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» Building Melquiades: Chr»
» To Milq builders: correc»
» Garg wants more horns.
» An educational Eugenie’s»
» Sound of line level filt»
» The Sound and How We Hea»
» New speaker system
» How Mussorgsky should so»
» World's First Concrete R»
» An amplifier for Tweeters
» Choice of Fireware Inter»
» An ultimate horn profile?
» Excerpt: Beethoven Cello»
» NASA Reverberant Acousti»
» Performance of a week.
» Scientific vs. audio act»
» Do not “compare” audio e»
» My playback: what is nex»
» 47 Lab Digital
» Another 2005 CES standou»
» Loudspeaker: Sound repro»
» The Mercury "Rigole»
» Omni-directional 'horny'»
» The A=432 Hz Frequency
» Ortofon MC Anna cartridg»
» The essence of High-End »
» Günter Wand Intervi»
» Upperbass horns – tone v»
» Audio clubs in London, T»
» It is Miracle
» DAW drives configuration»
» Rullit Aero-8 driving – »
» S3 on tractrix 260 graph.
» Horn high-sensitively ar»
» Amplification and Consci»
» How difficult is it to a»
» About cost of electromag»
» Walter conducting Vienna»
Bookmarked are red
The Opera Critic
Alexander Karpov’s “Next»
Audio Perfectionist
John Lenard Burnett's si»
Berkshire Record Outlet
Former Sirkorski Site
The Well Tempered Comput»
Electronics encyclopedia
Unofficial Vitavox Site
The Music Parlour
BostonSymphony's Channel
Seen and Heard
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Ortofon Mono CG 25 Di c»
Kenwood L-02T FM Tuner
Mid-range tantrix round»
“Tree Blind Mice” colle»
Rohde & Schwarz EU-6201»
Altec 515B bass drivers
Micro-Seiki Arm Board
Musatex’s Bidat Model "»
Lamm L2 Reference pream»
Lamm Industries M1.1 Mo»
Koetsu Onyx Platinum Ca»
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