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Site News: 29 Jan 2026
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» Roomy the cat is going t»
» My new horn systems
» TU-X1 setup
» Another problem in my ne»
» Records Box Stuffing
» FM Acoustics: The most i»
» SET and speakers: disreg»
» Bookshelf Horns
» Making of a Steinway.
» How Mussorgsky should so»
» Should I low pass the mi»
» November to remember… an»
» HELP: I’m a line-level l»
» More about the EdgarHorn»
» Benjamin Britten’s Violi»
» Turntable speed analysis.
» The corrupted listening »
» A cutoff horn loudspeake»
» An angry engineer...
» Barn Conversion - James'»
» Open letter to WGBH.
» Some conical horns anti-»
» Brahms PC #1, Philharmon»
» ... again on GOTO Unit d»
» BAAS posting of two raw »
» Best of the HE2006!!!
» I hate, hate, hate, hate»
» Lamm ML2.2 and Mark the »
» 2010 Classical Grammy No»
» Lutoslawski’s Concerto f»
» Esther Kim. What did you»
» A great production of th»
» The "new" Shos»
» The High Resolution PCM »
» Zander's new Masterclass
» Anybody building or usin»
» John Luther Adams's Beco»
» CEC TL0 3.0 trasport
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Classical events in Boston
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NPR Classical Programs
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Composer's Anniversaries
Holzbauer, Ignaz (17 Septe»
Burney, Charles (7 April 1»
Diabelli, Anton (5 Septemb»
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Toldrà, Eduard (7 Apr»
Casadesus, Robert (7 April»
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My Audio Leftovers
Conscience of audio rev»
“Tree Blind Mice” colle»
Musatex-TP Bidat 20-Bi»
Sansui TU-X1 Tuner
Micro Seiki RX-5000
Micro-Seiki MAX-282 To»
Lamm L2 Reference pream»
SME M2 - 12" Tonearm wi»
Korvet “Egg” Tonearm
Stage Acompany SA8535 d»
Musatex’s Bidat Model "»
More Leftovers »»