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» Problems with horns: upp»
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» Tractrix Bass horn vs Sp»
» Ah, Michelangeli...
» Sonic consequences of re»
» Gardzienice "Metamo»
» MF on AF2, and (perhaps)»
» The CD players must read»
» Baltimore Symphony Appoi»
» About audio hoarding
» The Full (fuller) Range »
» 47 Lab new turntable and»
» Pikovaya Dama / Queen of»
» Who inherit Mocondo or a»
» Plugin for drawing segme»
» Magico Model 6 loudspeak»
» The industry-embraced au»
» Loudspeakers and headpho»
» John Luther Adams's Beco»
» Polish Chamber Choir - S»
» Hi-Fi Mini Systems
» Conchita Supervia
» Has anyone ever seen the»
» Micro Seiki DD30 Headshe»
» Lamm hybrids: M1.2 vs. L»
» The bizarre magnetized 6»
» Playback as an expressiv»
» What is better then Wagn»
» Live vs. Recorded transc»
» I have a dream, the drea»
» Bruckner at 24bit.
» My playback: what is nex»
» Bruckner and women
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Classic Artc Showcase
George Szell discography
Lockwood Audio
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Orchestra of the Age of »
Vintage Audio Trader
Loudspeaker Designer's G»
Jogis Röhrenbude's Site
Willem Mengelberg discog»
Great Hong Kong Blog
Glenn Gould Audio Archiv»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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CEC TL-0 MK2 transport
Vitavox S2 Compression »
Hillock TV-2 tube tester
Kenwood L-02T FM Tuner
Conscience of audio rev»
Vitavox AK151 15" bass »
“Tree Blind Mice” colle»
Lamm Industries M1.1 Mo»
Stage Acompany SA8535 d»
Fane Studio 8 dual conc»
LF Transformer for 6C33C
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