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» Phoenix
» What drives your musical»
» Flac 16bit/48Khz streami»
» Bach's Cello Suites
» It is Miracle
» Micro RX5000: is that be»
» Building a new music room
» Parts As Facilitators or»
» Sound Quality and “Elect»
» Dynamic viscose stabiliz»
» The one-stage Melquiades.
» What constitutes a great»
» Open Baffle Speaker Desi»
» Bruckner, Wind and the w»
» CEC TL0-X: by no means a»
» First Order on Bass chan»
» My Analog Playback: the »
» Who owns what in FM
» Brahms [piano] Concerto »
» Reel-to-Reel Tape vs. Ra»
» Today’s SACD - music for»
» First order filtration a»
» Prokofiev
» The best picture of audi»
» How to manage audio powe»
» Sometimes surface noise »
» You Can Play the Record,»
» Wharfedale Super 12/RS/D»
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» Constant directivity = c»
» The audiophile’s stupid »
» What would be left in au»
» Milq: Starting the proje»
» ... again on GOTO Unit d»
» We who are about to die.»
» The power AC Outlets?
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Classical events in Boston
APR 27 A GRAND DUO: ROMANTI»
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APR 29 NEC Philharmonia in »
APR 30 Dima Slobodeniouk, c»
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AUG 1 BU Tanglewood Instit»
AUG 1 Mozart: The Marriage»
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Reinken, Jan Adams (27 Apr»
Thalberg, Sigismond (8 Jan»
Catoire, Georgi Lvovitch (»
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Messiaen, Olivier (10 Dece»
My Audio Leftovers
Tribute Output Amorphou»
Musatex’s Bidat Model "»
Koetsu Onyx Platinum Ca»
Vitavox AK-15/40 15" ba»
Sansui TU-X1 Tuner
Lamm Industries M1.1 Mo»
Vitavox S2 Compression »
Ortofon Mono CG 25 Di c»
Altec 515B bass drivers
Lamm L2 Reference pream»
Stage Acompany SA8535 d»
More Leftovers »»