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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» The John Barbirolli’s wi»
» Micro Seiki Armboards: I»
» Tannoy Red or Gold monit»
» Use absolute polarity as»
» San Francisco in Februar»
» Joseph Haydn, Six Esterh»
» A question to DIY musico»
» Cats and hifi
» Sound of Ehernet cables?
» Subjective evaluation of»
» Audio-tekne's "Tone»
» Klipsch Jubilee horn
» HELP on a Custom 3 Way H»
» Any recommendations?... »
» Audio Note new turntable»
» The 500-megawatt FM stat»
» Andrew's new 4-way horn »
» A sort of DPOLs
» About audio sales and h»
» Problems with horns: mid»
» Emmerich Kalman (1882-19»
» AMR PH-77: just another »
» The crossovering Messiah»
» You Can Play the Record,»
» Suggested target curves »
» Surprising: the most int»
» Ortofon MC Anna cartridg»
» Parts As Facilitators or»
» Romy stalked me on the f»
» Radiation patterns match»
» Horn loaded ribbons and »
» My trip to the Stereophi»
» Used car salesman as a d»
» Focal-Jmlab – the Utopia»
» Proximity of horn’s cros»
» About the life-expectanc»
» My Audio "Reviewing»
» New Bamboo Speakers Feed»
Bookmarked are red
WGBH's “Keeping Score”
Tempo-Electric - Arthur »
Decca Classical discogra»
Lenard's Opals monitor
Classical Composers
GEMM catalog
Input Choke & Resonant C»
Audiofederation's Blog
Bruce Edgar's Edgarhorn »
WGBH alumni
Thomas Dunker's Site
Sound Tourism
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LF Transformer for 6C33C
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Micro-Seiki air-suspend»
Lamm ML-2 Single-Ended »
Electro-Voice T350 twee»
Rohde & Schwarz EU-6201»
Altec 515B bass drivers
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Musatex-TP Bidat 20-Bi»
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Micro-Seiki Arm Board
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