallel S.E. »
» Basic guide to advanced »
» Myth of CD clocking = Tr»
» AMR PH-77: just another »
» Introduction to “Melquia»
» SCAM! Horn - Academy Phi»
» A complex Audio Question
» New set-up causing major»
» FM and … cables…
» About Darwinism of Music»
» Altec cabinet: 815a
» 'Fundamental rich' liste»
» SME M2-12 tonearm
» Cogent+Electronluv+Acape»
» VTL TL-7.5 Reference: Hi»
» Thinking about Bruckner »
» Lab JC
» Turntable Design
» Thoughts from Clark John»
» Trinnov amplitude and im»
» The Mercury "Rigole»
» Jonathan Weiss Introduce»
» It is imposable to “hear»
» The GoodSoundClub’s ‘Ult»
» Nothing to read.
» How to select mid/upper »
» An amplifier for Tweeters
» Abbado + Lucerne Festiva»
» Arranging my records col»
» What a week in Boston!
» JBL2440 on a round 300Hz»
» Don’t "use" VTA
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Tubecad publication
Olson Acoustical Book
TubeTesters.info
Graeme's Speaker DIY Pag»
Classical Music Network
Nornan Lebrecht's blog
Altec divers/horns
Classical Recordings New»
Clemens Krauss Archive
High-Tech Hi-Fi
Thomas Dunker's Site
Boston Philharmonic Orch»
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Sansui TU-X1 Tuner
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Korvet “Egg” Tonearm
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