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» A quote from a Japanese »
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» About DSET-driven multi-»
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» The LCR RIAA correctors
» Do not pursue full-range»
» The realty of UHF and LF»
» Be careful: Imaging vs. »
» Macondo Horns: biography.
» Myth: High-efficiency L»
» State Symphony of Russia»
» Sound is like a proverbi»
» Romy The Cat's new Liste»
» Electricity... power str»
» The Ralf Stegmueller’s h»
» Modifying TAD 2404
» What are the effects of »
» The funny Internet audio»
» The "anecdotal"»
» The SACD and the Windows»
» Chasing utopian better p»
» Subjective evaluation of»
» How to play Bruckner Sou»
» The BEST bass cable?
» Western Electric reprodu»
» Selling Audio...
» There is no need to say »
» An idea of “Rain Wake-Up»
» Lecture on history of ar»
» Horns and digital crosso»
» Where are our good phono»
» Help with Math needed.
» My feelings about new ex»
» Replacing 802 G and 811 »
» Tonearm Alignment Method
» Soundsmith’s analog idea»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
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it’s (almost) business as »
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Micro Seiki RX-5000
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