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» RIP, Joan Sutherland, &q»
» Sansui AU-X1 bomb...
» Truly a new use of high-»
» The evil of low sensitiv»
» The "new" Shos»
» RDANA - about banning no»
» A random neutralness
» Single-stage Melquiades »
» What to do in England?
» Oliver Sacks' "Musi»
» A new 'chic' foolishness»
» Superbly interesting eff»
» The ridicules naming of »
» The Studio AU projects.
» The road to less dummine»
» Nice collection of Artic»
» Bass impact on Turntable»
» Red Violin Concerto
» The Real Total Horn
» Digital recorders: what »
» A slightly crazy idea fo»
» Education vs Magic
» Tweeters: the most misus»
» A dive to Auro 3D
» Another (outdoorsy) swea»
» ULF: where is the border»
» Single Driver speakers
» Musicians' ear
» FM and … cables…
» Large La or Tratrix horn»
» Do not over-damped your »
» Deep-cryogenically treat»
» The funny Internet audio»
» Remastering (and re-loca»
» Macondo vs Dannoy = Esse»
» How many channels does a»
» Shostakovich‘s "Suite on»
» Pacific Microsonics Mode»
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Art Songs and Librettos
Wing Records
Tchaikovsky-Research.
Wiener Philharmoniker Di»
Decca Classical discogra»
Aria Database
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Lamm L2 Reference pream»
Musatex-TP Bidat 20-Bi»
Altec 515B bass drivers
Vitavox AK151 15" bass »
Micro-Seiki MAX-282 To»
Purist Audio Design Pro»
Purist Audio Design Pro»
Hillock TV-2 tube tester
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Electro-Voice T350 twee»
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