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» The leather-suspended dr»
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» Performance of a week.
» Yep, Bach would do it….
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» RCA’s Sound And The Story
» Course & guide on ho»
» There is nothing subject»
» The Edgarhorn RTA respon»
» The Thomas Blumenhofer’s»
» BBC: Composer of the Wee»
» Meitner Audio - Ed Meitn»
» Micro Seiki SX777 Air Re»
» Vincent Brient’s playbac»
» Romy Sells Out
» How audio started….
» An educational Eugenie’s»
» Interesting diffuser sof»
» Bill Gaw: over 50 years »
» OK, digitechs, why won't»
» About rationalism of twi»
» The new G.I.P speakers.
» A quest for a better SET.
» MBS Platinum ADC
» Ravel's Piano Trio; Rubi»
» The Macondo’s Upper Bass»
» Belar fms-2 Vs. r&»
» High-End Audio and ... p»
» Music and WW3
» Rachmaninoff, PC 3; Kond»
» Bad, bad, bad 1812 Overt»
» The Nimbus' Prima Voce b»
» Wiring for box speakers?
» Don Quixote BSO Live tod»
» Melquiades: too early fo»
» Audio Shopping vs. Piano»
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Max Robinson’s “Fun With»
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Classical Recordings New»
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The Well Tempered Comput»
Heart's Ease
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Electro-Voice T350 twee»
Koetsu Onyx Platinum Ca»
Micro Seiki RX-5000
Purist Audio Design Pro»
Musatex’s Bidat Model "»
Micro-Seiki air-suspend»
Hillock TV-2 tube tester
REL Precedent 646C tuner
Altec 808A compression »
Rohde & Schwarz EU-6201»
Vitavox S2 Compression »
More Leftovers »»