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Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Rach’s Prelude in C-shar»
» About destiny of “High-E»
» Midbass impedance bumps »
» Real-time free and publi»
» About the thoughtfulness»
» The mono cartridges para»
» Kristian Zimerman BBC in»
» Building On "Accide»
» About cost of electromag»
» What is it all about? De»
» Romy stalked me on the f»
» Romy's Horns
» Wilsons, EMM, Ozawa, Sa»
» The ultimate buffer #2..»
» A new 'chic' foolishness»
» Discovered a great chora»
» Practicality of paper ma»
» Passive line level cross»
» Beware of the monophonic»
» Fuck you, the Shunyata's»
» Beethoven's Triple Conce»
» Analog Transfer: the fir»
» Phono stages with SU-1
» Driver Alignment, and Wh»
» A Frankenstein Macondo -»
» Trash your “full-rage”, »
» Micro RX5000: is that be»
» "Not So Sweet Spot&»
» Music and Arts' Spring.»
» The New York Philharmoni»
» Berlin Philharmonic Dire»
» How to evaluate playback»
» The “theories” about the»
» Baltimore Symphony Appoi»
» Perspective?
» Prokofiev
» A horny newcomer: Pink F»
» Crossover or non-crossov»
Bookmarked are red
Hi-Fi Speakers Design
BuyWell Australia's Clas»
Thomas Dunker's Site
Virtuosos Discographies
NPR's SymphonyCast
Audio Anthology
Hub Arts
Tuners Stereo Surgeons
DaVinciAudio Labs
Elliott Sound Products
Classical Composers
The Opera Critic
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
Vitavox S2/S3 diaphragms
Fane Studio 8 dual conc»
Purist Audio Design Pro»
Musatex-TP Bidat 20-Bi»
Pacific Microsonics Mod»
Ortofon Mono CG 25 Di c»
Vitavox S2 Compression »
Sansui TU-X1 Tuner
Rohde & Schwarz MSDC Mu»
Micro-Seiki Arm Board
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